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Liste over de 4 mest kjente maleriene av Cornelia Scheffer
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 4 verk av Cornelia Scheffer i vår katalog
Sammendrag
Det mest kjente maleriet av Cornelia Scheffer er Self-portrait (1795), i samlingen til Dordrechts Museum, Dordrecht. De neste oppføringene er Woman with Two Children on a Country Road (1811) og The Women of Souli (1833). Katalogen dokumenterer 4 verk av Cornelia Scheffer; de 4 oppføringene nedenfor er de mest kjente, oppført i rangert rekkefølge med dato, museum og beskrivelse.
1769 – 1839, Dordrecht
Flest verk: Dordrechts Museum
Cornelia Scheffer: de 10 viktigste maleriene
Cornelia Scheffer: innehavere av museer
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Cornelia Scheffer | Malerier fra denne listen |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Cornelia Scheffer: hovedmaleri for hvert tiår
Verk per tiår
Velg et tiår for å vise dets viktigste maleri.
Cornelia Scheffers malerier: referansespørsmål
Hvilket maleri av Cornelia Scheffer er det mest kjente?Vis svaret
Self-portrait (1795), Dordrechts Museum, Dordrecht. De følgende oppføringene er Woman with Two Children on a Country Road (1811) og The Women of Souli (1833).
Hvor gammel var Cornelia Scheffer da Self-portrait ble malt?Vis svaret
26 år: Cornelia Scheffer ble født i 1769, og Self-portrait er datert 1795.
Hvor mange verk av Cornelia Scheffer er dokumentert?Vis svaret
Katalogen inneholder 4 verk av Cornelia Scheffer, datert mellom 1795 og 1833.
Hvilke museer har de mest kjente maleriene til Cornelia Scheffer?Vis svaret
Hovedsakelig i Dordrechts Museum (Dordrecht). Tabellen over viser den fullstendige fordelingen.
Hvilke er de tidligste og de nyeste verkene av Cornelia Scheffer på denne listen?Vis svaret
Det eldste verket som er oppført her er fra Self-portrait (1795); det nyeste er fra The Women of Souli (1833).
Hvilke verk av Cornelia Scheffer er i samlingen til Dordrechts Museum?Vis svaret
Self-portrait, Woman with Two Children on a Country Road og The Women of Souli er blant de 4 verkene på denne siden i samlingen til Dordrechts Museum, Dordrecht.
Cornelia Scheffer: biografiske noter
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.