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Snuffbox with genre scenes

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.

Pytania i odpowiedzi

Jaki jest format dzieła "Snuffbox with genre scenes"?

Dzieło „Snuffbox with genre scenes” – Jean Ducrollay ma format Landscape. Format ten określa proporcje kompozycji.

Jaka paleta barw została wykorzystana w „Snuffbox with genre scenes” – Jean Ducrollay?

„Snuffbox with genre scenes” – Jean Ducrollay wykorzystuje Neutrals paletę barw, która definiuje ogólny charakter kolorystyczny dzieła.

Kto stworzył "Snuffbox with genre scenes" i w jakim roku?

Autorem dzieła "Snuffbox with genre scenes" jest Jean Ducrollay, a datowanie pracy pochodzi z 1758 roku.

Jean Ducrollay (1709 – 1787)

Discover Jean Ducrollay’s exquisite 18th-century French goldwork! Master goldsmith known for Japanese lacquer & stunning snuffboxes. Explore his legacy at WikiOO.org.

O tym dziele

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