Portrait of Peter Cramer

Peter Cramer: Catalogue of the 10 Most Famous Paintings

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 10 works by Peter Cramer in our catalogue

Summary

A farmer from Valby heading for the Copenhagen market with hens in a basket. (1750) is recorded as the most famous painting of Peter Cramer; it is held by the National Museum, Copenhagen. A Man Smoking His Pipe (1761) and Drengene om vællingen (1761) occupy the second and third entries. Of the 10 works by Peter Cramer recorded in the catalogue, the 10 best known are listed below, each entry with its date, the holding museum and a note on the work.

1726 – 1782, Copenhagen Most works: Statens Museum For Kunst

Entries 1 to 10: the most famous Peter Cramer paintings

Peter Cramer: holding museums

The 2 museums that hold the most of the paintings on this page.

Museum City Works by Peter Cramer Paintings from this list
Statens Museum For Kunst, CopenhagenStatens Museum For Kunst Copenhagen 8 A Man Smoking His Pipe, Drengene om vællingen, Slutningsscenen af Johannes Ewalds "Balders Død"
National Museum, CopenhagenNational Museum Copenhagen 1 A farmer from Valby heading for the Copenhagen market with hens in a basket.

Decade index: the principal Peter Cramer painting of each

Works per decade

Select a decade to display its principal painting.

Questions frequently consulted on Peter Cramer's paintings

What is the best-known work of Peter Cramer?Display the answer

A farmer from Valby heading for the Copenhagen market with hens in a basket. (1750), National Museum, Copenhagen. The following entries are A Man Smoking His Pipe (1761) and Drengene om vællingen (1761).

How old was Peter Cramer in the year of A farmer from Valby heading for the Copenhagen market with hens in a basket.?Display the answer

24 years: Peter Cramer was born in 1726 and A farmer from Valby heading for the Copenhagen market with hens in a basket. is dated 1750.

What are the ten best-known works by Peter Cramer?Display the answer

A farmer from Valby heading for the Copenhagen market with hens in a basket., A Man Smoking His Pipe, Drengene om vællingen, Slutningsscenen af Johannes Ewalds "Balders Død", En bondekone, som giver sin datter noget at spise, Interiør fra et barneværelse med en dreng i karnevalsdragt, A Peasant Giving his Son Something to Drink, A young girl in a kitchen., Landscape With Skaters and Landscape With Skaters. The list above records the date and holding museum of each.

How many works by Peter Cramer does the catalogue record?Display the answer

The catalogue records 10 works by Peter Cramer, dated between 1750 and 1782.

Where are the principal works of Peter Cramer held?Display the answer

Principally in Statens Museum For Kunst (Copenhagen) and National Museum (Copenhagen). The museum table above gives the full distribution.

During which period did Peter Cramer produce the best-known works?Display the answer

In 1780s: 4 of the 10 works listed on this page are dated to that period, including En bondekone, som giver sin datter noget at spise.

What are the earliest and latest best-known works by Peter Cramer?Display the answer

The earliest dated work listed here is A farmer from Valby heading for the Copenhagen market with hens in a basket. (1750); the latest is Interiør fra et barneværelse med en dreng i karnevalsdragt (1782).

Which paintings by Peter Cramer does the Statens Museum For Kunst hold?Display the answer

A Man Smoking His Pipe, Drengene om vællingen and Slutningsscenen af Johannes Ewalds "Balders Død" are among the 8 works on this page in the collection of the Statens Museum For Kunst, Copenhagen.

Biography of Peter Cramer

The Versatile Visionary of Copenhagen

In the vibrant cultural landscape of eighteenth-century Denmark, few figures possessed the eclectic range and spirited creativity of Peter Cramer. Born in Copenhagen on August 24, 1726, Cramer emerged from humble beginnings as the son of a gardener, yet his artistic destiny would lead him far beyond the garden walls. A largely self-taught talent, he possessed an innate ability to capture the essence of his surroundings, whether through the grand scale of theatrical scenery or the intimate details of portraiture. His early forays into the world of fine art were marked by a remarkable precision; in the 1740s, he contributed delicate drawings to Frederic Louis Norden’s Voyage d'Egypte et de Nubie, work that showcased his burgeoning skill and earned him recognition from the Royal Danish Academy of Sciences and Letters.

Cramer’s journey was one of both ambition and unexpected redirection. While he sought a prestigious travel scholarship from the Royal Danish Academy of Fine Arts to transform himself into an accomplished history painter, the rigors of academic competition presented obstacles. Though he did not secure the gold medal required for his grand European travels in 1756, this setback birthed a prolific career in the realm of the performing arts. He found a natural home in the theater, where his talent for decorative work and large-scale set design flourished. Working alongside figures such as the composer Niels Krog Bredal, Cramer breathed life into the operatic stage, creating immersive environments that captivated the audiences of Copenhagen.

A Tapestry of Genres and Techniques

The true magic of Cramer’s oeuvre lies in its profound stylistic diversity. He was an artist who refused to be confined by a single medium or subject matter. While his professional stability was anchored in the ephemeral beauty of stage decorations, his private passions led him toward genre scenes that resonated with the soul of the Danish people. Drawing inspiration from the masters such as David Teniers and Adriaen Brouwer, Cramer captured the rustic charm of the peasantry with a sincerity that was both groundbreaking and deeply moving for his era. His work often mirrored the rhythms of everyday life, finding dignity in the simple existence of the common folk.

Beyond his structured compositions, there existed a playful, almost experimental side to his artistry. Legend tells of a painting of two fisherwomen executed entirely with his fingers—a testament to a man who viewed art not merely as a disciplined craft, but as an intimate, tactile expression of emotion. This whimsicality, paired with his technical proficiency in portraiture and decorative arts, allowed him to navigate the high society of the Academy and the gritty reality of folk life with equal grace. By the time he achieved full membership in the Royal Danish Academy of Fine Arts, he had established himself as a cornerstone of the Danish art scene.

Legacy and Historical Significance

Peter Cramer’s life, which came to an end in Copenhagen on July 17, 1782, serves as a bridge between the decorative traditions of the past and the burgeoning national identity of Denmark. His ability to blend the theatrical with the terrestrial helped shape the visual language of his nation. His contributions can be summarized through several key pillars of his career:

  • Theatrical Innovation: As a master of scene painting, he transformed the Danish stage into a window to other worlds, influencing the aesthetic of contemporary opera and drama.
  • Genre Painting: He was a pioneer in elevating the depiction of Danish peasantry, bringing a sense of realism and local pride to the canvas.
  • Academic Integration: Despite his self-taught origins, his eventual recognition by the Royal Danish Academy of Fine Arts solidified his place within the formal art history of Northern Europe.
  • Versatility of Medium: From delicate scientific illustrations to sweeping stage backdrops and intimate portraits, his range remains a subject of fascination for historians.

Today, the memory of Cramer persists through the works that continue to evoke the spirit of an era defined by transition. He remains a symbol of the artist as a multi-faceted creator—one who can find beauty in a finger-painted landscape just as easily as in the grand architecture of a theatrical masterpiece.