Forhåndsvisning
Send
Del med andre
Vis detaljer
Last ned bildet
Liknende objekter
Røntgenundersøkelse
LysbildefremvisningCurrent Forms: Yoruba Circle
1969
112.0 x 86.0 cm
Vis hele teksten
Håndlaget oljereproduksjon
Håndmalt olje på lerret i din valgte størrelse og ramme, laget på bestilling av våre kunstnere. (
Kjøp trykk Kjøp bilde)
Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.
Du kan angi egne mål for å tilpasse en spesifikk ramme eller plass. Dersom den valgte størrelsen ikke samsvarer med originalbildets proporsjoner, vil vi enten beskjære kunstverket eller utvide maleriet med ytterligere håndmalte elementer. En digital mockup vil bli sendt til din godkjenning før produksjonen starter.
Vennligst merk at forhåndsvisningen på skjermen ikke gjenspeiler den faktiske beskjæringen eller utvidelsen. Kun mockuppen vil vise den endelige komposisjonen nøyaktig.
Selv om tilpassede størrelser er tilgjengelige, anbefaler vi å velge et mål fra den forhåndsdefinerte listen for å bevare de originale proporsjonene.
Etter bestilling vil WikiOO.org-teamet sende e-post til kunden for instruksjoner og sende et utkast (mockup) som forhåndsvisning.
Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (18 August). Ingen kompromisser med kvaliteten.
Gratis ekspressfrakt over hele verden
Lerretsduk av høykvalitets lin
Full forsikring under transport
Garanti for refusjon av toll og importavgifter
Garantert korrekt fargegjengivelse
60 dagers returrett (kun ved feil)
100% pengene tilbake-garanti
Rabatt ved flere kjøp
Glassalternativet er kun tilgjengelig i størrelser under 110 cm
Current Forms: Yoruba Circle
Teknikk for reproduksjon
Størrelse på reproduksjon
-
Endelig pris
$ 265
Lignende kunstverk
Om kunstneren
The Tapestry of Heritage
In the quiet, storied landscapes of Eatonton, Georgia, the foundations of David C. Driskell’s creative universe were laid amidst a rich confluence of tradition and faith. Born into a lineage where art was an inseparable part of daily existence, his childhood was a sensory immersion in the textures of the Black experience. The rhythmic precision of his mother’s quilting and the intricate beauty of her basket weaving provided a visual language of resilience and craft, while his father’s religious paintings infused his world with a profound sense of spiritual narrative. This early exposure to the Gullah heritage—a legacy of strength and cultural continuity—served as the bedrock for an artistic vision that would eventually traverse the globe. As he moved through the segregated landscapes of Appalachia, the textures of folk art and the weight of history became more than mere memories; they became the very pigments from which he would paint a new reality.The Convergence of Art and Inquiry
Driskell’s journey led him to the hallowed halls of Howard University, where his burgeoning talent met the rigorous intellectualism of some of the era's most significant scholars. Under the mentorship of figures like James A. Porter and James V. Herring, he began to weave together the visceral power of painting with the profound depth of art history. This period was transformative, as he moved beyond the mere application of color to a deeper investigation of identity and the African Diaspora. His work began to reflect a sophisticated synthesis of abstract expressionism and cultural storytelling, capturing the pulse of Black life through vibrant forms and symbolic depth. He did not merely seek to create beautiful objects; he sought to document a soul, using the canvas as a site for both personal expression and historical reclamation.A Monumental Legacy
Beyond the boundaries of his own studio, Driskell’s impact resonated through the halls of academia and the galleries of the world. He was a pioneer who refused to let African American art remain on the periphery, working tirelessly to establish it as a distinct and vital field of scholarly study. His tenure at the University of Maryland saw the birth of a legacy that would outlive his physical presence, most notably through the establishment of the David C. Driskell Center for the Study of Visual Arts and Culture of African Americans and the African Diaspora. Through his curation and scholarship, he bridged the gap between the ephemeral beauty of folk traditions and the formal rigor of art history. His life’s work remains a testament to the power of visibility, ensuring that the stories, struggles, and triumphs of the Black experience are etched permanently into the global artistic canon.
david c. driskell
1931 - 2020 , United States of America
Kort om kunstneren
- Artistic Movement Or Style: Abstract Expressionism
- Artists Or Movements Influenced By This Artist:
- Islamic art
- Greek art
- Artists Who Influenced This Artist:
- James Vernon Herring
- Mary Beattie Brady
- Date Of Birth: June 7, 1931
- Date Of Death: April 1, 2020
- Full Name: David Clyde Driskell
- Nationality: American
- Notable Artworks:
- David's Dream
- Two Centuries of Black American Art
- Place Of Birth: Eatonton, Georgia
