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Mourning

A vibrant explosion of reds and oranges captures a woman's raw emotion in Maria Lassnig's Mourning, an evocative 2003 masterpiece that invites you to explore the profound depths of body awareness and human feeling.

Explore the pioneering work of Maria Lassnig (1919-2014), Austrian painter renowned for her self-portraits & 'body awareness' theory. Discover her contributions to Informalism, Tachisme, and feminist art history.

The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

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Total Price

$ 62

Mourning

Giclée / Art Print

Reproduction Size

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Total Price

$ 62

Quick Facts

  • Title: Mourning
  • Artistic style: Body awareness, Informalism
  • Artist: Maria Lassnig
  • Dimensions: 150 x 205 cm

The Visceral Language of Emotion

In the profound and haunting masterpiece Mourning, the late Austrian visionary Maria Lassnig invites us into a raw, unfiltered exploration of human vulnerability. Created in 2003, this expansive work serves as a powerful testament to the artist's lifelong dedication to her theory of "body awareness." At the heart of the composition, a central female figure emerges with an open-moutched cry, a visceral expression of grief that transcends mere depiction to become a shared human experience. Surrounded by figures that exist in varying states of nakedness and color, the painting dissolves the boundaries between the physical self and the psychological landscape, creating a scene that is as much about internal sensation as it is about external form.

The technique employed here is nothing short of transformative. Lassnig utilizes a vibrant, almost feverish color palette to communicate the intensity of the subject matter. The central figure, bathed in searing reds and warm oranges, acts as a focal point of heat and passion, contrasting sharply with the more varied, multi-colored tones of the surrounding figures. This use of color does not merely decorate the canvas; it functions as a rhythmic pulse, guiding the viewer's eye through a chaotic yet deeply structured emotional journey. The brushwork, characteristic of her later mastery, feels spontaneous and urgent, capturing the fleeting, often painful sensations of being alive.

A Legacy of Subjectivity and Form

To understand Mourning, one must look to the historical context of Lassnig’s evolution within the Austrian art scene. As a pioneer of Informalism and Tachisme, Lassnig moved away from traditional representation toward a style that prioritized the "inner body." This piece stands as a culmination of decades spent navigating the complexities of identity, influenced by her early life in Kappel am Krappfeld and her formative years at the Academy of Fine Arts in Vienna. The figures surrounding the central protagonist—some draped, some bare, some looming in the background—suggest a communal weight to grief, implying that sorrow is never an isolated event but one that ripples through our social and physical connections.

For the discerning collector or interior designer, this artwork offers more than just visual splendor; it provides a profound emotional anchor for any space. The sheer scale of the piece, measuring 150 x 205 cm, allows its commanding presence to dominate a room, turning a wall into a window into the human soul. A high-quality reproduction of this work preserves the delicate nuances of Lassnig's color transitions and the raw energy of her strokes, making it an ideal centerpiece for those seeking to infuse their environment with intellectual depth and avant-garde sophistication. It is a piece that demands conversation, inviting viewers to contemplate the beautiful, tragic, and inescapable nature of our shared existence.

Questions & Answers

Are the colors of "Mourning" by Maria Lassnig saturated or muted?

The palette of "Mourning" is muted in saturation.

When and with what materials was "Mourning" made?

"Mourning" was made in 2003, in painting.

What is the luminance of "Mourning" by Maria Lassnig?

The luminance recorded for "Mourning" by Maria Lassnig is luminous.


Artist Biography

early life and education

maria lassnig, an austrian artist known for her painted self-portraits and her theory of 'body awareness', was born on september 8, 1919, in kappel am krappfeld, austria. her early life was marked by her mother's troubled relationship with a much older man, leading to lassnig being raised primarily by her grandmother. this complex family dynamic would later influence her artistic themes. lassnig attended the academy of fine arts in vienna during world war ii, where she began to develop her unique style and approach to art.

artistic career and contributions

maria lassnig's artistic career is distinguished by several key contributions:
  • introduction of informalism and tachisme: lassnig played a pivotal role in introducing these styles into post-war austrian art.
  • participation in the hundsgruppe ('dog pack') group: alongside notable artists like arnulf rainer, ernst fuchs, and wolfgang hollegha, lassnig was part of this influential group that shaped the austrian art scene in the 1950s.
  • development of 'body awareness' theory: this concept, coined by lassnig in 1948, emphasizes depicting only body parts felt during the creative process, leading to innovative self-portraits with missing body parts or unnatural colors.

awards and legacy

- first female artist to win the grand austrian state prize (1988) - awarded the austrian decoration for science and art in 2005 - received the golden lion award for lifetime achievement at the 55th venice biennale in 2013

notable works and exhibitions

- selfportrait with telephone (lentos kunstmuseum linz, austria), showcasing her unique approach to self-portraits - featured in various exhibitions, including those at the kunsthistorisches museum and museum of applied arts in vienna

teaching and later life

from 1980 until her death, lassnig lived and taught in vienna, becoming a professor at the vienna university of applied arts in 1980. her later work continued to explore themes of body awareness and self-portraits.

conclusion

maria lassnig's pioneering work in 'body awareness' has left an indelible mark on austrian art, inspiring generations with her innovative approach to self-portraits and her contributions to the development of informalism and tachisme. her legacy continues to be celebrated through her artworks and the impact she had on the art world.
Maria Lassnig

Maria Lassnig

1919 - 2014 , Austria

Quick Facts

  • Full Name: Maria Lassnig
  • Nationality: Austrian
  • Date Of Birth: 1919
  • Date Of Death: 2014
  • Place Of Birth: Kappel am Kraffeld, Austria
  • Notable Artworks:
    • Selfportrait with telephone
    • Atlas
    • Woman Power
  • Artistic Movement Or Style: Informalism & Tachisme
  • Artists Who Influenced This Artist:
    • Arnulf Rainer
    • Ernst Fuchs
  • Artists Or Movements Influenced By This Artist: ['Feminist Art History']
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