Portrett av Raquel Ormella

Raquel Ormella: Katalog over de 1 mest kjente maleriene

Oppdatert November 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 1 verk av Raquel Ormella i vår katalog

Sammendrag

Wealth for toil I (2014) er registrert som det mest kjente maleriet til Raquel Ormella; det er i Ian Potter Museum of Art sin samling i Carlton. Av de 1 verkene til Raquel Ormella som er registrert i katalogen, er de 1 mest kjente oppført nedenfor, hver med dato, museum og en beskrivelse av verket.

født 1969, Sydney Flest verk: Ian Potter Museum of Art

Nr. 1 til 10: de mest kjente maleriene til Raquel Ormella

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Wealth for toil I (2014) av Raquel Ormella

Wealth for toil I

2014 · Textile Art · Ian Potter Museum of Art, Carlton

The banner is an ideal medium for Raquel Ormella, who is preoccupied with the capacity of art to effect social change. Known for exploring the social and political climate through her work, Ormella

Raquel Ormella: innehavere av museer

Museet som innehar flest av maleriene på denne siden.

Museum By Verker av Raquel Ormella Malerier fra denne listen
Ian Potter Museum of Art, CarltonIan Potter Museum of Art Carlton 1 Wealth for toil I

Årgangsindeks: de viktigste maleriene til Raquel Ormella

Hver daterte Raquel Ormella-oppføring på denne siden har datoen 2014; verkene er oppført etter rangering.

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Hva er det mest kjente verket til Raquel Ormella?Vis svaret

Wealth for toil I (2014)

Hvor gammel var Raquel Ormella i året for Wealth for toil I?Vis svaret

45 år: Raquel Ormella ble født i 1969, og Wealth for toil I er datert 2014.

Hvor mange verk av Raquel Ormella er registrert i katalogen?Vis svaret

Katalogen inneholder 1 verk av Raquel Ormella.

Hvor befinner de viktigste verkene til Raquel Ormella seg?Vis svaret

Hovedsakelig i Ian Potter Museum of Art (Carlton). Tabellen over viser den fullstendige fordelingen.

Biografi om Raquel Ormella

Raquel Ormella: A Voice for Ecology and Activism

Raquel Ormella (born 1969) stands as a prominent figure in contemporary Australian art, recognized for her multifaceted approach to multimedia works—ranging from posters and banners to videography and intricate needlework. Her artistic vision consistently champions themes of activism and social justice, skillfully interwoven into diverse mediums, earning critical acclaim across galleries and museums throughout Australia and internationally. From the Shepparton Art Museum to the Art Gallery of New South Wales, Ormella’s oeuvre has captivated audiences with its exploration of pressing issues concerning national identity and environmental stewardship.
  • Early Life & Education: Born in Sydney, Australia, Ormella pursued her artistic passions at the University of Western Sydney (UWS), culminating in a Master of Fine Arts degree and subsequently earning a Doctor of Philosophy (PhD) from Australian National University (ANU). Her doctoral research focused on examining human interactions with urban birds—a fascination that profoundly informs her artistic practice.
  • Conceptual Foundations & Influences: Ormella’s artistic trajectory is marked by engagement with conceptual art, particularly the Vienna School of Art and Design, where she honed her understanding of materiality and its role in conveying meaning. This influence resonates throughout her work, prioritizing thoughtful consideration and resisting simplistic representations.
  • Multimedia Exploration & Artistic Style: Ormella’s artistic style transcends traditional boundaries, embracing video installations, textile art—specifically hand-stitched embroidery—and zine production. Her distinctive technique prioritizes meticulous detail and layering of textures, creating immersive experiences that invite contemplation on complex subjects.
Ormella's artistic endeavors have garnered considerable recognition on a national and international scale. She was an inaugural Spiros Zournazis Memorial Fellow at the Australian War Memorial in 2015, delving into representations of animals within military collections—a project that underscored her commitment to confronting societal narratives and fostering critical reflection. Her participation in biennials such as the Asian Art Biennial (Taiwan), California-Pacific Triennial, Aichi Triennale (Japan), Sydney Biennale, Istanbul Biennale, and São Paulo Biennale cemented her position as a leading voice within the global art community. Furthermore, she serves on the Artist Advisory Board of Museum of Contemporary Art Australia (MCA) and is a board member of Australian National Capital Artists Inc. (ANCA).

Notable Achievements & Exhibitions

Ormella’s artistic output has been showcased in numerous prestigious exhibitions across Australia and abroad, demonstrating her dedication to disseminating challenging perspectives on social and ecological concerns. Key achievements include:
  • Biennial Recognition: Inclusion in the Asian Art Biennial (Taiwan), California-Pacific Triennial, Aichi Triennale (Japan), Sydney Biennale, Istanbul Biennale, São Paulo Biennale
  • Australian Galleries: Exhibitions at Material Politics (MUMA) and The National (ANU)
  • Solo Presentations: Solo exhibitions at Milani Gallery (Brisbane), Artspace (Sydney), Lab 14 Carltonconnect University of Melbourne and Gertrude Contemporary Art Spaces (Melbourne).

Recurring Themes & Artistic Vision

Ormella’s artistic vision consistently centers on interrogating the relationship between humans and the natural world, often framed within a context of political activism. Her work investigates how art can catalyze awareness and inspire action regarding critical questions surrounding national identity and environmental preservation. Recurring motifs include depictions of birds—particularly urban species—serving as symbols of vulnerability and resilience—a deliberate choice reflecting her scholarly research into avian behavior and ecology.

Recent Projects & Continuing Engagement

Ormella’s ongoing artistic practice continues to push boundaries, exploring innovative mediums and engaging with pressing social issues. Her current projects include *City Without Crows*, a performance lecture transformed into an immersive installation combining video, soundscapes, and embroidered textiles—a testament to her commitment to blending artistic expression with scholarly inquiry.