Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 11 dzieł Simone Pignoni w naszym katalogu
Podsumowanie
Najbardziej znanym obrazem autorstwa Simone Pignoni jest Saint Cecilia (1636). Kolejne wpisy to Saint Margaret (1654) oraz Virgin and Child (1650). Katalog zawiera 11 dzieł artysty Simone Pignoni; poniższych 10 pozycji to najbardziej znane z nich, zestawione w kolejności rankingowej wraz z datą, miejscem przechowywania w muzeum oraz opisem.
Simone Pignoni presents Saint Cecilia in a vertical portrait, focusing on the upper body of the subject. Positioned slightly off-center, the figure is captured in a moment of spiritual ecstasy. Her gaze is directed upward, her face marked by an expression of divine inspiration or longing. This intimate, close-up view places the viewer in immediate proximity to her emotional state.
In Saint Margaret, Simone Pignoni employs a dynamic diagonal arrangement to organize the scene. The figure of the saint moves from the upper left toward the lower right of the frame. She is depicted as a young woman holding a small wooden cross. Positioned at her side is a menacing, open-mouthed beast. This arrangement creates a sense of movement and tension within the composition.
In this 1650 oil painting, we find ourselves drawn into a private, shadowed space where the Virgin Mary leans toward the infant Jesus. The composition is intimate, focusing on the tender connection between mother and child. A deep crimson of the Virgin's garment provides the primary weight to the scene, cutting through a dark, shadowy background that recedes into mystery. The lighting is deliberate, using chiaroscuro to pull the faces…
A vertical portrait of St. Praxedes occupies the center of this oil painting. The subject is a female figure shown from the upper torso upward, positioned slightly off-center. She wears a dark veil that blends into a black and brown background, creating a deep, shadowed space behind her. A strong light source originates from the upper left, casting illumination across her face, neck, and hands. This light creates a chiaroscuro…
In this 1650 oil painting, two figures emerge from a dark, shadowy background. The composition is asymmetrical, focusing on the physical struggle between a male figure and a female figure. A strong, directional light source illuminates the female figure's chest, face, and arm, while the male figure and the surrounding environment remain in deep shadow. The female figure's skin tones appear luminous against the tenebristic tones of black and dark…
A single light source spills from the upper left, carving a woman’s face out of a heavy, ink-black void. She leans toward a young child, her skin glowing like polished ivory against the dark. The air in the room feels thick, weighted by the silence of a private, sacred moment. Her hand reaches out, a gentle touch connecting the human to the divine. Every fold of her cream-colored fabric and…
Simone Pignoni's "Death of St. Petronilla" isn’t merely a painting; it’s an immersion into the shadowed heart of the Florentine Baroque, a visceral exploration of mortality and the unsettling beauty found within decay. Completed around 1623, this altarpiece, now meticulously reproduced by WahooArt.com, transcends its religious subject matter to become a profound meditation on human vulnerability and the inevitability of loss. The scene unfolds with arresting immediacy – a woman,…
Cztery najczęściej reprezentowane tematy wśród tych dzieł, z których każde posiada swój najbardziej znany przykład.
7 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Simone Pignoni | Obrazy z tej listy |
|---|---|---|---|
 Museum of Fine Arts |
Boston | 2 | Saint Mary Magdalen Penitent, Head of a Young Woman |
 Bawarskie Państwowe Zbiory Malarstwa |
Monachium | 1 | Saint Margaret |
 Musée Salies |
Bagnères-de-Bigorre | 1 | Virgin and Child |
 Musée des Beaux-Arts de Nancy |
Nancy | 1 | The Rape of Proserpine |
 Musée des Beaux-Arts de Lyon |
Lyon | 1 | The Mystical Marriage of Saint Catherine |
 Fitzwilliam Museum |
1 | A poet, presented to Jupiter by Hercules, is crowned by Glory, below Venus, Cupid and the poet | |
 Ermitaż |
Sankt Petersburg | 1 | Death of St Petronilla |
Datowane dzieła artysty Simone Pignoni na tej stronie obejmują lata od 1636 do 1654, co stanowi okres 19 lat, przedstawiony rok po roku.
Wybierz rok, aby wyświetlić jego najważniejsze obrazy.
Simone Pignoni presents Saint Cecilia in a vertical portrait, focusing on the upper body of the subject. Positioned slightly off-center, the figure is captured in a moment of spiritual ecstasy. Her gaze is directed upward, her face marked by an expression of divine inspiration or longing. This intimate, close-up view places the viewer in immediate proximity to her emotional state.
In this 1650 oil painting, we find ourselves drawn into a private, shadowed space where the Virgin Mary leans toward the infant Jesus. The composition is intimate, focusing on the tender connection between mother and child. A deep crimson of the Virgin's garment provides the primary weight to the scene, cutting through a dark, shadowy background that recedes into mystery. The lighting is deliberate, using chiaroscuro to pull the faces…
Inne dzieła z okresu 1650
In Saint Margaret, Simone Pignoni employs a dynamic diagonal arrangement to organize the scene. The figure of the saint moves from the upper left toward the lower right of the frame. She is depicted as a young woman holding a small wooden cross. Positioned at her side is a menacing, open-mouthed beast. This arrangement creates a sense of movement and tension within the composition.
Saint Cecilia (1636). Poniższe pozycje to Saint Margaret (1654) oraz Virgin and Child (1650).
25 lat: Simone Pignoni urodził się w 1611, a dzieło Saint Cecilia datowane jest na 1636.
Saint Cecilia, Saint Margaret, Virgin and Child, St. Praxedes, The Rape of Proserpine, The Mystical Marriage of Saint Catherine, A poet, presented to Jupiter by Hercules, is crowned by Glory, below Venus, Cupid and the poet, Saint Mary Magdalen Penitent, Head of a Young Woman i Death of St Petronilla. Powyższa lista zawiera datę powstania oraz informację o muzeum, w którym znajduje się każde z nich.
Katalog zawiera 11 dzieł autorstwa Simone Pignoni, datowanych na okres między 1636 a 1654.
Głównie w Museum of Fine Arts (Boston), Bawarskie Państwowe Zbiory Malarstwa (Monachium) i Musée Salies (Bagnères-de-Bigorre). Powyższa tabela muzealna przedstawia pełny rozkład.
W okresie 1650: 3 z 10 dzieł wymienionych na tej stronie pochodzi z tego okresu, w tym Virgin and Child.
Najwcześniejsze datowane dzieło wymienione tutaj to Saint Cecilia (1636); najpóźniejsze to Saint Margaret (1654).
Woman (6), Skin (3) i Child (3) z 10 dzieł wymienionych na tej stronie.
Oil, w 5 z 10 dzieł wymienionych na tej stronie.
Saint Mary Magdalen Penitent i Head of a Young Woman należą do 2 dzieł na tej stronie w kolekcji Museum of Fine Arts, Boston.
