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Study for Kites

A lively watercolor scene of people flying colorful kites captures a sense of joyful movement in this 1966 masterpiece by British artist William Roberts, inviting you to bring this vibrant moment into your collection.

Discover William Roberts, a pivotal Australian Impressionist artist. Explore his evocative landscapes & 'national narratives' – Shearing the Rams & more! A key figure in the Heidelberg School.

The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.

This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.

Giclée / Art Print

Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting Switch to Digital Image)

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Total Price

$ 62

Study for Kites

Giclée / Art Print

Reproduction Size

-

Total Price

$ 62

Quick Facts

  • Movement: Vorticism / English Cubism
  • Artistic style: English Cubism
  • Notable elements or techniques: Grid transfer method, geometric shapes
  • Artist: William Roberts
William Roberts is a British painter of figure compositions and portraits. He was a pioneer of abstract art before the First World War. Roberts worked outside the mainstream. Later in his career he would describe himself as an English Cubist. In 1914 Roberts joined the short-lived art movement the Vorticists, founded by the artist and writer Wyndam Lewis. The Vorticists believed that British art at this time was in a decayed state. Their aesthetic combined the geometrical fragmentation of Cubism with Futurist machine-like imagery. During the First World War, Roberts was a gunner on the Western Front. Later he became a war artist, a position he held in both world wars. He is best remembered for his large complex and colourful compositions.Roberts has marked this reference picture with a grid to help him to transfer it to canvas. The canvas is marked with a corresponding grid allowing the picture to be enlarged and transferred one square at a time.

Questions & Answers

Where can I buy a hand-painted reproduction of "Study for Kites" by William Roberts?

Hand-painted copies of "Study for Kites" by William Roberts are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

What other names is William Roberts known by?

William Roberts is also known as William Patrick Roberts Hollingsworth Jr., Billy Roberts.

Is "Study for Kites" by William Roberts in the public domain?

"Study for Kites" by William Roberts is still protected by copyright. This status governs how the image of the work may be reproduced.


Artist Biography

William Roberts (painter) – A Pioneer of British Impressionism

William Patrick Roberts (5 June 1895 – 20 January 1980) was a British artist who stands as one of the most significant figures in the Heidelberg School, an Australian Impressionist movement that profoundly shaped the visual landscape of the early 20th century. Born into a working-class family in London’s East End, Roberts possessed an innate talent for drawing from a young age—a passion nurtured by his parents and educators—that would propel him to become a celebrated painter and a pivotal voice in British art history. His artistic journey began with formal training at Saint Martin's School of Art and the Slade School of Art, where he absorbed the stylistic innovations championed by Henry Tonks and Wilson Steer, establishing a foundation for his distinctive approach to painting.
  • Early Influences: Roberts’s formative years were marked by exposure to Impressionist ideas circulating in Europe, particularly through his travels in France and Italy. These experiences instilled within him an appreciation for capturing fleeting moments of light and color—a core principle that would underpin his artistic endeavors throughout his career.
  • The Heidelberg School: Roberts joined the Heidelberg School in 1914, alongside fellow artists like Frank Auerbach, Karel Appel, Cedric Vivian, and Roger Fry, establishing a collaborative environment dedicated to exploring expressive abstraction. This group sought to liberate painting from representational constraints, prioritizing emotional intensity and textural richness over precise depiction.
  • Cubist Explorations: Embracing the influence of Cubism—particularly championed by Picasso and Braque—Roberts experimented with geometric forms and multiple perspectives in his paintings during World War I. His work reflected a fascination with intellectual rigor alongside an impulse toward artistic innovation, resulting in canvases that challenged conventional notions of visual perception.

Major Works & Artistic Style

Roberts’s oeuvre is characterized by monumental canvases imbued with vibrant hues and textured surfaces—a hallmark of his Heidelberg School style. His most iconic paintings include “Shearing the Rams” (1936), a depiction of rural Australian life rendered in bold brushstrokes and layered pigments, and “National Narratives” (1937), which captures the spirit of the British Isles with evocative color palettes and dynamic compositions. These works exemplify Roberts’s commitment to conveying emotion through visual language—a stylistic decision that distinguishes him from many of his contemporaries. His technique involved applying paint thickly onto canvas, creating palpable impasto textures that heighten the impact of color and form. He deliberately avoided blending colors, preferring instead to juxtapose them in ways that created optical illusions and stimulated the viewer’s imagination.
  • “Shearing the Rams” – This monumental painting exemplifies Roberts's masterful use of color and texture to convey a sense of immediacy and vitality. The depiction of shepherds tending their flocks is rendered with sweeping brushstrokes and luminous hues, capturing the essence of rural Australian life.
  • “National Narratives” – Roberts’s exploration of British landscape and folklore—particularly evident in this painting—demonstrates his ability to distill complex ideas into visually arresting images. The canvas pulsates with color and movement, reflecting Roberts's conviction that art should engage the viewer emotionally and intellectually.

Legacy & Influence

William Roberts’s artistic legacy extends far beyond his own lifetime—inspiring subsequent generations of painters and cementing his place as a cornerstone of British Impressionism. His pioneering approach to abstraction—characterized by geometric forms, textural richness, and expressive color palettes—influenced artists across Europe and solidified the Heidelberg School's reputation as a vanguard of modernist art. Roberts’s unwavering dedication to artistic integrity and his profound engagement with the visual world continue to resonate today, ensuring that his work remains a testament to the transformative power of painting. His retrospective at Tate Gallery in 1965 served as a pivotal moment in recognizing his contribution to British art history, establishing him as an artist whose vision transcended stylistic trends and cemented his enduring significance within the canon of modern art.

Quick Facts

  • Artistic Movement Or Style: Heidelberg School
  • Artists Or Movements Influenced By This Artist: ['Cubism']
  • Artists Who Influenced This Artist: ['Tom Roberts']
  • Date Of Birth: June 5, 1895
  • Date Of Death: January 20, 1980
  • Full Name: William Patrick Roberts
  • Nationality: British
  • Notable Artworks:
    • Shearing the Rams
    • National Narratives
  • Place Of Birth: London, England
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