Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 5 dzieł Gustaf Söderberg w naszym katalogu
Podsumowanie
The Grotto of Posillipo, Naples (1820) jest uznawany za najsłynniejszy obraz Gustaf Söderberg; znajduje się w zbiorach Metropolitan Museum of Art w Nowy Jork. View over the Tiber to the Aventine, Rome (1820) i A Temple in Agrigento, Sicily zajmują drugie i trzecie miejsce. Z 5 dzieł Gustaf Söderberg zarejestrowanych w katalogu, poniżej wymieniono 5 najlepiej znanych, z podaniem daty powstania, muzeum przechowującego oraz wzmianki o każdym z nich.
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
2 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Gustaf Söderberg | Obrazy z tej listy |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 4 | View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily, Vesuvius Seen from St January Bridge, Naples |
 Metropolitan Museum of Art |
Nowy Jork | 1 | The Grotto of Posillipo, Naples |
Każdy wpis dotyczący Gustaf Söderberg na tej stronie posiada datę 1820; dzieła są wymienione według rankingu.
Wybierz rok, aby wyświetlić jego najważniejsze obrazy.
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
Inne dzieła z okresu 1820
The Grotto of Posillipo, Naples (1820), Metropolitan Museum of Art, Nowy Jork. Kolejne miejsca zajmują View over the Tiber to the Aventine, Rome (1820) oraz A Temple in Agrigento, Sicily.
21 lat: Gustaf Söderberg urodził się w 1799, a dzieło The Grotto of Posillipo, Naples datowane jest na 1820.
Katalog zawiera 5 dzieł autorstwa Gustaf Söderberg.
Głównie w Nationalmuseum (Stockholm) i Metropolitan Museum of Art (Nowy Jork). Powyższa tabela muzealna przedstawia pełny rozkład.
W okresie 1820: 2 z 5 dzieł wymienionych na tej stronie pochodzi z tego okresu, w tym The Grotto of Posillipo, Naples.
View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily i Vesuvius Seen from St January Bridge, Naples należą do 4 dzieł na tej stronie w kolekcji Nationalmuseum, Stockholm.
Gustaf Söderberg lived a life defined by the dualities of Swedish military discipline and the quiet observation of the natural world. Born in Norrköping, Östergötland, he was the son of a clothing manufacturer, Johan Söderberg, and Agnes Arosenius. While his career path led him through the ranks of the military, his eyes remained fixed on the landscapes of Europe. He trained as a military draftsman, a skill that provided a precise foundation for his later explorations in light and atmosphere.
His professional trajectory was marked by steady advancement. He served as an Adjutant at the Expeditionary General for the Army in Stockholm and eventually attained the rank of Colonel. In 1827, he held the position of ordination officer to the Crown Prince, and by 1833, he had become Adjutant to the Crown Prince himself. Even amidst these official duties, his artistic inclinations found expression through lithographic work, specifically in creating posters for Swedish and Norwegian military uniforms completed in 1828.
Söderberg holds a specific place in Swedish art history as the first painter from his nation to embrace plein-air painting. This shift toward painting outdoors was not an isolated impulse but a learned technique. He studied under the French landscapist Achille-Etna Michallon, whose influence helped him move beyond the rigid confines of studio work. His travels provided the necessary canvas for this new approach.
In 1819, he traveled to Italy, and by 1820, his sketches began to capture the specific geometries of foreign locales. During a journey through southern Italy and Sicily, he produced studies such as The Grotto of Posillipo, Naples. His time in Rome also yielded works like Houses, Rome, where he utilized an extraordinary disparity of scale to depict architectural fragments against the sky. These early excursions were followed by time spent in Paris in 1821 and a painting tour through Norway in 1824.
The later decades of Söderberg's life saw him moving through the various stages of European travel while maintaining his military obligations. He participated regularly in the Academy of Fine Arts exhibitions from 1822 onwards, bringing his observations to a wider audience. After retiring from military service in 1864, he spent his remaining years traveling across the continent.
He passed away in Stockholm in 1875. His legacy is found not in grand historical narratives, but in the meticulous oil studies on paper that remain in collections such as The Metropolitan Museum of Art. These works preserve a specific moment of transition in Swedish art, capturing the light of Naples and the structures of Rome through the lens of a man who understood both the precision of a soldier and the sensitivity of a draftsman.
