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StatsDos perfiles
- 30.0 x 40.0 cm
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The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.
This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.
Giclée / Art Print
Museum-quality giclée or canvas print with fast production and flexible finish options. (
Buy Hand Made Painting Switch to Digital Image)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Pick from our preset sizes that match the artwork's original proportions.
Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
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Glass option is only available in size under 110 CM
Dos perfiles
Giclée / Art Print
Reproduction Size
-
Total Price
$ 62
Related Artworks
Artist Biography
A Surreal Vision of the Mexican Landscape
The art of Ricardo Martínez de Hoyos exists in a delicate space between reality and reverie, where the rugged textures of the Mexican landscape dissolve into dreamlike atmospheres. Born on October 28, 1918, in the vibrant heart of Mexico City, Martínez was part of a remarkably large and creatively gifted family; he was the thirteenth of sixteen children. This environment, teeming with artistic ambition, profoundly shaped his trajectory. With siblings such as the renowned sculptor Oliverio Martínez and the actor Jorge Martínez, his upbringing was an immersion into the aesthetic pulse of his nation. His early years were marked by a unique cultural duality, having lived in San Antonio, Texas, during the Great Depression. This period of displacement not only granted him fluency in English but also introduced him to the profound literary voices of Jane Austen, Charles Dickens, and Walt Whitman, authors whose psychological depth and evocative imagery would later find subtle echoes in his painterly explorations of the human condition.
Martínez’s artistic development was a sophisticated dance between tradition and the avant-garde. While he emerged during the twilight of the Mexican School of Painting, he resisted the rigid nationalist mandates of his predecessors, instead becoming a precursor to the Ruptura movement. He possessed a rare ability to honor the ancestral aesthetics of pre-Hispanic civilizations while simultaneously embracing the experimental trends of the mid-20th century. His work does not merely depict a scene; it evokes an emotion through "unreal atmospheres" and figurative compositions that feel as though they were plucked from a subconscious memory. Whether capturing the quiet dignity of a figure or the sweeping, mystical presence of a landscape, his brushwork imbued each subject with a sense of timelessness and mystery.
Legacy and Artistic Triumph
The significance of Martínez’s contribution to Mexican art is etched into the very institutions that have honored him. His mastery of figurative painting and his ability to manipulate light and texture earned him prestigious placements in Mexico City's most esteemed venues, including the Museo de Arte Moderno and the Palacio de Bellas Artes. The latter, a temple of Mexican culture, even organized a dedicated tribute to him in 1994, recognizing his role in evolving the national visual language beyond mere muralism. His work serves as a bridge between the monumental social realism of the past and the more intimate, psychological explorations of modernism.
Beyond the canvas, Martínez’s commitment to the preservation of art was evident even in his youth; as a student, he founded a group dedicated to protecting the murals of José Clemente Orozco from vandalism, demonstrating a lifelong reverence for the sanctity of the image. Today, his legacy continues to breathe through the cultural center established in his name in the historic center of Mexico City. To view a Martínez painting is to enter a world where the boundaries of the physical landscape are blurred by the spirit, leaving the viewer suspended in a beautiful, surrealist trance that remains as captivating today as it was during his lifetime.
Ricardo Martínez
1961 -
Quick Facts
- Full Name: Ricardo Martínez de Hoyos
- Nationality: Mexican
- Date Of Birth: 1961
- Date Of Death: January 11, 2009
- Place Of Birth: Mexico City
- Notable Artworks:
- Dos perfiles
- Pueblo de Santa Rosa (Paisaje con magueyes)
- Desnudo Azul
- Artistic Movement Or Style: Surreal figurative
- Artists Who Influenced This Artist:
- Jane Austen
- Charles Dickens
- Walt Whitman
- Artists Or Movements Influenced By This Artist: ['José Clemente Orozco']
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