Sammendrag
Det mest kjente maleriet av László Pataky er Roosters on Horses (1880), i samlingen til Slovak National Gallery, Bratislava. De neste oppføringene er Cavalry Battle (1890) og Kuruci (1903). Katalogen dokumenterer 5 verk av László Pataky; de 3 oppføringene nedenfor er de mest kjente, oppført i rangert rekkefølge med dato, museum og beskrivelse.
László Pataky: de 10 viktigste maleriene
László Pataky: innehavere av museer
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av László Pataky | Malerier fra denne listen |
|---|---|---|---|
| Bratislava | 2 | Roosters on Horses, Cavalry Battle | |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
László Pataky: hovedmaleri for hvert tiår
László Patakys malerier: referansespørsmål
Hvilket maleri av László Pataky er det mest kjente?Vis svaret
Roosters on Horses (1880), Slovak National Gallery, Bratislava. De følgende oppføringene er Cavalry Battle (1890) og Kuruci (1903).
Hvor gammel var László Pataky da Roosters on Horses ble malt?Vis svaret
23 år: László Pataky ble født i 1857, og Roosters on Horses er datert 1880.
Hvor mange verk av László Pataky er dokumentert?Vis svaret
Katalogen inneholder 5 verk av László Pataky, datert mellom 1880 og 1903.
Hvilke museer har de mest kjente maleriene til László Pataky?Vis svaret
Hovedsakelig i Slovak National Gallery (Bratislava) og Ernest Zmeták Art Gallery (Nové Zámky). Tabellen over viser den fullstendige fordelingen.
Hvilke er de tidligste og de nyeste verkene av László Pataky på denne listen?Vis svaret
Det eldste verket som er oppført her er fra Roosters on Horses (1880); det nyeste er fra Kuruci (1903).
Hvilke verk av László Pataky er i samlingen til Slovak National Gallery?Vis svaret
Roosters on Horses og Cavalry Battle er blant de 2 verkene på denne siden i samlingen til Slovak National Gallery, Bratislava.
László Pataky: biografiske noter
The paths through Munich and Paris
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
Scenes from the rural landscape
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
- Wildpferde in der ungarischen Puszta (1897)
- Hungarian horse-drawn carts at harvest time
- Flock of Sheep Returning Home (1895)
- Potato harvest
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
A lasting presence in the collections
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.

