Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 3 dzieł Theodore E. Pine w naszym katalogu
Podsumowanie
Według tego rankingu The Daughters of Daniel T. MacFarlan (1857) to najsłynniejszy obraz autorstwa Theodore E. Pine; znajduje się on w Metropolitan Museum of Art w Nowy Jork. Następują po nim Mr. and Mrs. Daniel T. MacFarlan (1858) oraz Kate Lyon Cornell (1856). Lista ta opiera się na 3 dziełach artysty Theodore E. Pine znajdujących się w katalogu i obejmuje 3 najsłynniejszych z nich, podając dla każdego z nich datę, muzeum, w którym się znajduje, oraz opis.
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
Cztery najczęściej reprezentowane tematy wśród tych dzieł, z których każde posiada swój najbardziej znany przykład.
Muzeum, w którym znajduje się najwięcej obrazów prezentowanych na tej stronie.
| Muzea | Miasto | Dzieła artysty Theodore E. Pine | Obrazy z tej listy |
|---|---|---|---|
 Metropolitan Museum of Art |
Nowy Jork | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
3 lata, od 1856 do 1858, obejmują wszystkie datowane dzieła artysty Theodore E. Pine na tej stronie; są one przedstawione chronologicznie.
Wybierz rok, aby wyświetlić jego najważniejsze obrazy.
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The Daughters of Daniel T. MacFarlan (1857), Metropolitan Museum of Art, Nowy Jork. Kolejne miejsca zajmują Mr. and Mrs. Daniel T. MacFarlan (1858) oraz Kate Lyon Cornell (1856).
29 lat: Theodore E. Pine urodził się w 1828, a dzieło The Daughters of Daniel T. MacFarlan datowane jest na 1857.
Katalog zawiera 3 dzieł autorstwa Theodore E. Pine, datowanych na okres między 1856 a 1858.
Głównie w Metropolitan Museum of Art (Nowy Jork). Powyższa tabela muzealna przedstawia pełny rozkład.
Najwcześniejsze datowane dzieło wymienione tutaj to Kate Lyon Cornell (1856); najpóźniejsze to Mr. and Mrs. Daniel T. MacFarlan (1858).
Tree (2), Landscape (2) i Clouds (2) z 3 dzieł wymienionych na tej stronie.
Oil On Canvas, w 3 z 3 dzieł wymienionych na tej stronie.
The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan i Kate Lyon Cornell należą do 3 dzieł na tej stronie w kolekcji Metropolitan Museum of Art, Nowy Jork.
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
