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Peter Copmann: Katalog over de 1 mest kjente maleriene
Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Peter Copmann i vår katalog
Sammendrag
Portræt af en ung pige (1824) er registrert som det mest kjente maleriet til Peter Copmann; det er i Statens Museum for Kunst sin samling i København. Av de 1 verkene til Peter Copmann som er registrert i katalogen, er de 1 mest kjente oppført nedenfor, hver med dato, museum og en beskrivelse av verket.
1794 – 1850, Rudkøbing
Flest verk: Statens Museum for Kunst
Nr. 1 til 10: de mest kjente maleriene til Peter Copmann
Peter Copmann: innehavere av museer
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Peter Copmann | Malerier fra denne listen |
|---|---|---|---|
 Statens Museum for Kunst |
København | 1 | Portræt af en ung pige |
Årgangsindeks: de viktigste maleriene til Peter Copmann
Hver daterte Peter Copmann-oppføring på denne siden har datoen 1824; verkene er oppført etter rangering.
Verk per år
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Ofte stilte spørsmål om Peter Copmanns malerier
Hva er det mest kjente verket til Peter Copmann?Vis svaret
Portræt af en ung pige (1824)
Hvor gammel var Peter Copmann i året for Portræt af en ung pige?Vis svaret
30 år: Peter Copmann ble født i 1794, og Portræt af en ung pige er datert 1824.
Hvor mange verk av Peter Copmann er registrert i katalogen?Vis svaret
Katalogen inneholder 1 verk av Peter Copmann.
Hvor befinner de viktigste verkene til Peter Copmann seg?Vis svaret
Hovedsakelig i Statens Museum for Kunst (København). Tabellen over viser den fullstendige fordelingen.
Biografi om Peter Copmann
A Life in Portraiture and Landscape
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Technique and Subject Matter
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
- Portraiture: He captured the presence of notable figures, using pastel to achieve a softness that mimicked the skin and clothing of his subjects.
- Landscape and Nature: His studies of the outdoors brought the quietude of the countryside into the studio.
- Lithography: Through printmaking, he was able to share his visions of people and places with a wider audience.
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.