Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 17 dzieł Marcus Larson w naszym katalogu
Podsumowanie
Według tego rankingu Arvid Larsson, 1785-1841, rusthållare, gift med Eva Sophia Fridman (1846) to najsłynniejszy obraz autorstwa Marcus Larson; znajduje się on w Nationalmuseum w Stockholm. Następują po nim Stormy Sea (1857) oraz Eva Sophia Fridman, 1791-1861, gift med rusthållare Arvid Larsson. Lista ta opiera się na 17 dziełach artysty Marcus Larson znajdujących się w katalogu i obejmuje 17 najsłynniejszych z nich, podając dla każdego z nich datę, muzeum, w którym się znajduje, oraz opis.
This portrait functions as a quiet record of a specific existence. The subject, Arvid Larsson, is presented with a formal dignity that speaks to his status and the era of 1846. There is an intimacy in the way the light brushes his features, grounding him in a space that feels both personal and enduring. While the artist would later become known for the raw power of stormy seas and the…
A lone sailing ship struggles against a turbulent, monochromatic sea, positioned slightly below the horizontal midline to emphasize the vastness of the surrounding ocean. The composition centers on the dark silhouette of the vessel, caught in a struggle against rhythmic, swirling crests of water. Light breaks through heavy, moisture-laden clouds in dramatic crepuscular rays, creating a strong chiaroscuro effect that illuminates the churning surface. The palette is dominated by deep…
The portrait captures Eva Sophia Fridman in a moment of quietude. She sits against a dark, undifferentiated background that pushes her figure forward. Light enters from the upper left, brushing her forehead and the curve of her shoulder. This directional glow carves her features out of the shadows, creating a sense of three-dimensional volume. Her gaze is steady, held within the soft contours of a face rendered with smooth gradations.…
In Mountains and Waterfall, Marcus Larson presents a landscape defined by the raw, unbridled energy of the natural world. This work, painted about 1851, captures a wild mountain scene where the terrain is characterized by rugged rocky outcrops and steep, craggy cliffs. Amidst this geological intensity, resilient coniferous trees cling to the earth, their forms shaped by the harsh environment. The central focus remains the waterfall, which descends through the…
In this 1853 landscape, we find ourselves positioned low within a dense, shaded woodland. The perspective draws the eye upward, lending a monumental weight to the large stone formations that dominate the scene. These boulders, weathered and rugged, anchor the composition with their heavy, organic presence. Between the jagged edges of the rocks, slender coniferous trees reach toward a canopy that filters the light, creating a soft, diffused glow. It…
A turbulent maritime scene unfolds across a wide horizontal expanse, capturing the raw struggle between human endeavor and the elements. In the foreground, a small rowing boat filled with figures battles choppy, dark waves, their vulnerability emphasized by the scale of the surrounding ocean. To the right, rugged cliffs meet the sea where white surf crashes violently against the stone. The midground features two larger sailing vessels navigating the swells,…
In this 1853 study, we find ourselves standing at the edge of a silent, wooded expanse. The scene is a delicate observation of a Swedish lake, captured during a moment of profound stillness. Unlike the turbulent, crashing waters often associated with the artist's more dramatic compositions, this work focuses on the subtle interplay of light and shadow across a tranquil landscape. The composition is layered horizontally, leading the eye from…
The oil on canvas depicts a vessel caught in the midst of a violent sea. A diagonal composition directs the eye from the lower left, where churning white foam rises, toward the center of the frame where the ship tilts precariously. The vessel's masts appear fractured against a heavy, dark sky. To the right, craggy, dark cliffs meet the edge of the turbulent water. The color palette relies on deep…
A dark, turbulent seascape occupies the frame, defined by a low-angle perspective that places the viewer near the churning surface of the water. The composition is dominated by a heavy, monochromatic sky where dark clouds in shades of black and deep brown are interrupted by a central, pale light source. This light, likely the moon, creates a high-contrast chiaroscuro effect, illuminating the edges of the clouds with cream and ochre…
The scene unfolds through the dramatic work titled Burning Steamship, a piece that captures a moment of intense maritime peril. Known also by the title Burning Steamer, this work carries the Swedish name Brinnande ångbåt. The artist behind this turbulent vision is Marcus Larson, a man whose life was deeply tied to the shifting moods of the natural world. He brings a sense of raw, unyielding energy to the canvas,…
Norwegian Mountain Landscape with Waterfall1856 · Nationalmuseum
12
Rocky Landscape with Waterfall1859 · Nationalmuseum
13
Norwegian Fjord in Moonlight. Motif from the Sogne-Fjord1861 · Nationalmuseum
14
Burning Steamer1858 · Nationalmuseum
15
Gale on the Bohuslän Coast1857 · Nationalmuseum
16
Burning SteamboatFinnish National Gallery
17
Title in Swedish: Småländskt vattenfall1856 · Nationalmuseum
Cztery najczęściej reprezentowane tematy wśród tych dzieł, z których każde posiada swój najbardziej znany przykład.
4 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Marcus Larson | Obrazy z tej listy |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 12 | Arvid Larsson, 1785-1841, rusthållare, gift med Eva Sophia Fridman, Stormy Sea, Eva Sophia Fridman, 1791-1861, gift med rusthållare Arvid Larsson |
 Finnish National Gallery |
Helsinki | 3 | Mountains and Waterfall, Burning Steamship, Burning Steamboat |
 Gothenburg Museum of Art |
Gothenburg | 1 | Shipwreck |
 National Museum of Art, Architecture and Design |
Oslo | 1 | Stormigt hav vid fyr |
Wybierz dekadę, aby wyświetlić jej najważniejszy obraz.
This portrait functions as a quiet record of a specific existence. The subject, Arvid Larsson, is presented with a formal dignity that speaks to his status and the era of 1846. There is an intimacy in the way the light brushes his features, grounding him in a space that feels both personal and enduring. While the artist would later become known for the raw power of stormy seas and the…
A lone sailing ship struggles against a turbulent, monochromatic sea, positioned slightly below the horizontal midline to emphasize the vastness of the surrounding ocean. The composition centers on the dark silhouette of the vessel, caught in a struggle against rhythmic, swirling crests of water. Light breaks through heavy, moisture-laden clouds in dramatic crepuscular rays, creating a strong chiaroscuro effect that illuminates the churning surface. The palette is dominated by deep…
In "Norwegian Fjord in Moonlight. Motif from the Sogne-Fjord" by Marcus Larson, the composition utilizes a central receding perspective to establish a sense of depth within the landscape. Massive cliffs appear as dark silhouettes, framing the view and directing the eye toward the center of the image. A luminous break in the clouds allows moonlight to penetrate the heavy sky, creating a sharp contrast against the nocturnal tones of the…
Arvid Larsson, 1785-1841, rusthållare, gift med Eva Sophia Fridman (1846), Nationalmuseum, Stockholm. Kolejne miejsca zajmują Stormy Sea (1857) oraz Eva Sophia Fridman, 1791-1861, gift med rusthållare Arvid Larsson.
21 lat: Marcus Larson urodził się w 1825, a dzieło Arvid Larsson, 1785-1841, rusthållare, gift med Eva Sophia Fridman datowane jest na 1846.
Arvid Larsson, 1785-1841, rusthållare, gift med Eva Sophia Fridman, Stormy Sea, Eva Sophia Fridman, 1791-1861, gift med rusthållare Arvid Larsson, Mountains and Waterfall, Stony Forest, Bark Beating to Windward at Kullaberg, Swedish Lake. Study, Shipwreck, Stormigt hav vid fyr i Burning Steamship. Powyższa lista zawiera datę powstania oraz informację o muzeum, w którym znajduje się każde z nich.
Katalog zawiera 17 dzieł autorstwa Marcus Larson, datowanych na okres między 1846 a 1861.
Głównie w Nationalmuseum (Stockholm), Finnish National Gallery (Helsinki) i Gothenburg Museum of Art (Gothenburg). Powyższa tabela muzealna przedstawia pełny rozkład.
W okresie 1850s: 12 z 17 dzieł wymienionych na tej stronie pochodzi z tego okresu, w tym Stormy Sea.
Najwcześniejsze datowane dzieło wymienione tutaj to Arvid Larsson, 1785-1841, rusthållare, gift med Eva Sophia Fridman (1846); najpóźniejsze to Norwegian Fjord in Moonlight. Motif from the Sogne-Fjord (1861).
Rocks (8), Waves (7) i Clouds (7) z 17 dzieł wymienionych na tej stronie.
Oil On Canvas, w 11 z 17 dzieł wymienionych na tej stronie.
Romanticism, co potwierdzają dzieła prezentowane na tej stronie.
Arvid Larsson, 1785-1841, rusthållare, gift med Eva Sophia Fridman, Stormy Sea i Eva Sophia Fridman, 1791-1861, gift med rusthållare Arvid Larsson należą do 12 dzieł na tej stronie w kolekcji Nationalmuseum, Stockholm.
Simeon Marcus Larson, born in Åtvidaberg, Östergötland, Sweden in 1825, was a pivotal figure in 19th-century Swedish painting. He is widely recognized as one of Sweden’s foremost landscape painters and often labeled ‘the most outstanding of the Swedish Düsseldorf painters.’ Larson's early artistic training laid the foundation for his later mastery of dramatic landscapes.
Larson’s work is characterized by its intense drama, frequently depicting rivers under turbulent skies and harrowing shipwrecks amidst violent storms. His style centers on capturing the raw power and movement of nature. He skillfully employed light and color to create a sense of tension and immerse the viewer in the scene. Stormy Sea at Sunset exemplifies his ability to portray the ocean’s fury with remarkable detail.
Larson’s oeuvre includes several iconic paintings that showcase his unique style:
Larson’s works are held in prominent collections, allowing audiences to experience his art firsthand:
Larson's dramatic landscapes profoundly influenced generations of artists. His emphasis on capturing the emotional and psychological aspects of nature can be seen as a precursor to the Expressionist movement. He bridged the gap between traditional landscape painting and more emotionally charged artistic expressions. His work remains a testament to the power of nature and the human response to its grandeur.
