Portrait of Sofia Borges

Sofia Borges: The 6 Most Famous Paintings, Documented

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 6 works by Sofia Borges in our catalogue

Summary

According to this ranking, The Mask, the Gesture, the Paper (2017) is the most famous painting by Sofia Borges; the Instituto Moreira Salles, Rio de Janeiro, holds it. It is followed by The Mask, the Gesture, the Paper (2017) and The Mask, the Gesture, the Paper (2017). This list draws on the 6 works by Sofia Borges in the catalogue and records the 6 most famous, with date, holding museum and description for each entry.

born 1984, São Paulo Most works: Instituto Moreira Salles

Sofia Borges: top 10 entries of the list

1
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Instituto Moreira Salles, Rio de Janeiro

Sofia Borges’ photographs are the result of a period she spent in Brasília in February 2017, when she photo¬graphed what was going on in the Brazilian Congress, at a time when the actions of Congress and the Senate were weighing more heavily on the political scene. Less than a year before, Congressmen and Senators had been highly visible during disturbing voting sessions, which culminated in the removal of the sitting…

2
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Photography · Instituto Moreira Salles, Rio de Janeiro

In The Mask, the Gesture, the Paper, Sofia Borges presents a profound meditation on the theater of politics, captured during a transformative period in Brasília in February 2017. The work functions as a hauntingly beautiful duality, where the artist explores the tension between the public face of authority and the raw, unscripted movements of legislative life. This piece is not merely a photographic record but an investigation into the layers…

3
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Photography · Instituto Moreira Salles, Rio de Janeiro

In the evocative photographic series The Mask, the Gesture, the Paper, Sofia Borges invites the viewer into the hallowed, tension-filled corridors of the Brazilian Congress. Captured in Brasília during the transformative period of February 2017, this work serves as a profound meditation on the theater of politics. It was a time when the actions of the Senate and Congress weighed heavily upon the national psyche, following the turbulent removal of…

4
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Instituto Moreira Salles, Rio de Janeiro

Sofia Borges’ photographs are the result of a period she spent in Brasília in February 2017, when she photo¬graphed what was going on in the Brazilian Congress, at a time when the actions of Congress and the Senate were weighing more heavily on the political scene. Less than a year before, Congressmen and Senators had been highly visible during disturbing voting sessions, which culminated in the removal of the sitting…

5
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Instituto Moreira Salles, Rio de Janeiro

Sofia Borges’ photographs are the result of a period she spent in Brasília in February 2017, when she photo¬graphed what was going on in the Brazilian Congress, at a time when the actions of Congress and the Senate were weighing more heavily on the political scene. Less than a year before, Congressmen and Senators had been highly visible during disturbing voting sessions, which culminated in the removal of the sitting…

6
The Mask, the Gesture, the Paper (2017) by Sofia Borges

The Mask, the Gesture, the Paper

2017 · Instituto Moreira Salles, Rio de Janeiro

Sofia Borges’ photographs are the result of a period she spent in Brasília in February 2017, when she photo¬graphed what was going on in the Brazilian Congress, at a time when the actions of Congress and the Senate were weighing more heavily on the political scene. Less than a year before, Congressmen and Senators had been highly visible during disturbing voting sessions, which culminated in the removal of the sitting…

Principal subjects in the work of Sofia Borges

The four subjects most frequently represented among these works, each with its best-known example.

Sofia Borges: holding museums

The museum that holds the most of the paintings on this page.

Museum City Works by Sofia Borges Paintings from this list
Instituto Moreira Salles, Rio de JaneiroInstituto Moreira Salles Rio de Janeiro 6 The Mask, the Gesture, the Paper, The Mask, the Gesture, the Paper, The Mask, the Gesture, the Paper

Sofia Borges by year: the most famous paintings

The dated works of Sofia Borges recorded on this page all date from 2017.

Works per year

Select a year to display its principal paintings.

Sofia Borges: questions and documented answers

Which Sofia Borges painting heads the list of most famous works?Display the answer

The Mask, the Gesture, the Paper (2017), Instituto Moreira Salles, Rio de Janeiro. The following entries are The Mask, the Gesture, the Paper (2017) and The Mask, the Gesture, the Paper (2017).

What age had Sofia Borges reached when The Mask, the Gesture, the Paper was painted?Display the answer

33 years: Sofia Borges was born in 1984 and The Mask, the Gesture, the Paper is dated 2017.

How many works by Sofia Borges are recorded?Display the answer

The catalogue records 6 works by Sofia Borges.

In which collections are Sofia Borges's most famous works held?Display the answer

Principally in Instituto Moreira Salles (Rio de Janeiro). The museum table above gives the full distribution.

When were the most famous works of Sofia Borges painted?Display the answer

In 2017: 6 of the 6 works listed on this page are dated to that period, including The Mask, the Gesture, the Paper.

What subjects appear most in the work of Sofia Borges?Display the answer

Politics (2), Masks (2) and Congress (2), out of the 6 works listed on this page.

What materials did Sofia Borges use most frequently?Display the answer

Photography, in 2 of the 6 works listed on this page.

Which works of Sofia Borges are held by the Instituto Moreira Salles?Display the answer

The Mask, the Gesture, the Paper, The Mask, the Gesture, the Paper and The Mask, the Gesture, the Paper are among the 6 works on this page in the collection of the Instituto Moreira Salles, Rio de Janeiro.

Sofia Borges: life and work

The Poetic Lens of Sofia Borges

Born in Ribeirão Preto, Brazil, Sofia Borges has cultivated a practice that exists at the delicate intersection of photography, metaphysics, and the archival. Moving between the vibrant energy of São Paulo and the cultural depth of Paris, her work transcends simple documentation to become an investigation into the very nature of representation. Since graduating in Visual Arts from the Universidade de São and São Paulo in 2008, Borges has utilized the photographic medium not merely to capture reality, but to question how we perceive it. Her lens does not seek the obvious; instead, it wanders through paleontology museums, ancient caves, and spontaneous shrines, seeking out the archetypes that underpin our collective understanding of the world.

Her artistic development is characterized by a profound fascination with objects that carry the weight of history and myth. Through her large-format photographs, Borges breathes a haunting life into archival objects, illustrations, museum dioramas, and taxidermy. She approaches these items—ranging from fossils to stuffed animals—with an intuitive grace, selecting angles that strip them of their literal, documentary function. In her hands, a fragment of a sculpture or a detail of a map is liberated from its specific historical context, allowed instead to stand as a solitary, poetic entity. This process creates a sense of the unfathomable and the unrevealable, where the subject matter becomes part of a surreal and somewhat gloomy whole that invites deep contemplation.

The Architecture of Image and Memory

Borges’s technique is a sophisticated dance with reality and its reflections. She often engages in a practice of duplication and layering, photographing objects alongside their mirror images or re-photographing existing photographs to create new layers of meaning. This method challenges the traditional claim of photography to absolute truth, suggesting instead that an image can let go of reality just as a painting or sculpture might. Her work explores the tension between mimicry and imitation, investigating how much of the original essence remains when an object is captured through a secondary medium.

The thematic depth of her oeuvre is further enriched by her exploration of political and social landscapes. During a significant period in Brasília in February 2017, Borges turned her gaze toward the Brazilian Congress. In works such as The Mask, the Gesture, the Paper, she captured the atmospheric tension of a pivotal political era, documenting the legislative sessions and the weight of the Senate's actions. By juxtaposing photographs of out-of-focus mouths—reproduced from oil paintings by Urbano Villela—with gestures extracted from actual legislative sessions, she masterfully weaves together the theatricality of power with the raw reality of political movement.

Recognition and Artistic Legacy

The significance of Sofia Borges's work is reflected in her presence within prestigious international art spaces. Her ability to unify disconcertingly unfamiliar objects through a strong, cohesive aesthetic language has earned her recognition in major exhibitions across the globe. Some of her notable milestones include:

  • Degas Borges at the Museu de Arte de São Paulo (MASP), Brazil.
  • The exhibition The Sun, The Sun. But The Unconscious of The Sun at Mendes Wood DM Gallery, Brussels, Belgium.
  • Her monumental presentation Black Chalk and White Charcoal or the Myth of the Absent Matter at Foam, Amsterdam.
  • Participation in the 33rd São Paulo Biennial, contributing to the curatorial project Affective Affinities.
  • Exhibitions at the Daegu Photo Biennale in South Korea and the Padiglione d’Arte Contemporanea (PAC) in Milan.

Through her continuous research into the philosophical notions of the image, Borges has established herself as a vital voice in contemporary photography. Her work remains a profound meditation on how we use models of reality—be they fossils, maps, or shadows—to grasp the world and find meaning within the vast, mysterious expanse of history.