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Composition I

Dimensjoner
50.0 x 35.0 cm

A striking mid-century abstract composition featuring dynamic figures and a bird by Polish master Zdzisław Stanek that captures the essence of geometric experimentation, inviting you to bring this unique piece home.

Explore the innovative paintings & sculptures of zdzisław stanek (1925-1996), influenced by Władysław Strzemiński. Known for light, geometric forms & experimentation.

Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk lov om opphavsrett – Tittel 17.

Denne metoden er i fullt samsvar med opphavsrettslige regler, da den ikke innebærer kopiering eller duplisering av det beskyttede kunstverket. I stedet er det snakk om en kreativ nytolkning – et nytt maleri som er inspirert av originalen, men ikke identisk med den.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndmalt maleri Bytt til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

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Totalpris

Nkr 585

Composition I

Giclée / Kunsttrykk

Størrelse på reproduksjon

-

Totalpris for valgte alternativer

Nkr 585

Kort om verket

  • Artistic style: Geometric Abstraction
  • Influences: Władysław Strzemiński
  • Dimensions: 50 x 35 cm
  • Subject or theme: Figures with a bird

Kunnequiz om kunst

Det er kun ett riktig svar på hvert spørsmål.

Spørsmål 1:
In what year was the artwork 'Composition I' created?
Spørsmål 2:
Which artist created 'Composition I'?
Spørsmål 3:
What is the size of the artwork 'Composition I'?
Spørsmål 4:
Where is the artwork 'Composition I' located?
Spørsmål 5:
What motif is featured on the central figure in the painting?

A Choreography of Form and Shadow

In the quiet, muted realm of mid-century Polish abstraction, Composition I emerges as a rhythmic arrangement of figures. Created in 1961, the work presents a complex choreography where bodies seem to emerge from and dissolve into the canvas. A central figure, anchored on the left, bears the weight of a bird with outstretched wings. This motif invites a contemplation of freedom and the delicate balance between the earthly and the ethereal. The figures are positioned in a deliberate, almost musical sequence across the frame, ranging from those standing sentinel on the right to the more enigmatic presence in the upper corner. There is a sense of movement within the stillness, a sudden burst of inspiration caught in a moment of transition.

The technique relies on the transformative power of light. Rather than merely illuminating the subjects, the light sculpts them. Through a masterful use of contrast and tonal depth, a sense of three-dimensional movement is created within a flattened plane. The monochromatic essence of the work lends it a sculptural elegance. It is a fragment of the Polish avant-garde that challenges the eye and stirs the soul through its exploration of form and the human condition.

The Architecture of Light

The artist, Zdzisław Stanek, approached the canvas as a laboratory for perception. His work is a continuous dialogue between the tangible and the ethereal, driven by a curiosity regarding how light interacts with form to shape human perception. In this 1961 piece, the interplay of light and shadow gives the artwork a breathing quality. The figures are woven together by a shared atmospheric energy, creating a sense of depth that feels almost organic. The composition is not merely a collection of shapes but a structured exploration of how light can breathe life into a scene.

Stanek’s aesthetic language was built upon a refusal to be tethered to any single trend. While drawing inspiration from the structural rigor of Cubism, he infused these foundations with an experimental spirit. He sought color and light that would complement the structure, treating the canvas with the discipline of an architect. In Composition I, this discipline results in a work that feels vibrantly alive, even in its stillness. The bird’s wingspan breaks the silence, a single gesture in a vast, luminous space.

Spørsmål og svar

Er "Composition I" av Zdzisław Stanek i det frie domene (public domain), og hvorfor?

"Composition I" av Zdzisław Stanek er fortsatt beskyttet av opphavsretten. Opphavsretten beregnes fra kunstnerens dødsår, og Zdzisław Stanek døde i 1996.

Hvilken kunstretning tilhører "Composition I" av Zdzisław Stanek?

"Composition I" er et verk innenfor Geometric Abstraction. Retningen angir den kunstneriske tradisjonen verket er en del av.

Er "Composition I" av Zdzisław Stanek et lyst eller mørkt kunstverk?

Alt i alt er "Composition I" registrert som deep_shadow. Oppfattet lysstyrke beskriver hvor lyst eller mørkt verket fremstår.


Om kunstneren

The Luminous Legacy of Zdzisław Stanek

In the storied landscape of mid-20th-century Polish art, few names resonate with the same quiet intensity as Zdzisław Stanek. Born in 1925 in the industrial heart of Łódź, Stanek emerged not merely as a painter, but as a profound investigator of the very mechanics of sight. His life’s work was a continuous dialogue between the tangible and the ethereal, a pursuit driven by an almost scientific curiosity regarding how light interacts with form to shape human perception. To encounter a Stanek canvas is to step into a world where the boundaries between matter and radiance begin to dissolve, leaving the viewer suspended in a state of luminous contemplation.

The foundation of Stanek’s artistic identity was deeply rooted in the revolutionary theoretical frameworks established by Władmentsław Strzemiński. From his earliest years, Stanek was captivated by Strzemiński’s radical notion that light should not be treated as a mere external source of illumination, but as an active, transformative force capable of sculpting space and evoking deep psychological resonance. This intellectual lineage became the heartbeat of his practice. He embraced the idea that light could breathe life into geometric structures, turning static shapes into dynamic participants in a cosmic dance of color and shadow.

A Synthesis of Geometry and Light

As his career progressed, Stanek’s aesthetic language underwent a fascinating evolution, characterized by a refusal to be tethered to any single passing trend. While he drew significant inspiration from the structural rigor of Cubism, he infused these geometric foundations with an experimental spirit that bordered on the futuristic. His compositions frequently utilized the stark, clean lines of cubes and spheres, yet these were never cold or clinical. Instead, through a masterful application of vibrant pigments and layered textures, he achieved a sense of depth and dimensionality that felt almost organic.

His later explorations into Cyber Art and more abstract geometric forms demonstrated his ability to bridge the gap between classical painterly traditions and the burgeoning technological consciousness of the era. In these works, the interplay of form and color becomes a complex puzzle of light:

  • The Role of Form: The use of spheres and cubes serves as an anchor for the eye, providing a structural stability that allows the more fluid elements of the painting to roam freely.
  • Chromatic Vibrancy: Stanek utilized color not just for decoration, but as a tool to generate heat, coolness, and movement within the frame.
  • Atmospheric Depth: Through subtle gradations, he created an illusion of infinite space, where light seems to emerge from deep within the canvas itself.

Historical Significance and Artistic Spirit

The historical importance of Zdzisław Stanek lies in his role as a bridge between the avant-garde traditions of early 20th-century Poland and the experimental movements that followed. In an era often defined by political and social upheaval, Stanek remained steadfast in his commitment to pure visual experimentation. He resisted the pressure to conform to more literal or propagandistic styles, choosing instead to focus on the universal language of light and geometry. This dedication ensured that his work remained timeless, transcending the specific historical moment of its creation.

Today, Stanek is remembered as a pioneer who dared to treat the canvas as a laboratory for perception. His ability to synthesize the rigid logic of geometric abstraction with the emotive power of light continues to inspire those who seek beauty in the intersection of science and art. His legacy remains etched in the luminous glow of his masterpieces, reminding us that even the most structured forms can be imbued with an eternal, breathing soul.

Zdzisław Stanek

Zdzisław Stanek

1925 - 1996 , Poland

Kort om kunstneren

  • Full Name: zdzisław stanek
  • Nationality: Polish
  • Date Of Birth: 1925
  • Date Of Death: 1996
  • Place Of Birth: Poland
  • Notable Artworks:
    • Still life with leeks bunch,
    • Apples and cheese
    • Lightnude II
  • Artistic Movement Or Style: Cubism, Cyber art, Surrealism
  • Artists Who Influenced This Artist: ['Władysław Strzemiński']
  • Artists Or Movements Influenced By This Artist: ['Cyber art']