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Surface 213

Discover Giuseppe Capogrossi: Italian painter blending Renaissance & modernism. Bold brushstrokes, abstract art, & key figure in Venetian & Roman art scenes.

Ručne maľovaná olejová reprodukcia

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Ponuka množstevnej zľavy

Celková cena

€ 228

reproduction

Surface 213

Spôsob reprodukcie

Veľkosť reprodukcie

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Celková cena

€ 228

Writing, alphabet, glyphs, the teeth of a comb, forks, segmented tears, locks, chains, claws: the graphic figures of Capogrossi’s signic language express themselves on the canvas in ever-changing modulations. The sign is never repeated as an end unto itself, but is developed in a series of variations, which, as Argan noted in 1967, find a literary parallel in Raymond Queneau’s Exercises in Style, published in 1947, in that, using the same words, the French writer stages narrative situations whose content changes each time it is told. Surface 213 and its counterpart Surface 231 (1957, Simeoni Collection, Florence) are an example of this modulation, in that the variable consists in the positive-negative effect of the colour and the partitioning of the canvas like a card index.

Otázky a odpovede

Ako môžem získať print diela „Surface 213“ od Giuseppe Capogrossi?

Ak si chcete objednať print diela „Surface 213“ od Giuseppe Capogrossi, stačí si ho objednať na táto stránka: umelecká tlač na bavlnenom plátne alebo archivnom plátnovom papieri.

K ktorému umelcovi sa pripisuje dielo "Surface 213"?

Autorom diela „Surface 213“ je Giuseppe Capogrossi. Prácu nájdete v katalógu pod menom Giuseppe Capogrossi.

Ako sa vzájomne dopĺňajú farby diela „Surface 213“?

Farby diela „Surface 213“ od Giuseppe Capogrossi vykazujú Unified Palette harmóniu. Harmónia popisuje vzájomný vzťah medzi farbami.

Kde môžem kúpiť ručne maľovanú reprodukciu diela „Surface 213“ od Giuseppe Capogrossi?

„Surface 213“ je dostupná ako ručne maľovaná olejná reprodukcia na plátne z ľanu. Objednávku môžete zadať na táto stránka, pričom máte možnosť vybrať si z rôznych veľkostí.

Využíva „Surface 213“ od Giuseppe Capogrossi silné kontrasty alebo jemné harmónie?

Farebná kompozícia diela „Surface 213“ od Giuseppe Capogrossi spája Statement kontrast s Unified Palette harmóniou.

Aké sú reprodukčné práva k dielu „Surface 213“ v múzeu Galleria Civica di Arte Moderna e Contemporanea Torino?

Dielo „Surface 213“ od Giuseppe Capogrossi, ktoré sa nachádza v múzeu Galleria Civica di Arte Moderna e Contemporanea Torino, je v stále chránené autorským právom. Tento stav určuje, či je možné vytvárať reprodukcie tohto obrazu.

Aká je luminancia diela „Surface 213“ od Giuseppe Capogrossi?

Farby diela „Surface 213“ vykazujú Bright Balance luminanciu.


Biografia umelca

The Genesis of a Visionary: The Early Life of Giuseppe Capogrossi

Born in the historic heart of Rome in 1900, Giuseppe Capogrossi emerged from a lineage of classical tradition to become one of the most transformative figures in twentieth-century Italian art. His intellectual journey began not with a brush, but with the rigorous study of law, earning his degree between 1923 and 1924. However, the pull of the canvas proved irresistible. Seeking to refine his innate talent, he entered the prestigious Accademia di Belle Arti di Roma, studying under the guidance of Felice Carena. This formal training provided him with a profound understanding of classical foundations, yet it was his thirst for the contemporary that truly defined his trajectory.

In 1927, a pivotal moment arrived when Capogrossi traveled to Paris alongside his contemporary, Fausto Pirandello. This excursion into the epicenter of the avant-garde exposed him to the shifting tides of European modernism, planting the seeds for a stylistic evolution that would eventually strip away representation in favor of pure form. Throughout the 1930s, Capogrossi became a fixture in the vibrant art circuits of Rome, Venice, and Milan, establishing himself as a rising talent capable of bridging the gap between the old world and the new.

From Renaissance Echoes to Abstract Innovation

The early aesthetic of Capogrossi was a sophisticated dialogue between the past and the present. He drew deep inspiration from the grandeur of the Italian Renaissance, particularly the balanced compositions and masterful techniques of Raphael. This reverence for classical harmony, however, was constantly being challenged by his fascination with modernist experimentation. His early works were characterized by a certain representational weight, yet even then, one could sense a burgeoning desire to deconstruct the subject matter.

As his career progressed, Capogrossi’s brushwork grew bolder and more expressive. He moved away from the literal depiction of figures toward a language of vibrant colors and energetic compositions. A significant milestone in his ideological development was his participation in the 23rd edition of the Venice Biennale in 1930, and his subsequent signing of the Manifesto del Primordialismo Plastico in 1933. This period marked his commitment to a more primal, essential form of art—a movement that sought to find meaning in the fundamental elements of plastic expression rather than in the imitation of nature.

The Legacy of Informal Art and Abstract Mastery

The true metamorphosis of Capogrossi’s style occurred in the aftermath of World War II. As the world grappled with the trauma of conflict, the artist found himself at the forefront of Italian Informal Art. Alongside titans such as Lucio Fontana and Alberto Burri, Capogrossi abandoned the recognizable silhouette entirely. His work transitioned into a profound abstraction, often defined by his iconic, repetitive sigla—a unique, calligraphic mark that became his artistic signature.

These marks, though seemingly simple, functioned as rhythmic, structural elements that transformed the canvas into a field of pure energy and pattern. Through this reductionist approach, he achieved a state of "primordial" expression that resonated with the existential themes of his era. When he passed away in 1972, he left behind a legacy that remains a cornerstone of modern art history. His ability to synthesize the weight of Roman tradition with the radical freedom of abstraction ensures that his work continues to captivate collectors and scholars alike, standing as a testament to the enduring power of the creative spirit.

Giuseppe Capogrossi

Giuseppe Capogrossi

1900 - 1972 , Italy

Rýchle fakty

  • Nationality: American
  • Date Of Birth: 1900
  • Date Of Death: 1972
  • Place Of Birth: Rome, Italy
  • Notable Artworks:
    • Descent from the Cross
    • Flatiron Building
  • Artistic Movement Or Style: Various (including Art Nouveau)
  • Artists Who Influenced This Artist: ['Maurice Denis']
  • Artists Or Movements Influenced By This Artist: ['Wassily Kandinsky']
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