Aktualizacja: Październik 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 28 dzieł Abel Hold w naszym katalogu
Podsumowanie
Najbardziej znanym obrazem autorstwa Abel Hold jest Nest of a Blackbird (1883), znajdujący się w kolekcji The Hepworth Wakefield w Wakefield. Kolejne wpisy to A Bird's Nest oraz Moorland Scene with Game (1888). Katalog zawiera 28 dzieł artysty Abel Hold; poniższych 28 pozycji to najbardziej znane z nich, zestawione w kolejności rankingowej wraz z datą, miejscem przechowywania w muzeum oraz opisem.
A quiet miracle unfolds within the tangled architecture of a blackbird's nest. In this 1883 work, the viewer peers into a hidden, hushed corner of the Yorkshire wild, where the frantic pace of the world falls away. The composition centers on a delicate cradle of woven twigs, dried grasses, and soft mosses, creating a sense of profound intimacy. Every strand of grass and every textured fragment of bark feels tangible,…
The painting A Bird's Nest by Abel Hold is a stunning example of oil on canvas artwork, showcasing the artist's attention to detail and ability to capture the natural beauty of the world. Measuring 20 x 26 cm, this piece is currently located at The Cooper Gallery in Barnsley, United Kingdom. Artist Background Abel Hold was a talented artist known for his ability to create intricate and detailed paintings. His…
In the quiet, evocative depths of Abel Hold’s 1888 masterpiece, Moorland Scene with Game, we are transported to the rugged, windswept landscapes of West Yorkshire. This painting is not merely a depiction of a hunt; it is a profound meditation on the cycle of life and the delicate equilibrium of the natural world. The canvas unfolds with a rich tapestry of textures, where the vibrant plumage of various birds—splashes of…
Nest of a Bunting1883 · The Hepworth Wakefield
12
Nest of a Song Thrush1882 · The Hepworth Wakefield
13
Nest with Four Eggs1891
14
Nest with Three Eggs1889
15
Mrs TyasThe Cooper Gallery
16
Still Life, Dead Game
17
A Wooded River LandscapeCannon Hall Museum
18
'Lady'
19
Red Cock Grouse
20
Three Red Grouse
21
Jonas Beaumont (1783–1857), Estate Carpenter for the Spencer Stanhope Family
22
Four Partridge
23
Still LifeCannon Hall Museum
24
Elkanah Clegg (1803–1872), Woodman for the Spencer Stanhope Family
25
Watter JoeThe Cooper Gallery
26
Dead GameWigan Arts And Heritage Service
27
Moorland Scene with Dead GrouseThe Hepworth Wakefield
28
Lincoln and Wakefield StagecoachThe Hepworth Wakefield
4 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Abel Hold | Obrazy z tej listy |
|---|---|---|---|
 The Hepworth Wakefield |
Wakefield | 6 | Nest of a Blackbird, Moorland Scene with Game, Nest of a Bunting |
 Cannon Hall Museum |
Barnsley | 5 | Still Life, Mrs Elizabeth Spencer Stanhope (1795–1873), Dead Game |
 The Cooper Gallery |
Barnsley | 3 | A Bird's Nest, Mrs Tyas, Watter Joe |
 Wigan Arts And Heritage Service |
Wigan | 1 | Dead Game |
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A quiet miracle unfolds within the tangled architecture of a blackbird's nest. In this 1883 work, the viewer peers into a hidden, hushed corner of the Yorkshire wild, where the frantic pace of the world falls away. The composition centers on a delicate cradle of woven twigs, dried grasses, and soft mosses, creating a sense of profound intimacy. Every strand of grass and every textured fragment of bark feels tangible,…
Nest of a Blackbird (1883), The Hepworth Wakefield, Wakefield. Kolejne miejsca zajmują A Bird's Nest oraz Moorland Scene with Game (1888).
68 lat: Abel Hold urodził się w 1815, a dzieło Nest of a Blackbird datowane jest na 1883.
Nest of a Blackbird, A Bird's Nest, Moorland Scene with Game, Girl with a Lamb, Dead Grouse, Still Life, Hedge Sparrow's Nest, Mrs Elizabeth Spencer Stanhope (1795–1873), Starling's Nest i Dead Game. Powyższa lista zawiera datę powstania oraz informację o muzeum, w którym znajduje się każde z nich.
Katalog zawiera 28 dzieł autorstwa Abel Hold, datowanych na okres między 1842 a 1891.
Głównie w The Hepworth Wakefield (Wakefield), Cannon Hall Museum (Barnsley) i The Cooper Gallery (Barnsley). Powyższa tabela muzealna przedstawia pełny rozkład.
W okresie 1880s: 6 z 28 dzieł wymienionych na tej stronie pochodzi z tego okresu, w tym Nest of a Blackbird.
Najwcześniejsze datowane dzieło wymienione tutaj to Girl with a Lamb (1842); najpóźniejsze to Nest with Four Eggs (1891).
Oil, w 2 z 28 dzieł wymienionych na tej stronie.
Realism, co potwierdzają dzieła prezentowane na tej stronie.
Nest of a Blackbird, Moorland Scene with Game i Nest of a Bunting należą do 6 dzieł na tej stronie w kolekcji The Hepworth Wakefield, Wakefield.
Abel Hold (1815-1896), a largely unsung figure of 19th-century British art, possessed a remarkable talent for capturing the essence of the natural world. Born in Alverthorpe, a small village near Wakefield, Yorkshire, his artistic journey began not with formal training but through a deep connection to the landscapes and wildlife surrounding him. Hold’s life was one of quiet dedication, marked by a self-taught approach and a profound respect for the subjects he depicted – animals, game birds, and the evocative scenery of West Yorkshire.
Early in his career, Hold worked as a house painter and decorator, skills that undoubtedly informed his meticulous observation of detail and his understanding of color. However, it was his passion for depicting the natural world that truly defined his artistic output. He wasn’t merely recording scenes; he sought to convey the spirit and character of each subject, imbuing his paintings with a sense of life and immediacy. His work reflects a Romantic sensibility – an appreciation for beauty, a fascination with nature's power, and a yearning for connection with the wild.
A pivotal moment in Hold’s career arrived through his acquaintance with Walter Spencer-Stanhope, the owner of Cannon Hall Estate. Recognizing Hold’s talent, Spencer-Stanhope became a generous patron, providing him with a studio and access to subjects for his paintings. This patronage allowed Hold to dedicate himself fully to his art, fostering a period of intense creative activity. The estate's extensive grounds offered an unparalleled source of inspiration – from the rolling hills and woodlands to the abundant wildlife.
Hold’s connection with Cannon Hall extended beyond mere financial support; it fostered a shared appreciation for the natural world. He meticulously documented the estate’s flora and fauna, creating a rich visual record of its diverse ecosystem. His paintings of game birds – pheasants, partridges, and grouse – are particularly celebrated for their realism and sensitivity to the animals' behavior. He wasn’t simply rendering appearances; he captured the essence of these creatures in motion, conveying their alertness, grace, and inherent wildness.
Hold’s artistic style was characterized by a directness and simplicity that belied his deep understanding of technique. He eschewed elaborate ornamentation or dramatic compositions, instead focusing on capturing the essential qualities of his subjects with clarity and precision. His brushwork was often loose and expressive, conveying texture and movement with subtle variations in tone and color.
Notably, Hold developed his own pigments, grinding river pebbles for ochre, umber, and sienna – a testament to his resourcefulness and intimate connection with the landscape. This practice not only provided him with a unique palette but also reinforced his understanding of materials and their interaction with light. His paintings often possess a remarkable luminosity, achieved through careful layering of color and a sensitivity to atmospheric effects.
Despite his considerable talent, Abel Hold remained largely unknown during his lifetime. He was a working artist, content to pursue his passion without seeking fame or fortune. It wasn’t until decades after his death that his work began to receive wider recognition. The Cawthorne 1790-1990 booklet and later exhibitions highlighted the significance of his contributions to Yorkshire art. Today, Abel Hold is increasingly appreciated as a skilled naturalist painter who captured the beauty and spirit of the West Yorkshire landscape with remarkable sensitivity and insight.
His paintings are now housed in collections such as the Scottish National Portrait Gallery (where a portrait of Jonas Beaumont hangs), and private collections, offering a glimpse into the life and work of an artist whose quiet dedication and profound connection to nature continue to resonate today. Abel Hold’s legacy lies not only in his beautiful paintings but also in his embodiment of a simpler, more contemplative approach to art – one rooted in observation, respect for the natural world, and a deep appreciation for its enduring beauty.
