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The Shoemaker

  • Creation date1945
  • Dimensions58.0 x 79.0 cm
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Every detail, painted by hand

Three spots of the painting, enlarged. Our artists reproduce each of them by hand, at the size you choose.

i.

The heart of the scene.

ii.

Light and background.

iii.

The brushwork.

The painting

Lawrence painted The Shoemaker in December 1945, the same month he returned from service in World War II. It was among the first of a dozen paintings the artist made over the course of the following year, all focused on Black workers—from steelworkers to stenographers, professors to barbers. Uninterested in the divisions between "intellectual" and "manual" labor, Lawrence attested in these paintings to the combination of technical skill, knowledge, resourcefulness, ingenuity, and dedication that allowed Black workers to create, even in cramped or confining conditions. This shoemaker—actually a cobbler—fills the space of his workshop; the sharp angle of his shoulders breaks the plane of the ceiling, which seems to bear down on him, while his lower body runs beyond his workbench at the bottom register. Channeling the force of his massive hands and forearms, he trains his eyes on the intricate task at hand. The wall of tiny heels and shiny loafers—dancing shoes, rendered in bright, jewel-like colors—seems to broadcast his success, and to signal the world of abundance and leisure made possible by his hard work. The Shoemaker, like the other paintings Lawrence made in this period, likely reflects his observations of workplaces in Harlem—especially those concentrated in and around "306," an art workshop and community gathering place on 141st Street, where Lawrence studied as an "artist-apprentice" in the 1930s, with artists Charles Alston and Augusta Savage. Many artist workshops doubled as repair shops; Lawrence’s attention to practices of repair speaks to his unique vision of American work in this moment—a vision whose focus on small-scale making and mending set it at odds with mainstream accounts of postwar industry and consumerism. Lawrence is today considered one of the foremost innovators of modernism in the United States, and a consummate storyteller dedicated to animating the lives of Black, poor, and marginalized people. By 1945, he was an established presence in the emerging New York art world. He was known especially for his historical series detailing the lives of heroic individuals (The Life of Toussaint L’Ouverture, 1938, Amistad Research Center, Tulane University, New Orleans; The Life of Frederick Douglass, 1939 and The Life of Harriet Tubman, 1940, both Hampton University Museum, Hampton, Va.; or the struggles of everyday Black people (The Migration Series, 1940–41, Museum of Modern Art, New York and the Phillips Collection, Washington, D.C.). For these multi-panel series, Lawrence developed a unique process: months of painstaking research preceded a concentrated burst of drafting and painting, during which Lawrence applied colors one-by-one to all the panels, ensuring continuity across the series. The 1945–46 paintings of Black workers, however, employed a different process. Rather than a carefully planned and researched series, it represented what Lawrence called a "theme": a group of paintings, completed individually, which explored a related idea or topic without adhering to a specific narrative or predetermined agenda. The looser, more fluid theme format allowed Lawrence to meet the demands of his gallerist, Edith Halpert, founder of the influential Downtown Gallery. Halpert’s efforts to market Lawrence’s work on a national stage met with great success. One of the only Black artists represented by a major New York gallery in the 1940s and 1950s, Lawrence was the subject of significant interest on the part of major museums, private collectors, and critics. The Met acquired The Shoemaker, for example, just months after it was completed. Lawrence’s singular inclusion in the art world came with its own difficulties, however: his work often met reductive, if not outright racist, characterizations in the press, a trend only further exacerbated by Halpert’s emphasis and capitalization on his racial difference. Lawrence turned to Black workers and makers as subjects, therefore, at a moment in which he was working through questions about the nature of his own work, prompted by its complicated enfolding within a professionalizing art world.

Questions & Answers

Where can I see a preview of "The Shoemaker"?

To preview a reproduction of "The Shoemaker" by Jacob Lawrence, open the artwork's Preview page.

What size is "The Shoemaker" by Jacob Lawrence in real life?

The original "The Shoemaker" by Jacob Lawrence measures 58 x 79 cm.

Where can I find artworks similar to "The Shoemaker" by Jacob Lawrence?

Artworks similar to "The Shoemaker" by Jacob Lawrence are gathered on the artwork's Similars page.

Jacob Lawrence

Jacob Lawrence

1917 - 2000, United States of America

The painter

Discover Jacob Lawrence (1917-2000), a pivotal African American artist of the Harlem Renaissance. Known for his 'dynamic cubism' & powerful depictions of Black life, history, and social justice.

Artist Biography

A Life Painted in Story: The World of Jacob Lawrence

Jacob Armstead Lawrence, born in Atlantic City, New Jersey, in 1917, emerged as one of the most significant American artists of the 20th century. His life story is intrinsically woven into his art—a powerful narrative shaped by the realities of being African-American during a period of profound social change. Following his parents’ divorce in 1924, Lawrence experienced a childhood marked by movement and adaptation, spending time in foster care in Philadelphia before ultimately finding a home with his mother in Harlem during the vibrant years of the Harlem Renaissance. This immersion into the cultural heart of Black America would become the wellspring of his artistic vision. It was within the bustling streets and communal spirit of Harlem that Lawrence first encountered art, attending classes at Utopia Children’s House and later studying under Charles Alston at the Harlem Art Workshop—a formative experience that set him on a path to becoming a visual storyteller of unparalleled depth.

Dynamic Cubism: A Style Born of Experience

Lawrence didn't simply adopt artistic styles; he forged his own, famously describing it as “dynamic cubism.” This wasn’t an imitation of the European avant-garde but rather a unique synthesis of modernist principles and the lived experiences of his community. Influenced by the bold colors and flattened forms of African sculpture and Mexican muralists—artists who prioritized narrative and social commentary—Lawrence developed a visual language that was both strikingly modern and deeply rooted in Black culture. His paintings are characterized by strong, simplified shapes, vibrant color palettes, and a deliberate rejection of traditional perspective. This approach wasn’t merely aesthetic; it served to emphasize the emotional weight of his subjects and create a sense of immediacy and accessibility. He sought not to replicate reality but to distill its essence, capturing the spirit of a people and their history with unwavering honesty.

Chronicling History & Everyday Life

Lawrence’s artistic output is remarkable for its breadth and thematic consistency. He didn't focus on isolated portraits or landscapes; instead, he created sweeping series that tackled monumental historical events and the nuances of everyday Black life. His breakthrough came with The Migration Series, a powerful sequence of sixty panels depicting the Great Migration—the mass movement of African Americans from the rural South to the industrial North in search of opportunity and escape from Jim Crow segregation. This work, begun in 1940-41, catapulted Lawrence to national recognition, earning him accolades and securing his place as a leading voice in American art. But The Migration Series was just the beginning. He went on to create equally compelling series dedicated to figures like Toussaint L’Ouverture, Frederick Douglass, and Harriet Tubman—transforming historical narratives into accessible visual stories. Beyond these grand historical cycles, Lawrence also found beauty and significance in the ordinary: scenes of barbershops, diners, and domestic life became canvases for exploring themes of community, resilience, and identity. His painting Bar and Grill, a stark depiction of segregation within a New Orleans café, exemplifies his ability to distill complex social realities into potent visual statements. Similarly, Victory and Defeat, with its imposing wall of cannonballs, commemorates the pivotal siege of Yorktown, Virginia, offering a nuanced reflection on American history.

Legacy & Enduring Influence

Jacob Lawrence’s impact extends far beyond his impressive body of work. He was not only an artist but also a dedicated educator, teaching at institutions like Black Mountain College and the University of Washington for sixteen years. Through his teaching, he nurtured generations of artists, encouraging them to find their own voices and explore themes relevant to their experiences. Lawrence paved the way for countless African-American artists who followed, challenging prevailing norms and expanding the boundaries of American art. His work continues to resonate today, prompting critical conversations about race, history, and social justice. Featured in prominent museums such as the Smithsonian American Art Museum and the University of Washington’s collection, his paintings serve as enduring testaments to the power of art to illuminate the human condition and inspire change. He left behind a legacy not just of beautiful images but of courageous storytelling—a visual chronicle of a people's journey toward freedom and self-determination.

Quick facts about Jacob Lawrence

  • Full Name: Jacob Lawrence
  • Nationality: American
  • Date Of Birth: 1917
  • Date Of Death: 2000
  • Place Of Birth: Atlantic City, United States of America
  • Notable Artworks:
    • Bar and Grill
    • Victory and Defeat
    • Captain Skinner
    • Firewood 55
  • Artistic Movement Or Style: Dynamic Cubism
  • Artists Or Movements Influenced By This Artist: African-American artists

Hand Made Oil Reproduction

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Hand Made Oil Reproduction

Hand-painted oil on canvas in your size and frame, made to order by our artists. ( Switch to Print Switch to Digital Image)

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The Shoemaker

Reproduction Medium

Reproduction Size

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Elite Senior Artist

More detail, finesse, and extra production time

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Reproduction Frame

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For artworks or reproductions larger than 105 cm (approximately 41 inches) on any side, the frame will be shipped as a kit, disassembled. This method ensures safe delivery and prevents damage during transport.

Professional assembly required - this is not a DIY product.
The kit must be assembled and the canvas stretched by an experienced professional framer, using wood glue (not supplied), a canvas stretching plier and clamps to hold the bars square while the glue dries. Incorrect assembly or uneven canvas tension can permanently damage the artwork and is not covered by our warranty.

  • All solid wood bars are included, precisely cut to size.

  • Assembled with the screws provided, plus wood glue for the corner joints, which is not supplied and must be sourced by your framer.

  • Professional tools are required and not included: a canvas stretching plier (tensioner) and clamps to hold the bars square while the glue dries.

Important:
The corner joints require wood glue, the bars must be held with clamps until the glue is fully dry, and tightening the canvas on the assembled frame requires a canvas stretching plier. None of these are included in the kit. Please arrange an experienced professional framer before ordering this size.

Nameplate

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Protective Varnish

Glossy Varnish (enhances colors, protects against light/moisture)

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Customize My Artwork

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.

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Urgent

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (30 October). No compromise on quality.

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Express Shipping

Worldwide Delivery () in 5 weeks. (6 November).

Included

Total Price

$ 265

Total Price $ 265

Glass option is only available in size under 110 CM

i.

Scale

The original measures 58.0 x 79.0 cm. Slide to your wall: every size keeps its proportions.

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INCH

Pick from our preset sizes that match the artwork's original proportions.

width
height

Type the width and the height you need, to fit your frame or your wall. This is hand-painted, so for a size with a different shape the artist can paint a bit more around the picture, or cut a bit — you choose. We send you a digital mockup to approve before the painting starts. The picture shown on this page does not show the real result — only the mockup does.

ii.

Frame

The frame is drawn on the painting at its true width.

Frame preview
Framed

Corner sample of the WhiteWrap canvas edge finish, stretched on solid wood bars
White $1
Corner sample of the BlurSideWrap canvas edge finish, stretched on solid wood bars
Blurside $1
Corner sample of the ExtendedWrap canvas edge finish, stretched on solid wood bars
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Corner sample of the P118B picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P118B $10
Corner sample of the P118H picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: moulded polystyrene, 5.5 cm wide and 3.5 cm thick
P438Z $10
Corner sample of the P508JH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508JH $12
Corner sample of the P508YH picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P508YH $12
Corner sample of the P805H picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805H $10
Corner sample of the P805Z picture frame: moulded polystyrene, 5 cm wide and 3.5 cm thick
P805Z $10
Corner sample of the P919BZ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919BZ $10
Corner sample of the P919G picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919G $10
Corner sample of the P919XJ picture frame: moulded polystyrene, 7 cm wide and 3.5 cm thick
P919XJ $10
Corner sample of the P959ZH picture frame: moulded polystyrene, 5 cm wide and 3 cm thick
P959ZH $10
Corner sample of the P968JZ picture frame: moulded polystyrene, 6 cm wide and 4 cm thick
P968JZ $12
Corner sample of the W106C picture frame: solid wood, 5 cm wide and 3 cm thick
W106C $8
Corner sample of the W218G picture frame: solid wood, 5 cm wide and 3 cm thick
W218G $10
Corner sample of the W218JH picture frame: solid wood, 5 cm wide and 3 cm thick
W218JH $8
Corner sample of the W218Y picture frame: solid wood, 5 cm wide and 3 cm thick
W218Y $10
Corner sample of the W307PJ picture frame: solid wood, 6 cm wide and 3 cm thick
W307PJ $10
Corner sample of the W316G picture frame: solid wood, 6 cm wide and 3 cm thick
W316G $10
Corner sample of the W316PJ picture frame: solid wood, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: solid wood, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: solid wood, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: solid wood, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: solid wood, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: solid wood, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: solid wood, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: solid wood, 5 cm wide and 3 cm thick
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Corner sample of the H24-GOLD picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
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Corner sample of the H24-SILVER picture frame: carved wood with gesso, 10 cm wide and 6 cm thick
H24-SILVER $30
Corner sample of the H36-GOLD picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-GOLD $45
Corner sample of the H36-SILVER picture frame: carved wood with gesso, 15 cm wide and 6.5 cm thick
H36-SILVER $45

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iii.

Make it yours

A painting made by hand can be made for one person.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, WikiOO.org team will email client for instructions and provide a mockup preview

iv.

Finishing

Nameplate, varnish and delivery.

Nameplate

Engraved Bronze Plaque Details

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Transparent Acrylic Plaque Details

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Black Acrylic Plaque Details

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

Protective Varnish

Urgent Production

Worldwide Delivery () in 3/4 weeks instead of standard 5 weeks. (30 October). No compromise on quality.

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