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Liste over de 5 mest kjente maleriene av Carl Ebert
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 5 verk av Carl Ebert i vår katalog
Sammendrag
Det mest kjente maleriet av Carl Ebert er Forest Landscape with Bathing Children (1867), i samlingen til Bavarian State Painting Collections, München. De neste oppføringene er Evening Landscape (1875) og Landscape society in a park. Katalogen dokumenterer 5 verk av Carl Ebert; de 5 oppføringene nedenfor er de mest kjente, oppført i rangert rekkefølge med dato, museum og beskrivelse.
1821 – 1885, Stuttgart
Flest verk: Bavarian State Painting Collections
Carl Ebert: de 10 viktigste maleriene
Carl Ebert: innehavere av museer
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Carl Ebert | Malerier fra denne listen |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Carl Ebert: hovedmalerier etter år
De daterte oppføringene for Carl Ebert strekker seg over 9 år, fra 1867 til 1875, omtrent et tiår, dokumentert nedenfor år for år.
Verk per år
Velg et år for å vise de viktigste maleriene fra det året.
Carl Eberts malerier: referansespørsmål
Hvilket maleri av Carl Ebert er det mest kjente?Vis svaret
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. De følgende oppføringene er Evening Landscape (1875) og Landscape society in a park.
Hvor gammel var Carl Ebert da Forest Landscape with Bathing Children ble malt?Vis svaret
46 år: Carl Ebert ble født i 1821, og Forest Landscape with Bathing Children er datert 1867.
Hvor mange verk av Carl Ebert er dokumentert?Vis svaret
Katalogen inneholder 5 verk av Carl Ebert, datert mellom 1867 og 1875.
Hvilke museer har de mest kjente maleriene til Carl Ebert?Vis svaret
Hovedsakelig i Bavarian State Painting Collections (München) og Lenbachhaus (München). Tabellen over viser den fullstendige fordelingen.
Hvilke er de tidligste og de nyeste verkene av Carl Ebert på denne listen?Vis svaret
Det eldste verket som er oppført her er fra Forest Landscape with Bathing Children (1867); det nyeste er fra Evening Landscape (1875).
Hvilke verk av Carl Ebert er i samlingen til Bavarian State Painting Collections?Vis svaret
Forest Landscape with Bathing Children og Evening Landscape er blant de 2 verkene på denne siden i samlingen til Bavarian State Painting Collections, München.
Carl Ebert: biografiske noter
Early Life and Artistic Training
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Travels and Artistic Influences
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.