Untitled

1949
94.0 x 160.0 cm

Gestural marks and abstract forms characterize this untitled composition by Matta. They exemplify the artist’s application of "automatic" techniques associated with Surrealism, to which he was introduced by André Breton, the founder of the movement in Paris. Here, two upright, hybrid figures appear to confront, even antagonize, one another in amid a tense field punctuated with blunt passages of hot yellow and bright red. Reinterpreted by younger American artists in 1940s New York, including Jackson Pollock, Matta’s brand of biomorphic abstraction contributed to the foundation of what became known as Abstract Expressionism.

Questions & Answers

Can I see an X-ray view of "Untitled" by Roberto Matta?

"Untitled" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.

Is there a slideshow for "Untitled" by Roberto Matta?

The diaporama of "Untitled" can be watched on the artwork's Diaporama page.

How is the color composition of "Untitled" by Roberto Matta built?

In "Untitled", a statement contrast is paired with a strong color unity harmony.

By the WikiOO.org Editorial Team

Roberto Matta (1911 – 2002)

Explore the surreal world of Roberto Matta (1911-2002)! Discover his biomorphic art, Chilean heritage & influence on Abstract Expressionism. A 20th-century icon.

About this artwork

Title: Untitled
Artist: Roberto Matta
Year: 1949
Original dimensions: 94.0 x 160.0 cm
Format: Panoramic
Copyright status: Under copyright
Color intensity: Vivid
Perceived brightness: bright