Crucifix

Dimensions
448.0 x 390.0 cm
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Every detail, painted by hand

Discover Cimabue’s ‘Crucifix’ (1287), a pivotal work bridging Byzantine & Renaissance art. Rich colors, lifelike figures, and historical significance – a masterpiece for collectors.

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The heart of the scene.

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Light and background.

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The brushwork.

The painting

A Masterpiece of Byzantine Influence

Cimabue's "Crucifix" stands as a monumental work from the late 13th century, embodying the transition from Byzantine iconography to early Renaissance realism. Created around 1287, this large-scale crucifix is a testament to Cimabue's innovative approach, blending traditional religious symbolism with emerging artistic techniques that would pave the way for future masters like Giotto.

Subject and Composition

The artwork depicts the crucifixion of Jesus Christ, a central theme in Christian art. The composition follows a traditional cruciform layout, with the figure of Jesus prominently displayed at the center. Flanking the cross are two mourners, likely representing the Virgin Mary and Saint John the Evangelist, adding an emotional depth to the scene.

Style and Technique

Cimabue's style is characterized by a blend of Byzantine influences and early Renaissance innovations. The use of rich colors, particularly deep blues, reds, and golds, creates a sense of reverence and divinity. The figures are rendered with more lifelike proportions and sophisticated shading compared to earlier medieval art, suggesting volume and depth. The artwork is executed in tempera on a wooden panel, a common technique of the period. Gold leaf accents add a luminous quality, enhancing the sacredness of the scene. The meticulous attention to detail in the rendering of the figures' skin and clothing showcases Cimabue's mastery of his craft.

Historical Context

Cimabue, born around 1240 in Florence, was a pivotal figure in the evolution of Italian art. His work marked a significant departure from the flat, schematic methods of Byzantine painting, introducing elements of realism and emotional expression that would become hallmarks of the Renaissance. The "Crucifix" is one of Cimabue's earliest attributed works, commissioned by the Dominican order for the Basilica of San Domenico in Arezzo. This commission highlights the importance of religious art in medieval society and the role of artists like Cimabue in shaping spiritual experiences through visual storytelling.

Symbolism and Emotional Impact

The crucifixion scene is rich with symbolic elements, including the cross itself, representing sacrifice and redemption, and the halos around the heads of the figures, signifying their holiness. The mourners on either side convey grief and sorrow, adding an emotional dimension to the artwork. Cimabue's depiction of Christ's body, rendered with shading and a sense of plasticity, imparts a profound sense of suffering and humanity. This departure from the rigid Byzantine figures of Christ on the cross anticipates the more expressive and naturalistic representations that would define Renaissance art.

Why Collect or Display This Artwork

For art lovers, collectors, and interior designers, Cimabue's "Crucifix" offers a unique blend of historical significance and artistic brilliance. Its rich color palette, intricate details, and emotional depth make it a captivating addition to any collection. As a high-quality reproduction, this artwork can serve as a striking centerpiece in both traditional and contemporary interiors. Its timeless themes and masterful execution ensure that it will be a cherished piece for generations to come. Experience the profound beauty and spiritual resonance of Cimabue's "Crucifix," a masterpiece that bridges the medieval and Renaissance eras, and brings a touch of sacred artistry into your space.

Questions & Answers

What was Cimabue's age when "Crucifix" was created?

When "Crucifix" was created in 1287, Cimabue - born in 1240 - was 47 years old.

What emotional tone accompanies the Proto-Renaissance style of "Crucifix"?

The spiritual emotion of "Crucifix" accompanies its Proto-Renaissance style.

Why is the copyright status of "Crucifix" what it is?

The copyright status of "Crucifix" - in the public domain - its copyright has expired - follows from the artist's death in 1302.

Cimabue

Cimabue

1240 - 1302, Italy

The painter

Cimabue (c. 1240-1302): Pioneer of Italian painting! Explore his Byzantine & Renaissance blend, realistic figures, and influence on Giotto. Discover masterpieces now!

Artist Biography

The Florentine Dawn: Cimabue and the Transition from Byzantium

Giovanni Cimabue, born Cenni di Pepo around 1240 in Florence, stands as a monumental figure—a bridge between the established artistic traditions of the Byzantine world and the burgeoning innovations that would define the Italian Renaissance. His life, though partially obscured by time and romanticized accounts – most notably those penned by Giorgio Vasari centuries later – marks an undeniable turning point in Western art history. Cimabue wasn’t simply a painter; he was a courageous innovator who dared to subtly challenge artistic conventions, laying the groundwork for the revolutionary changes that would soon sweep across Italy. Even his nickname, believed to mean “bull-headed,” hints at a strong will and perhaps a rebellious spirit—qualities demonstrably present in his willingness to experiment with form and expression. He represents a crucial moment where art began to shift from being solely devotional imagery towards something more humanistic and emotionally resonant.

Early Influences and Artistic Development

Initially immersed in the Italo-Byzantine style prevalent throughout Florence, Cimabue’s early work adhered closely to established aesthetic principles: flattened figures adorned with shimmering gold leaf, symbolic rather than realistic depictions of space, and a profound focus on religious iconography. However, even within these constraints, a nascent desire for naturalism began to emerge. He wasn't content merely replicating existing forms; he sought to imbue his paintings with a greater sense of life and emotional depth. While the precise nature of his early training remains debated, it’s likely he honed his skills within Florentine workshops, absorbing the techniques and influences of the time while simultaneously developing his own unique artistic voice. The Byzantine style, characterized by its formality and spiritual focus, provided him with a solid foundation, but Cimabue began to subtly introduce elements that would foreshadow the coming Renaissance—a greater attention to volume, more expressive facial features, and a nascent understanding of spatial relationships. This wasn’t a sudden break from tradition, but rather a gradual evolution, a delicate balancing act between honoring the past and embracing new possibilities.

Masterpieces and Artistic Innovations

Cimabue's legacy is cemented through a series of breathtaking works that showcase his evolving style. The Maestà (Louvre), originally created for the Church of San Francesco in Pisa, stands as one of his most celebrated masterpieces. This monumental altarpiece exemplifies his mastery of composition and use of color, while simultaneously hinting at the shift away from rigid Byzantine conventions. The figures, though still possessing a degree of formality, exhibit a newfound sense of volume and presence. The Crucifixion (San Domenico, Arezzo), dating around 1270, is particularly significant as an early demonstration of his departure from strict Byzantine norms. Here, the proportions are more realistic, and the emotional weight of the scene is palpable—a stark contrast to the often-distant depictions found in earlier religious art. Further evidence of Cimabue’s innovative spirit can be seen in works like the Flagellation of Christ (Frick Collection), generally attributed to his workshop. This complex composition reveals an evolving understanding of perspective and spatial relationships, showcasing a growing interest in creating more immersive and believable scenes. His contributions weren't limited to panel paintings; Cimabue also excelled as a mosaicist, contributing significantly to the decoration of the Baptistery of Florence—though these mosaics have unfortunately suffered from deterioration over time.

A Pivotal Teacher: Giotto and Beyond

Perhaps Cimabue’s most enduring legacy lies in his role as the teacher of Giotto di Bondone. While historical accounts vary regarding the exact nature of their relationship, it is widely accepted that Giotto received crucial training under Cimabue's guidance. However, Giotto would ultimately surpass his master, revolutionizing Italian painting with an even more radical embrace of naturalism and emotional realism. It’s a testament to Cimabue’s skill as a teacher that he fostered such talent, even knowing it might eclipse his own achievements. The story, often recounted by Vasari, of Giotto playfully painting a fly on Cimabue's face speaks volumes about the dynamic between master and pupil—a playful rivalry that ultimately pushed both artists to greater heights. Cimabue’s influence extended beyond Giotto, impacting numerous other artists of the period. He challenged the artistic norms of his time, demonstrating that art could be more than just religious symbolism; it could also reflect human emotion and experience. His willingness to experiment with form, proportion, and expression paved the way for the innovations of the Renaissance, establishing him as a crucial transitional figure in the history of Western art.

Enduring Significance

Cimabue passed away in 1302 in Pisa, leaving behind a body of work that continues to captivate and inspire. Despite his significant contributions, details surrounding his later life remain scarce. However, his artistic legacy resonates powerfully through the works of his students and the evolution of Italian art. He represents a crucial step in the development of Western painting, moving away from the stylized conventions of the Byzantine era towards a more humanistic and naturalistic approach. His paintings are not merely historical artifacts; they are windows into a pivotal moment in artistic history—a time when artists began to question established norms and explore new possibilities. He was a pioneer, a visionary who dared to challenge the status quo and lay the foundations for the artistic brilliance that would define the Renaissance. Cimabue’s work reminds us that even within tradition, there is always room for innovation, and that true artistry lies in the courage to push boundaries and explore new horizons.

Hand Made Oil Reproduction

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Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

Your commission

Crucifix

Reproduction Medium

Reproduction Size

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Elite Senior Artist

More detail, finesse, and extra production time

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Reproduction Frame

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For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.

Professional assembly required - this is not a DIY product.
The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

Nameplate

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Protective Varnish

Glossy Varnish (enhances colors, protects against light/moisture)

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Customize My Artwork

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.

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Urgent

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (31 October). No compromise on quality.

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Express Shipping

Worldwide Delivery () in 5 weeks. (7 November).

Included

Total Price

$ 290

Total Price $ 290

Glass option is only available in size under 110 CM

i.

Scale

The original measures 448.0 x 390.0 cm. Slide to your wall: every size keeps its proportions.

Standard
custom
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INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

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Frame

The frame is drawn on the painting at its true width.

Frame preview
Framed

Corner sample of the WhiteWrap canvas edge finish, stretched on solid wood bars
White $1
Corner sample of the BlurSideWrap canvas edge finish, stretched on solid wood bars
Blurside $1
Corner sample of the ExtendedWrap canvas edge finish, stretched on solid wood bars
Extended $1
Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118H $10
Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118W $10
Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W316PJ $8
Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
W316Y $10
Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
W398PJ $8
Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
W4111J $10
Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
W500HY $15
Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
W500JH $15
Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
W692G $12
Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
W849H $8
Corner sample of the W940BG picture frame: solid wood, 7.5 cm wide and 4.5 cm thick
W940BG $15
Corner sample of the W953PJ picture frame: solid wood, 6 cm wide and 3.5 cm thick
W953PJ $8
Corner sample of the H24-GOLD picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-GOLD $30
Corner sample of the H24-SILVER picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-SILVER $30
Corner sample of the H36-GOLD picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-GOLD $45
Corner sample of the H36-SILVER picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-SILVER $45

Choose your frame

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Make it yours

A painting made by hand can be made for one person.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, WikiOO.org team will email client for instructions and provide a mockup preview

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Finishing

Nameplate, varnish and delivery.

Nameplate

Engraved Bronze Plaque Details

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Transparent Acrylic Plaque Details

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Black Acrylic Plaque Details

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

Protective Varnish

Urgent Production

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (31 October). No compromise on quality.

  • Free Worldwide Express Shipping
  • High-Quality Linen Canvas
  • Full Shipping Insurance
  • Customs Tax Refund Guarantee
  • True Color Matching Guarantee
  • 100-Day Return Policy (Defects Only)
  • 100% Money-Back Guarantee
  • Bulk Discount Offer

Quick facts and art quiz

Quick Facts

  • influences:
    • Italo-Byzantine style
    • Coppo di Marcovaldo's golden striations in clothing
    • Early steps towards naturalism and emotional expression
  • year: 1287
  • artist: Cimabue
  • notable_elements:
    • Lifelike proportions and shading
    • Rich color palette with deep blues, reds, and golds
    • Symmetrical composition with central figure of Jesus flanked by mourners
  • subject: Crucifixion of Jesus Christ
  • style: Byzantine iconography with early Renaissance influences

Art Quiz

There is only one correct answer for each question.

Question 1:
Which artistic movement does Cimabue's 'Crucifix' primarily belong to?
Question 2:
What innovative technique did Cimabue use in this artwork that marked a departure from traditional Byzantine style?
Question 3:
Which famous artist is traditionally considered to have been Cimabue's student, according to Giorgio Vasari?
Question 4:
What is the central subject of Cimabue's 'Crucifix'?
Question 5:
In which Italian city was the original commission for this artwork located?
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