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While We Wait 4

Explore 'While We Wait 4' by Tonia Nneji – a striking abstract painting blending geometric forms & vibrant colors. Inspired by textiles & women’s health, it evokes desire & vulnerability.

Explore Tonia Nneji’s bold & intricate art! Confronting trauma & women's health through vibrant textiles & powerful patterns, her work examines identity, belonging, and cultural narratives.

Šiame puslapyje rodomas meno kūrinys yra saugomas autorių teisių įstatymais, todėl neturime teisės legaliai kurti ar parduoti jo identiškos reprodukcijos. Ši apsauga užtikrinama remiantis tokiais tarptautiniais susitarimais kaip Bernės konvencija ir pagal nacionalines įstatymų nuostatas, įskaitant tas, kurias nurodo JAV autoriškos teisės įstatymas – 17-asis skyrius.

Šis metodas visiškai atitinka autorių teises, nes jame nėra saugomo kūrinio kopijavimo ar dubliavimo. Tai yra kūrybinė reinterpretacija – naujas paveikslas, kurį įkvėpė originalas, tačiau kuris nėra jo identiškas.

Giclée / Meno spausdinimas

Muziejų lygio „giclée“ arba drobos spausdinimas: greita gamyba ir lankstios apdailos parinktys. ( Pirkti rankų darbo tapybą Perejti prie skaitmeninių vaizdų)

Corner sample of the P118B picture frame: lieto polistirolo detalės, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: lieto polistirolo detalės, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: lieto polistirolo detalės, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: lieto polistirolo detalės, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: lieto polistirolo detalės, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: lieto polistirolo detalės, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: lieto polistirolo detalės, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: lieto polistirolo detalės, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: lieto polistirolo detalės, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: lieto polistirolo detalės, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: lieto polistirolo detalės, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: lieto polistirolo detalės, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: lieto polistirolo detalės, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: solidus medžio

**Improved version:**
solidus medis, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: solidus medžio

**Improved version:**
solidus medis, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: solidus medžio

**Improved version:**
solidus medis, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: solidus medžio

**Improved version:**
solidus medis, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: solidus medžio

**Improved version:**
solidus medis, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: solidus medžio

**Improved version:**
solidus medis, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: solidus medžio

**Improved version:**
solidus medis, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: solidus medžio

**Improved version:**
solidus medis, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: solidus medžio

**Improved version:**
solidus medis, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: solidus medžio

**Improved version:**
solidus medis, 6 cm wide and 3.5 cm thick
W953PJ €8

Standartinis dydis
pagal užsakymą
CM
INCH

Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.

plotis
aukštis

Įveskite jums reikiamą plotį ir aukštį, kad atvaizdas derėtų prie jūsų rėmo ar sienos. Spausdiną galima tik sumažinti, bet nepadidinti virš originalaus paveikslėlio dydžio, todėl keičiant proporcijas, dalis vaizdo prarandama. Prieš spausdinimą atsiųsime jums skaitmeninį maketą patvirtinimui. Šioje puslapio nuotraukoje matomas pjūvis nėra tikslus – jį rodo tik maketas.

Pristatymas visame pasaulyje () per 2 weeks, o ne įprastas 4/5 savaičių laikotarpis. (9 lapkritis)

Nemokamas greitasis pristatymas visame pasaulyje
Aukštos kokybės lininis drobė
Pilnas siuntimo draudimas
Muitinės mokesčių grąžinimo garantija
Tikro spalvų atitikimo garantija
100 dienų grąžinimo politika (tik esant įtaigoms)
100% pinigų grąžinimo garantija
Nuolaida dideliems užsakymams

Visos kainos suma

€ 55

While We Wait 4

Giclée / Meno spausdinimas

Reprodukcijos matmenys

-

Bendroji kaina

€ 55

Trumpa informacija

  • Artistic style: Pop Art influence, stylized abstraction
  • Year: 2019
  • Subject or theme: Intimacy, desire, and vulnerability
  • Artist: Tonia Nneji
  • Notable elements or techniques: Geometric color blocking, textured patterns

Karo viktorina

Kiekviename klausime yra tik vienas teisingas atsakymas.

Klausimas 1:
What medium was used to create 'While We Wait 4'?
Klausimas 2:
In which year was 'While We Wait 4' created?
Klausimas 3:
What is the primary subject matter of the artwork?
Klausimas 4:
Which artistic style is the artwork's style described as leaning towards?
Klausimas 5:
What visual element is noted as being prominent in the artwork?

The Intersection of Form and Fabric

In 2019, Tonia Nneji produced While We Wait 4, an acrylic on canvas work that utilizes bold color blocking and a flattened perspective to explore the human silhouette. The composition features two stylized figures engaged in an intimate interaction, their forms rendered with a geometric precision that borders on the sculptural. Through overlapping shapes and a deliberate distortion of spatial relationships, the piece creates a sense of depth that remains ambiguous. The application of paint is tactile, with visible brushstrokes and heavy layering that emphasize the texture of the background and the patterned surfaces of the figures.

The visual language of the work draws heavily from the aesthetics of Pop Art and contemporary abstract expressionism. By simplifying the human form into shapes reminiscent of mannequins, the artist strips away individual identity to focus on the tension between the two bodies. The lighting is directional, casting strong shadows that define the contours of the figures and heighten the dramatic weight of their proximity.

Narrative of the Body

The piece is deeply informed by the artist's personal navigation of health challenges, specifically her experience living with Polycystic Ovarian Syndrome (PCOS). This medical reality informs the work's preoccupation with bodily autonomy and the physical experience of women. The patterns used throughout the canvas reference commemorative fabrics, which function as symbols of belonging and identity. These textiles do more than decorate; they act as a visual language for the complexities of the female experience.

There is a tension between the protective nature of the patterns and the vulnerability implied by the figures' postures. By using bold colors to address themes of trauma and medical silence, the work transforms a private struggle into a public dialogue. The interaction between the two figures suggests a state of waiting or transition, addressing the psychological weight of managing long-term health conditions. It is a study of resilience expressed through the intersection of organic form and rigid geometry.

Klausimai ir atsakymai

Ar studentams skirtas informacinis lapelis apie „While We Wait 4“ – Tonia Nneji yra prieinamas?

Dėl „While We Wait 4“ – Tonia Nneji yra prieinama Informacinė medžiaga puslapio: spausdinamas informacinis lapelis apie kūrinį, skirtas studentams ir mokomajamiam procesui klasėje.

Kiek metų buvo Tonia Nneji, kai sukūrė „While We Wait 4“ 2019 m.?

Kai 2019 m. buvo sukurta „While We Wait 4“, Tonia Nneji – gimęs 1991 m. – buvo 28 metų amžiaus.

Kaip „While We Wait 4“ spalvos dera vienas su kitu?

„While We Wait 4“ – Tonia Nneji spalvos于demonstruoja Discordant Palette harmoniją. Harmonija apibūdina, kaip spalvos dera viena su kita.


Autoriaus biografija

The Vibrant Tapestry of Tonia Nneji

Born in the bustling energy of Lagos State, Nigeria, in 1991, Tonia Nneji carries within her a visual language deeply rooted in the ancestral rhythms of her homeland. Her artistic lineage is inextricably linked to the traditions of carvers and the powerful presence of masquerade carriers, a heritage that breathes life into her contemporary practice. After graduating with honors from the University of Lagos in 2016, Nneji emerged not merely as a skilled painter, but as a profound storyteller capable of weaving complex societal dialogues into the very fabric of her canvases. Her work serves as a bridge between the historical weight of Nigerian craftsmanship and the urgent, pressing conversations of the modern era.

Nneji’s creative process is an intimate exploration of resilience, often drawing from her personal navigation through significant health challenges. She utilizes the canvas to confront the heavy silences surrounding trauma and women’s health, transforming vulnerability into a site of strength and advocacy. Through her art, she champions bodily autonomy and protection against harassment, creating a visual sanctuary for dialogue. This mission is mirrored in her fascination with textile materials; she investigates commemorative fabrics as symbols of place and belonging, exploring how these woven narratives transcend geographical borders to communicate universal truths about identity and the human condition.

A Masterful Blend of Pattern and Purpose

The aesthetic power of Nneji’s work lies in its breathtaking fusion of abstraction and figurative elements. Her canvases are characterized by a meticulous attention to detail, where bold colors and intricate patterns pulsate with an almost rhythmic energy. This technique is deeply informed by ancestral craftsmanship, yet it remains resolutely contemporary. By interweaving geometric precision with organic, flowing forms, she creates a sense of movement that mimics the protective and enveloping nature of textiles. Each layer of color and every patterned line serves as a deliberate stroke in her larger effort to document the complexities of the female experience and the enduring spirit of cultural heritage.

Her artistic development has been propelled by significant recognition within the international art community. Through prestigious residencies, such as those at Art Dubai, and accolades like the Ronke Ekensi Prize, Nneji has been afforded the space to expand her technical repertoire and deepen her thematic inquiries. Her presence in the global art landscape is further solidified by notable exhibitions, including:

  • Solo presentations at rele gallery in both Lagos and Los Angeles, which showcased her ability to command international attention.
  • Participation in the evocative group exhibition ‘Dancing in Dark Times’ at the Pippy Houldsworth Gallery in London.
  • The inclusion of her work in the ‘Orita Meta’ exhibition at rele gallery, highlighting her connection to cultural crossroads.

As a significant contributor to the evolving landscape of contemporary African art, Tonia Nneji continues to push the boundaries of what painting can achieve. Her work does not simply decorate; it defends, commemorates, and illuminates. By transforming the personal into the political and the ancestral into the avant-garde, she ensures that the narratives of identity, health, and belonging are etched permanently into the collective consciousness of the art world.

Tonia Nneji

Tonia Nneji

1991 - , Nigeria

Trumpa informacija

  • Full Name: tonia nneji
  • Nationality: Nigerian
  • Date Of Birth: 1991
  • Place Of Birth: Lagos State, Nigeria
  • Notable Artworks:
    • OKOSISI II
    • OKOSISI
    • While We Wait 4
  • Artistic Movement Or Style: Contemporary Art