Portret Edward Lear

List of the 100 Most Famous Paintings by Edward Lear

Aktualizacja: Październik 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 419 dzieł Edward Lear w naszym katalogu

Podsumowanie

The most widely known painting by Edward Lear is Cogoleto, Italy. The next entries are Crescenza and Blue And Yellow Macaw. The catalogue documents 419 works by Edward Lear; the 100 entries below are the best known, listed in rank order with date, holding museum and description.

1812 – 1888, Highgate Romanticism Najwięcej dzieł: Yale Center for British Art

Edward Lear: the 10 principal paintings

1
Cogoleto, Italy autorstwa Edward Lear

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

7
The Temple of Apollo at Bassae (1855) autorstwa Edward Lear

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Edward Lear: entries 11 to 100

11A Great Green Macaw autorstwa Edward LearA Great Green Macaw 12Great Sulphur Cockatoo (Plyctolophus Sulphureus) autorstwa Edward LearGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 13Diano, South Of France autorstwa Edward LearDiano, South Of France 14Philae, Egypt (1863) autorstwa Edward LearPhilae, Egypt1863 · Yale Center for British Art 15The Plains of Lombardy from Monte Generoso (1880) autorstwa Edward LearThe Plains of Lombardy from Monte Generoso1880 · Ashmolean Museum of Art and Archaeology 16Between Olavano and Civitella (1842) autorstwa Edward LearBetween Olavano and Civitella1842 · Yale Center for British Art 17Civita Castellana (1839) autorstwa Edward LearCivita Castellana1839 18Góry Termopilea (1852) autorstwa Edward LearGóry Termopilea1852 · Bristol Museum - Art Gallery 19A Study of Ferns, Civitella (1842) autorstwa Edward LearA Study of Ferns, Civitella1842 · Yale Center for British Art 20Landscape with Goatherd (1842) autorstwa Edward LearLandscape with Goatherd1842 · Yale Center for British Art 21Temple of Venus and Roma, Rome (1840) autorstwa Edward LearTemple of Venus and Roma, Rome1840 · Yale Center for British Art 22Rome, a View of the Forum from a Terrace (1841) autorstwa Edward LearRome, a View of the Forum from a Terrace1841 23Rome, a View of the Forum with the Temple of Venus (1841) autorstwa Edward LearRome, a View of the Forum with the Temple of Venus1841 24A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) autorstwa Edward LearA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 25A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) autorstwa Edward LearA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 26Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) autorstwa Edward LearStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 27Venosa (1852) autorstwa Edward LearVenosa1852 · Muzeum Sztuki w Toledo 28Corfu from near the Village of Virós (1858) autorstwa Edward LearCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 29Jerusalem from the Mount of Olives (1858) autorstwa Edward LearJerusalem from the Mount of Olives1858 · Israel Museum 30Corfu from Ascension (1860) autorstwa Edward LearCorfu from Ascension1860 · Yale Center for British Art 31Corfu from Ascension (1862) autorstwa Edward LearCorfu from Ascension1862 · Yale Center for British Art 32Corfu from Santa Decca (1862) autorstwa Edward LearCorfu from Santa Decca1862 · Yale Center for British Art 33Butrinto, Albania (1861) autorstwa Edward LearButrinto, Albania1861 · Yale Center for British Art 34Zagori, Greece (1860) autorstwa Edward LearZagori, Greece1860 · Yale Center for British Art 35Masada on the Dead Sea (1858) autorstwa Edward LearMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 36View of the Ducal Palace, Massa, Northern Italy (1858) autorstwa Edward LearView of the Ducal Palace, Massa, Northern Italy1858 37View in the Campagna, Rome (with a River) (1861) autorstwa Edward LearView in the Campagna, Rome (with a River)1861 38View in the Campagna, Rome (with Ruins) (1861) autorstwa Edward LearView in the Campagna, Rome (with Ruins)1861 39View of Florence from Villa San Firenze (1862) autorstwa Edward LearView of Florence from Villa San Firenze1862 · Government Art Collection 40Corfu (1863) autorstwa Edward LearCorfu1863 41The Forest of Valdoniello, Corsica (1869) autorstwa Edward LearThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 42Denderah on the Nile (1867) autorstwa Edward LearDenderah on the Nile1867 43Feluccas on the Nile near Abu-Simbel (1867) autorstwa Edward LearFeluccas on the Nile near Abu-Simbel1867 44A Distant View of Nice from the Hills (1864) autorstwa Edward LearA Distant View of Nice from the Hills1864 45Thermopylae (1872) autorstwa Edward LearThermopylae1872 · Ashmolean Museum of Art and Archaeology 46Kinchinjunga (1877) autorstwa Edward LearKinchinjunga1877 · Yale Center for British Art 47Campagna di Roma (1878) autorstwa Edward LearCampagna di Roma1878 48Buon Ricovero, in the Roman Campagna (1878) autorstwa Edward LearBuon Ricovero, in the Roman Campagna1878 49Kangchenjunga from Darjeeling (1879) autorstwa Edward LearKangchenjunga from Darjeeling1879 · Yale Center for British Art 50The Marble Rocks - Nerbudda Jubbolpore (1882) autorstwa Edward LearThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 51Argos from Mycene (1884) autorstwa Edward LearArgos from Mycene1884 52A View of Adam's Peak, Ceylon (1882) autorstwa Edward LearA View of Adam's Peak, Ceylon1882 · Government Art Collection 53Snowy Owl autorstwa Edward LearSnowy Owl 54Villa Borghese, Rome autorstwa Edward LearVilla Borghese, Rome 55Studies Of Sheep And Herdsmen autorstwa Edward LearStudies Of Sheep And Herdsmen 56Views In Rome And Its Environs 2 autorstwa Edward LearViews In Rome And Its Environs 2 57Opposite Calvi autorstwa Edward LearOpposite Calvi 58Arabs Approaching Mount Sinai autorstwa Edward LearArabs Approaching Mount Sinai 59Bocche Di Cattaro, Montenegro autorstwa Edward LearBocche Di Cattaro, Montenegro 60Palaiukhora, Crete autorstwa Edward LearPalaiukhora, Crete 61Naples, Italy autorstwa Edward LearNaples, Italy 62Katholikó Akrotiri, Crete autorstwa Edward LearKatholikó Akrotiri, Crete 63Damascus 3 autorstwa Edward LearDamascus 3 64View Of Sermoneta, Italy autorstwa Edward LearView Of Sermoneta, Italy 65Arkodyllus, Corfu autorstwa Edward LearArkodyllus, Corfu 66View Of Jerusalem 1 autorstwa Edward LearView Of Jerusalem 1 67The Monastery Of Baarlam, Meteora autorstwa Edward LearThe Monastery Of Baarlam, Meteora 68Windermere From Lowwood, Cumbria autorstwa Edward LearWindermere From Lowwood, Cumbria 69View Of Philae autorstwa Edward LearView Of Philae 70Musta, Malta autorstwa Edward LearMusta, Malta 71Modica, Sicily autorstwa Edward LearModica, Sicily 72A View Of Sorrento, Italy autorstwa Edward LearA View Of Sorrento, Italy 73Parnassus autorstwa Edward LearParnassus 74Isola Pescatore, Lake Maggiore, Italy autorstwa Edward LearIsola Pescatore, Lake Maggiore, Italy 75A View Of Santa Maura, Levkas, Ionian Islands autorstwa Edward LearA View Of Santa Maura, Levkas, Ionian Islands 76Corfu From The Hill Of Gastouri autorstwa Edward LearCorfu From The Hill Of Gastouri 77Pompey's Pillar autorstwa Edward LearPompey's Pillar 78Figures On The Shore Near Edfu autorstwa Edward LearFigures On The Shore Near Edfu 79Joannina, Epirus, Albania autorstwa Edward LearJoannina, Epirus, Albania 80Travellers On A Road, Subiaco, Italy autorstwa Edward LearTravellers On A Road, Subiaco, Italy 81The Pyramids Road autorstwa Edward LearThe Pyramids Road 82View Of Eze, Côte D'azur, France 1 autorstwa Edward LearView Of Eze, Côte D'azur, France 1 83An Arab Encampment In Wadi Feiran, Egypt autorstwa Edward LearAn Arab Encampment In Wadi Feiran, Egypt 84The Claudian Aqueduct On The Via Appia Near Rome autorstwa Edward LearThe Claudian Aqueduct On The Via Appia Near Rome 85A Distant View Of Mdina, Malta autorstwa Edward LearA Distant View Of Mdina, Malta 86Galata, Constantinople autorstwa Edward LearGalata, Constantinople 87Benares On The Ganges autorstwa Edward LearBenares On The Ganges 88Sunrise At Erment, Egypt autorstwa Edward LearSunrise At Erment, Egypt 89Porto Maurizio, Italy autorstwa Edward LearPorto Maurizio, Italy 90The Nile Above Aswan autorstwa Edward LearThe Nile Above Aswan 91A View Of Pauna, In The Ionian Islands autorstwa Edward LearA View Of Pauna, In The Ionian Islands 92View Of Ratnapura, Ceylon autorstwa Edward LearView Of Ratnapura, Ceylon 93Stairs Leading To S. Pietro In Vincoli autorstwa Edward LearStairs Leading To S. Pietro In Vincoli 94Mount Oeta And Thermopylae From Near Lamia autorstwa Edward LearMount Oeta And Thermopylae From Near Lamia 95Damascus autorstwa Edward LearDamascus 96Arabs At Mount Sinai, Egypt autorstwa Edward LearArabs At Mount Sinai, Egypt 97View Of Cythera, Greece autorstwa Edward LearView Of Cythera, Greece 98The Upper Nile, Toske, Egypt autorstwa Edward LearThe Upper Nile, Toske, Egypt 99Saffron-Coloured Aracari And Golden-Green Aracari autorstwa Edward LearSaffron-Coloured Aracari And Golden-Green Aracari 100Prince Of Wales Road, Malta autorstwa Edward LearPrince Of Wales Road, Malta

Principal subjects in the work of Edward Lear

The four subjects most frequently represented among these works, each with its best-known example.

Edward Lear: holding museums

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzeum Miasto Dzieła artysty Edward Lear Obrazy z tej listy
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondynGovernment Art Collection Londyn 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
Ashmolean Museum of Art and Archaeology, OksfordAshmolean Museum of Art and Archaeology Oksford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Israel Museum, JerozolimaIsrael Museum Jerozolima 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 Góry Termopilea
Muzeum Sztuki w Toledo, ToledoMuzeum Sztuki w Toledo Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

Edward Lear: principal painting of each decade

Dzieła według dekad

Select a decade to display its principal painting.

Edward Lear's paintings: reference questions

Which painting by Edward Lear is the most widely known?Display the answer

Cogoleto, Italy. The following entries are Crescenza and Blue And Yellow Macaw.

Which ten paintings by Edward Lear are the best known?Display the answer

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy i Ithaca, Ionian Islands. The list above records the date and holding museum of each.

How many works by Edward Lear are documented?Display the answer

The catalogue records 419 works by Edward Lear, dated between 1839 and 1884.

Which museums hold the best-known paintings of Edward Lear?Display the answer

Principally in Yale Center for British Art (New Haven), Government Art Collection (Londyn) i Ashmolean Museum of Art and Archaeology (Oksford). The museum table above gives the full distribution.

In which period were Edward Lear's best-known works painted?Display the answer

In 1860s: 14 of the 100 works listed on this page are dated to that period, including Philae, Egypt.

Which are the earliest and latest dated works by Edward Lear on this list?Display the answer

The earliest dated work listed here is Civita Castellana (1839); the latest is Argos from Mycene (1884).

Which subjects recur most in the work of Edward Lear?Display the answer

Landscape (11), Scenes (11) i Italy (11), out of the 100 works listed on this page.

Which medium predominates in the work of Edward Lear?Display the answer

Watercolor, in 2 of the 100 works listed on this page.

With which art movement is Edward Lear associated?Display the answer

Romanticism, as documented by the works on this page.

Which works by Edward Lear are in the collection of the Yale Center for British Art?Display the answer

Philae, Egypt, Between Olavano and Civitella i A Study of Ferns, Civitella are among the 14 works on this page in the collection of the Yale Center for British Art, New Haven.

Are reproductions of paintings by Edward Lear available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Edward Lear: biographical notes

A Life Painted in Nonsense and Light

Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the creator of limericks and fantastical creatures. Born in 1812 in Holloway, North London, into a family numbering an astonishing twenty-one children – six of whom tragically succumbed to illness – his early life was shaped by both profound financial instability and a remarkably nascent artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This early necessity, however, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playfully inventive lines. The shadow of familial difficulty – compounded by recurring health challenges including epilepsy and periods of melancholic introspection he termed “the Morbids” – instilled within Lear a gentle sense of solitude and an innate inclination towards imaginative escape; qualities that are profoundly reflected throughout his art and writing.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic journey commenced with a remarkable degree of technical precision. Initially employed by the Zoological Society, he honed his skills meticulously illustrating birds and animals, demonstrating an exceptional eye for detail and anatomical accuracy. This early work garnered considerable attention, ultimately leading to a commission from Edward Stanley, the 13th Earl of Derby, who tasked Lear with documenting the exotic creatures residing within his private menagerie at Knowsley Hall. These formative years spent amongst lions, tigers, and parrots not only refined his draftsmanship but also fostered an enduring connection with the natural world – a bond that would become a defining characteristic of his later landscape paintings. However, increasingly debilitating eyesight and respiratory issues eventually compelled him to relinquish the exacting demands of ornithological illustration. He subsequently turned his attention to landscape painting, embarking on extensive travels throughout Europe and beyond. Italy, in particular, offered a welcome respite for his health while simultaneously providing an abundance of inspiring vistas – from the rolling hills of Tuscany to the dramatic cliffs of the Amalfi Coast. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity; he masterfully employed delicate watercolors to capture the subtle nuances of light and shadow, creating images that possess both realism and a dreamlike quality.

The Poet of Nonsense: A World Unbound

While celebrated primarily as a painter, it is perhaps for his literary contributions that Edward Lear has achieved enduring recognition. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences across generations. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsensical words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imaginative exploration. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery. The poem’s gentle humor and poignant reflection on companionship continue to resonate with readers of all ages. Lear's limericks often explored themes of loneliness, longing, and the inherent absurdity of existence – subjects he addressed with a surprising degree of emotional depth, skillfully concealed beneath a veneer of whimsicality.

Influences and Artistic Development

  • Early Influences: Lear’s initial artistic training was rooted in scientific illustration, demanding an unwavering commitment to precision and observation. This foundational experience shaped his meticulous approach to detail, even as he later embraced more expressive styles in his landscapes.
  • Travel & Landscape Painting: His extensive travels throughout Europe – including Italy, Greece, Egypt, and beyond – profoundly influenced his artistic vision. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.
  • Literary Inspiration: While he popularized the limerick form, Lear was also inspired by earlier traditions of nonsense verse. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
  • Personal Experiences: Lear’s lifelong struggles with health issues and periods of melancholy deeply informed his artistic perspective. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

A Legacy of Innovation and Enduring Charm

Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections such as The Ashmolean Museum in Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

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