Portrait of László Pataky

List of the 3 Most Famous Paintings by László Pataky

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 5 works by László Pataky in our catalogue

Summary

The most widely known painting by László Pataky is Roosters on Horses (1880), in the collection of the Slovak National Gallery, Bratislava. The next entries are Cavalry Battle (1890) and Kuruci (1903). The catalogue documents 5 works by László Pataky; the 3 entries below are the best known, listed in rank order with date, holding museum and description.

1857 – 1912, Brad Most works: Slovak National Gallery

László Pataky: the 10 principal paintings

László Pataky: holding museums

The 2 museums that hold the most of the paintings on this page.

Museum City Works by László Pataky Paintings from this list
Slovak National Gallery, BratislavaSlovak National Gallery Bratislava 2 Roosters on Horses, Cavalry Battle
Ernest Zmeták Art Gallery Nové Zámky 1 Kuruci

László Pataky: principal painting of each decade

Works per decade

Select a decade to display its principal painting.

László Pataky's paintings: reference questions

Which painting by László Pataky is the most widely known?Display the answer

Roosters on Horses (1880), Slovak National Gallery, Bratislava. The following entries are Cavalry Battle (1890) and Kuruci (1903).

What was the age of László Pataky when Roosters on Horses was painted?Display the answer

23 years: László Pataky was born in 1857 and Roosters on Horses is dated 1880.

How many works by László Pataky are documented?Display the answer

The catalogue records 5 works by László Pataky, dated between 1880 and 1903.

Which museums hold the best-known paintings of László Pataky?Display the answer

Principally in Slovak National Gallery (Bratislava) and Ernest Zmeták Art Gallery (Nové Zámky). The museum table above gives the full distribution.

Which are the earliest and latest dated works by László Pataky on this list?Display the answer

The earliest dated work listed here is Roosters on Horses (1880); the latest is Kuruci (1903).

Which works by László Pataky are in the collection of the Slovak National Gallery?Display the answer

Roosters on Horses and Cavalry Battle are among the 2 works on this page in the collection of the Slovak National Gallery, Bratislava.

László Pataky: biographical notes

The paths through Munich and Paris

László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.

In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.

Scenes from the rural landscape

His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:

  • Wildpferde in der ungarischen Puszta (1897)
  • Hungarian horse-drawn carts at harvest time
  • Flock of Sheep Returning Home (1895)
  • Potato harvest

Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.

A lasting presence in the collections

The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.