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Reason

Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.

问答 (or more naturally for a website heading): Klausimai ir atsakymai

Kokia bendra "Reason" spalvų tonacija – šviesi ar tamsi?

Perceptinis „Reason“, autorius – Kader Attia ryškumas yra deep_shadow. Jį galima suderinti su intended erdvės apšvietimu.

Kada buvo sukurta „Reason“?

„Reason“, autorius – Kader Attia sukurtas 2015 m.

Ar „Reason“ pasižymi stipriais šviesos ir tamsos kontrastais?

Šviesos ir tamsos kontrastas kūriniame „Reason“ yra nurodytas kaip Bold. Kontrastas aprašo, kaip stipriai skiriasi šviesios ir tamsios sritys.

Kaip galiu įsigyti „Reason“, autorius – Kader Attia spausdinį?

Šio kūrinio „Reason“, autorius – Kader Attia spausdinį galite užsakyti tiesiogiai ši ši puslapį: aukščiausios kokybės spausdinys ant medžio siuvinėjamų audinių arba archyvinio kanvas tipo popieriaus.

Ar galiu pamatyti „Reason“, autorius – Kader Attia rentgeno nuotrauką?

„Reason“, autorius – Kader Attia rentginio vaizdas (X-Ray) galima rasti puslapio Rentgenas puslapėje: tai interaktyvus vaizdo tyrimas per vienuolika optinių sluoksnių.

Kokia buvo Kader Attia amžius sukuriant „Reason"]?

Kader Attia sukūrė „Reason“ būdamas 45 metų amžiaus.ت Artistas gimė 1970, o kūrinys datuojamas 2015 metais.

Kuriam menininkui priskiriamas kūrinys „Reason“?

„Reason“ priskiriamas Kader Attia.

Kader Attia (1970 –)

Kader Attia: Algerian-French artist renowned for sculptures & installations exploring postcolonialism, repair, and cultural identity. Winner of the Marcel Duchamp Prize.

Apie šį kūrinį

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