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ŠtatistikyFlame Pit
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Umelecké dielo zobrazené na tejto stránke je chránené autorským zákonom, čo znamená, že nemôžeme legálne vytvárať ani predávať jeho identickú reprodukciu. Táto ochrana je vymáhaná na základe medzinárodných dohôd, ako napríklad Bernská konvencia a národnými zákonmi, vrátane tých, ktoré sú stanovené v Autorské právo USA – Title 17. Všetky práva vyhradené.
Táto metóda plne dodržiava autorské práva, pretože nezahŕňa kopírovanie ani duplikovanie chráneného diela. Ide skôr o kreatívnu reinterpretáciu – nový obraz, ktorý je ovplybnený originálom, no nie je s ním identický.
Giclée / Umenotlač
Giclée tlač alebo plátno múzeálnej kvality s rýchlou výrobou a rôznymi možnosťami povrchovej úpravy. (
Objednať ručne maľovanú reprodukciu Prepnúť na digitálnu verziu obrazu)
Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.
Zadajte šírku a výšku, ktoré potrebujete, aby sa reprodukcia hodila k vášmu rámu alebo stene. Print možno len orezávať, nikdy však nemennú veľkosť zvětšiť oproti pôvodnému obrázku, preto pri inom formáte stráca časť obrazu. Pred samotným vytlačiacím procesom vám pošleme digitálny náhľad na schválenie. Obrázok zobrazený na tejto stránke nezobrazuje reálny rez — len digitálny náhľad ukazuje presný výsledok.
Celosvetová doprava () do 2 týždňov namiesto štandardných 4 až 5 týždňov. (22 október)
Bezplatná expresná doprava po celom svete
Vysokokvalitné lnianske plátno
Úplné poistenie prepravy
Záruka vrátenia colného poplatku
Záruka presného farebného zhodnutia
100-dená politika vrátenia tovaru (iba pri vadách)
100% záruka vrátenia peňazí
Ponuka množstevnej zľavy
Možnosť skla je dostupná len pri rozmeroch pod 110 cm
Flame Pit
Giclée / Umenotlač
Veľkosť reprodukcie
-
Celková cena
€ 53
Súvisiace diela
Biografia umelca
The Raw Vitality of Fletcher Martin
Fletcher Martin was an artist whose life and work were defined by a rugged, unyielding authenticity, mirroring the diverse and often harsh landscapes he traversed. Born in 1904 in Palisade, Colorado, Martin’s early years were far from the sheltered existence of many of his contemporaries. Raised in a family of seven children, his youth was shaped by the migratory rhythms of the American West, leading him through Idaho and Washington. Before he ever picked up a brush with professional intent, Martin had lived the very lives he would later immortalize on canvas. He worked as a printer from the age of twelve, labored as a lumberjack, and even stepped into the ring as a professional boxer. These formative, visceral experiences provided him with an unparalleled reservoir of subject matter, imbuing his art with a grit and physical presence that few self-taught masters could replicate.
His artistic development was a testament to the power of autodidacticism. While he lacked formal academic training, Martin possessed an extraordinary eye for movement and tension. His time in the U.S. Navy from 1922 to 1926 broadened his horizons, yet it was his immersion in the burgeoning art movements of the early 20th century that truly forged his style. A pivotal moment in his career came through his association with the legendary Mexican muralist David Alfaro Siqueiros. Serving as an assistant to Siqueiros, Martin was exposed to the monumental scale and social urgency of Mexican Muralism, a movement that emphasized bold, often political imagery and a profound connection to the human struggle. This influence is palpable in Martin’s later works, where the weight of the subject matter is matched by a powerful, structural approach to composition.
A Legacy of Motion and Might
Martin’s oeuvre is most celebrated for its unflinching depictions of strength, conflict, and the human condition. He became renowned for his evocative images of military life during World War II, capturing the tension and uncertainty of a world at war with a reporter's eye and an artist's soul. However, it was perhaps in the sporting arena that his technique truly shone. His depictions of boxing—often described as brutal and intense—utilize flat shapes and a strategic lack of shadow to heighten the sense of kinetic energy. In masterpieces such as "Toe to Toe," the viewer is thrust into the ring, feeling the impact of every blow through Martin’s masterful use of dynamic movement and stark, impactful forms.
Beyond the boxing ring and the battlefield, Martin was a significant contributor to the American mural tradition under the New Deal's Section of Painting and Sculpture. His commissions, such as "Mail Transportation" for the San Pedro Federal Building, demonstrated his ability to weave social narrative into large-scale public works. Even when faced with controversy—as seen with his WPA mural study "Mine Rescue," which was met with local resistance due to its honest portrayal of mining perils—Martin remained committed to a truthful representation of labor and life. His career, which eventually led him to the vibrant artistic community of Guanajuato, Mexico, remains a profound chapter in American art history, representing a bridge between the raw experience of the frontier and the sophisticated evolution of modern printmaking and muralism.
Rýchle fakty
- Artistic Movement Or Style: Color Woodcut
- Artists Or Movements Influenced By This Artist: ['WPA']
- Artists Who Influenced This Artist:
- Charles Martin Hardie
- David Alfaro Siqueiros
- Date Of Birth: April 19, 1904
- Date Of Death: May 30, 1979
- Full Name: Fletcher Martin
- Nationality: American
- Notable Artworks:
- Flame Pit Seconds After Launch
- Boy Picking Flowers, Tunisia
- Place Of Birth: Palisade, Colorado
