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Karta badawcza: Wedding procession

Pełny rekord Wedding procession

Imię i nazwisko Klasa Data

Gustave Brion, Wedding procession (1873), Municipal museum (Saverne). Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Gustave Brion wikioo.org/pl/artists/gustave-brion/
Daty życia artysty
1824 – 1877
Technika malarska
1873
Technika wykonania
Oil On Canvas
Wymiary oryginału
110.0 x 160.0cm
Ruch
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.
Epoka
19th Century
Miejsce wystawy
Municipal museum (Saverne) wikioo.org/pl/museums/municipal-museum-saverne-saverne/
Artistic style
Academic Realism
Notable elements or techniques
Precise brushwork and wide-angle perspective
Subject or theme
Festive wedding procession in a village

W kontekście

Wedding procession — Gustave Brion

Jakie są wymiary?

Oryginalne wymiary to 110 × 160 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Kiedy powstało to dzieło?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 53 w chwili śmierci.

Namalowane, gdy artysta miał 49 lat. Artysta dożył 53 lat. 7 z 10 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Gustave Brion (1824–1877) ▲ to dzieło, 1873 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1861 Główne lata aktywności zawodowej: 1861–1873 Późne dzieła: od 1873

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: wikioo.org/pl/art/similar/wedding-procession-by-gustave-brion/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Khaki #ebcf97

    Paleta w katalogu

    • #EBCF97
    • #312D10
    • #7D5D22
    • #B39349

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Dark Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Khaki
    Nasycenie
    Vivid Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Statement W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Balanced Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Clear Color Presence Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    O tym dziele sztuki

    Wedding procession — Gustave Brion

    A Village Celebration

    A lively scene unfolds within a European village, capturing a festive wedding procession moving through a crowded street. The composition utilizes a wide-angle perspective to document a bustling gathering of figures dressed in traditional attire. An ornate carriage occupies the mid-ground, acting as a focal point for the eye as it moves through the crowd. The architecture of half-timbered houses provides a structured backdrop to the organic forms of the people and surrounding foliage.

    Technique and Composition

    Executed in 1873, this work employs Academic Realism to achieve high representational accuracy. The color palette relies on warm, earthy tones, specifically ochre, cream, deep reds, forest greens, and browns. Fine detail is applied to the textures of heavy clothing fabrics, the rough stone of buildings, and delicate floral arrangements. Natural daylight illuminates the central group of guests, casting soft shadows across the street. Through overlapping figures and a receding perspective, the painting establishes depth within the dense crowd.

    Realist Observation

    The subject matter focuses on communal celebration and social cohesion. The use of lines guides the viewer from foreground figures toward the central procession, mirroring the movement of the event itself. This approach to genre painting emphasizes the documentation of everyday life and tradition through precise brushwork in oil on canvas.

    Artysta i muzeum

    Artysta

    Gustave Brion

    Urodzony w Rothau, France

    The Life and Art of Gustave Brion

    Gustave Brion was a French painter and illustrator born in Rothau, France. He studied in Strasbourg under the painter Gabriel-Christophe Guérin and the sculptor Andreas Friedrich. His artistic journey led him to a studio on rue Notre-Dame-des-Champs in Paris, where he resided alongside Realist artists Jules Breton and François Bonvin. Brion is widely recognized for his genre paintings that depict the customs and peasant life of Alsace, though his repertoire also included historical subjects such as The Siege of a Town by Romans, which was commissioned by Napoleon III.

    His technical skill earned him significant recognition at the Paris Salon. In 1853, he received a Second-Class Medal for Schlitteurs de la Forêt-Noire and Potato Harvest during an Inundation. His success continued with a First-Class Medal at the Salon of 1863 for Les Fleurs du Pays, an achievement that also brought him the Legion of Honour. He received further honors at the Exposition Universelle of 1867 and the Salon of 1868.

    Illustrative Legacy and Notable Works

    Beyond his canvas work, Brion was a prolific book illustrator. He contributed over 200 illustrations to the first edition of Victor Hugo's Les Misérables, providing the first published portrayal of Inspector Javert. He also provided illustrations for Hugo's The Hunchback of Notre-Dame, depicting characters such as Quasimodo and Esmeralda.

    His principal works include:

    Muzeum

    Municipal museum (Saverne)

    Prezentowane w Saverne, France

    Origins and History of the Municipal Museum (Saverne)

    The Municipal museum (Saverne) was founded in 1858. It holds the distinction of being the oldest museum in the historic Alsace region outside of Strasbourg and Colmar. The institution was established to preserve objects that testified to the grandeur and antiquity of Saverne. These early efforts focused on securing the local heritage discovered during various historical developments in the region.

    The museum has maintained its status as a significant regional institution for over a century and a half. On September 17, 2003, it was officially designated as a Musée de France. This classification recognizes its importance within the national network of French museums. The museum continues to manage its collections from its established position in the Bas-Rhin department of France.

    The Building and its Architecture

    The museum is housed within the former Rohan Castle, situated at Place du Général de Gaulle, 6, 67700 Saverne, France. This episcopal residence has served as the museum's home since 1952. The architecture reflects the historical importance of the site within the Bas-Rhin department of the Grand Est region.

    The interior layout is organized by departmental function across different levels of the structure. The archaeological department is located in the vaulted basement, utilizing the original stone caves of the castle. The art and history department occupies the second floor, providing a setting for the permanent collections of paintings and religious sculptures. A third section, dedicated to the Louise Weiss collection, is situated in the central part of the castle, which is attached to the south wing.

    Visitors may also access the gloriette, a rooftop feature of the castle, during the afternoon when weather conditions permit. The museum's placement within the castle ensures that the collections remain integrated with the local history of the Saverne region.

    Archaeological and Art and History Collections

    The archaeological department, located in the vaulted basement, focuses on the Gallo-Roman and Imperial Roman past of the antique Tres Tabernæ and its surroundings. The collection contains nearly 450 stelae and various architectural elements. These artifacts originate from Saverne, the Alsace Bossue region, and the Moselle department. Many of these stone pieces were incorporated into the construction of the town's enclosure during the fourth century.

    The art and history collection on the second floor preserves the religious and civic history of the region. This includes wood polychrome religious sculptures dating from the 15th and 16th centuries, sourced from local churches and chapels. The museum also maintains models of the castle and the town of Saverne, alongside various paintings and graphic arts. Local and regional costumes are presented on rotation to reflect the area's traditional dress.

    Wedding procession, 1873 - Gustave Brion

    Portrait de Mme Henriette Roll, 1900 - Alfred Philippe Roll

    André Manaut, 1890 - Alfred Philippe Roll

    Petite République, 1907 - Alfred Philippe Roll

    Esquisse pour La fête nationale du 14 juillet 1880, 1881 - Alfred Philippe Roll

    Au trot, 1888 - Alfred Philippe Roll

    The Louise Weiss Section

    Established in 1983, this section has been presented in its current form since 1996. It is dedicated to the life and work of the journalist, writer, and politician who bequeathed her collections and archives to the city of Saverne between 1981 and 1983. The space provides a permanent look at the various stages of her life and her contributions to European political thought.

    The holdings include decorative arts from the 19th and 20th centuries alongside an ethnographic collection and various paintings. The archives are particularly extensive, containing personal and historical documents, furniture, and a significant photographic and microfilm collection. This includes nearly 2,500 items, such as early issues of l’Europe Nouvelle.

    The section is organized to reflect the intersection of personal history and the geopolitical context of the 20th century. Visitors can observe the specific materials that shaped her vision of European rapprochement and political engagement.

    Major Acquisitions and Donations

    The museum's holdings include nearly 50 works by Alfred Philippe Roll, acquired through bequests from his family between 1952 and 1965. These acquisitions form a significant portion of the institution's painted collection. The museum also holds works by several Western European artists, including Raoul Dufy, Maurice de Vlaminck, Kees van Dongen, and Daum.

    A substantial addition to the museum occurred in 1983, when Louise Weiss bequeathed her collections and archives to the City of Saverne. This donation established a dedicated section within the museum. The Weiss collection contains ethnographic objects and folk art from various regions, including Cambodia, China, Ethiopia, Morocco, Russia, and Sudan. The bequest also includes decorative arts from the 19th and 20th centuries, as well as personal documents and graphic works.

    Gdzie przeczytać więcej

    Wszystkie informacje o Wedding procession by Gustave Brion na stronie dzieła

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Wedding procession

    wikioo.org/pl/art/download/wedding-procession-by-gustave-brion/

    Jak cytować to dzieło

    MLA
    Brion, Gustave. Wedding procession. 1873, Municipal museum (Saverne). https://wikioo.org/pl/art/wedding-procession-by-gustave-brion/
    APA
    Brion, Gustave (1873). Wedding procession [Painting]. Municipal museum (Saverne). https://wikioo.org/pl/art/wedding-procession-by-gustave-brion/
    Chicago
    Gustave Brion. Wedding procession. 1873. Municipal museum (Saverne). https://wikioo.org/pl/art/wedding-procession-by-gustave-brion/
    Harvard
    Brion, Gustave (1873) Wedding procession. Municipal museum (Saverne). Available at: https://wikioo.org/pl/art/wedding-procession-by-gustave-brion/

    Przyjrzyj się uważnie

    Wedding procession — Gustave Brion

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Ile twarzy potrafisz odnaleźć? ____ (w naszym katalogu jest 10 — czy zgadzasz się z tą liczbą?)
    4. W naszym katalogu dzieło to znajduje się w kategorii: people, carriage, village street. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    5. Wróć do dzieła Les Pèlerins de Sainte-Odile (1863), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Quiz o sztuce

    Wedding procession — Gustave Brion

    Jak dobrze znasz to dzieło?

    Zaznacz jedną odpowiedź dla każdego z 5 poniższych pytań. Każde z nich ma dokładnie jedną poprawną odpowiedź.

    1. 1. What is the overall impression of the painting's color palette?

      • A Bright and neon tones
      • B Warm and earthy tones
      • C Monochromatic grayscale
    2. 2. Which artistic style is used to describe this painting?

      • A Academic Realism
      • B Impressionism
      • C Romanticism
    3. 3. What type of subject matter does the painting focus on?

      • A Mythological narratives
      • B A communal celebration
      • C Religious allegories
    4. 4. In which year was this artwork created?

      • A 1849
      • B 1850
      • C 1873
    5. 5. What is the primary medium used for this work according to the description?

      • A Charcoal on paper
      • B Oil on canvas
      • C Watercolor on wood

    Mój wynik: ____ na 5

    Klucz odpowiedzi — dla nauczyciela

    Ta treść rozpoczyna nową stronę druku, więc można ją po prostu pominąć przy tworzeniu kopii.

    1B · 2A · 3B · 4C · 5B

    Sprawdź każdą odpowiedź, porównując ją z rekordem katalogowym tego obrazu

    Pytania i odpowiedzi

    Czy „Wedding procession” – Gustave Brion to dzieło o jasnej czy ciemnej kolorystyce?

    Zarejestrowane wartości dla „Wedding procession” – Gustave Brion to: jasność balanced, luminancja Gentle Luminance.

    Jak emocje i okazja do obdarowania łączą się w przypadku „Wedding procession” – Gustave Brion?

    "Wedding procession" emanuje Joyful nastrojem, a zarekomendowanym pomysłem na prezent jest Wedding.

    Czy Gustave Brion, twórca "Wedding procession", jest znany pod innymi nazwiskami?

    Inne znane nazwiska Gustave Brion, twórcy "Wedding procession", to Gustave-Adolphe Brion, Brion, G. Brion, C... Gustave Brion, ギュスターヴ・ブリオン.