Reference list · Baroque

Famous Baroque Painters: Ranked List of 100

Rembrandt (1606–1669) is the most famous Baroque painter in this list; notable works include The return of the prodigal son and Night Watch. Ranks 2 to 5: Caravaggio, Diego Velázquez, Peter Paul Rubens and Johannes Vermeer. The list records 100 painters born between 1550 (Palma il Giovane) and 1727 (Giovanni Domenico Tiepolo) in 8 countries.

Method. Scope: artists whose works the encyclopedia records under Baroque. Ranking: the encyclopedia's fame ranking of artists. Artists born after 1955 without a Wikidata identifier are excluded pending verification. Wikipedia: number of the encyclopedia's 32 languages with an article on the artist.

  1. The return of the prodigal son by Rembrandt1Rembrandt
  2. Sick Bacchus by Caravaggio2Caravaggio
  3. Las Meninas (The Maids of Honor) or the Royal Family by Diego Velázquez3Diego Velázquez

Summary

Baroque: summary

  • 100Artists
  • 1550–1727Years of birth
  • 8Countries of birth
  • 6Women
  • 23,452Works in our catalogue
Cities with most births
Antwerp (8), Bologna (7), Leiden (5), Haarlem (5)
Museums holding the most key works
The Louvre (14), Rijksmuseum (13), Metropolitan Museum of Art (13), Museo del Prado (12)

Entries

Ranked entries: 100 Baroque Painters

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Rembrandt

Dutch Born: Leiden Dutch Golden Age Wikipedia: 32/32 languages

Rembrandt

Rembrandt had a way of making light feel like a physical presence in a room.

Collections His legacy is spread across many collections, with the National Gallery in London holding sixteen of his works.

Student of Pieter Lastman #99 · Teacher of Godfrey Kneller #77, Gerrit Dou #56, Carel Fabritius #29, Ferdinand Bol #65, Samuel van Hoogstraten #93

Notable works · 100 notable works

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Caravaggio

Born: Milan Baroque, Tenebrism, Chiaroscuro Wikipedia: 32/32 languages

Caravaggio

Instead, he brings the people of the Roman streets—the laborers and the outcasts—into the realm of the sacred. His approach to light and darkness fundamentally altered the course of Western art, breaking the grip of Mannerism and setting the stage for the Baroque era.

Collections The physical remnants of his vision are scattered across Europe’s most significant institutions.

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Diego Velázquez

Spanish Born: Seville Spanish Baroque / Spanish Golden Age Wikipedia: 31/32 languages

Diego Velázquez

In his early years, Velázquez worked within the boundaries of an idealizing style, one rooted in the strictures of Catholic propriety. In the 19th century, French Realist painters like Gustave Courbet looked to his work as a model for their own commitment to depicting life without idealization.

Collections To stand before a Velázquez is to encounter the quiet weight of history.

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Peter Paul Rubens

Flemish Born: Siegen Baroque Wikipedia: 32/32 languages

Peter Paul Rubens

He did not merely observe the Italian tradition; he absorbed it through eight years of direct engagement with the works of Michelangelo, Raphael, and Titian. Rubens remains the most influential figure in the Flemish Baroque tradition.

Teacher of Anthony van Dyck #11

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Johannes Vermeer

Dutch Born: Delft Dutch Golden Age Wikipedia: 32/32 languages

Johannes Vermeer

He focused his attention on interior scenes, often depicting a single figure engaged in a private moment. When the light finally faded for Vermeer in Delft in December 1675, he was only forty-three.

Collections In Amsterdam, the Rijksmuseum holds The Milkmaid, where the light settles on the earthenware and the bread.

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Nicolas Poussin

French Born: Le Havre French Baroque, French Classicism

Nicolas Poussin

He remained in Rome until his death in 1665, having transformed from an unformed immigrant into a central figure of the classical tradition. His presence in the Académie Royale de Peinture et de Sculpture solidified a rigorous approach to composition that defined the era.

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Artemisia Gentileschi

Italian Born: Rome Baroque Wikipedia: 32/32 languages

Artemisia Gentileschi

Gentileschi’s work is firmly rooted in the traditions of the Italian Baroque, shaped by the revolutionary approach of Caravaggio. Artemisia Gentileschi is recognized among the most accomplished artists of the 17th century.

Collections The physical presence of her art remains scattered across Europe, a map of her movement and the enduring demand for her vision.

Student of Orazio Gentileschi #33

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Frans Hals

Born: Antwerp Wikipedia: 32/32 languages

Frans Hals

Hals distinguished himself through a remarkably fresh and spontaneous style. He influenced artists such as Adriaen Brouwer and Johannes Vermeer.

Teacher of Adriaen van Ostade #97, Judith Leyster #53, Philips Wouwerman #85

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Claude Lorrain

Born: Chamagne Wikipedia: 29/32 languages

Claude Lorrain

Detailed Drawings: He was a prolific draughtsman, creating numerous sketches and studies in pen, watercolor wash, and chalk – many preserved in his Liber Veritatis. He also studied the works of Italian Renaissance masters like Titian and Raphael.

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Georges de la Tour

French Born: Vic-sur-Seille French Baroque Wikipedia: 26/32 languages

Georges de la Tour

Other theories suggest he may have sought instruction under Jacques Bellange in Nancy, or perhaps traveled to the Netherlands during the early stages of his professional life. The specific nuances of his style—the way he used light to bridge the gap between Caravaggism and French Classicism —were largely lost to the broader historical memory.

Collections The presence of his canvases is felt across several major institutions, scattered between the quiet halls of Europe and the expansive galleries of the Americas.

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Anthony van Dyck

Flemish Born: Antwerp Baroque Wikipedia: 32/32 languages

Anthony van Dyck

Between 1621 and late 1627, he traveled through Italy, a period that would refine his ability to navigate the complex social hierarchies of European nobility. This mentorship provided van Dyck with a direct connection to the leading artistic currents of the seventeenth century, allowing him to observe firsthand the creation of large-scale compositions and the management of a prolific workshop.

Student of Peter Paul Rubens #4

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Francisco de Zurbarán

Spanish Born: Fuente de Cantos Spanish Baroque, Tenebrism Wikipedia: 31/32 languages

Francisco de Zurbarán

His style drew from the realism of Caravaggio and his followers, but it was also shaped by the quiet precision of Juan Sánchez Cotán and the influence of polychrome sculpture. After Velázquez, Francisco de Zurbarán was the most significant painter of the Spanish Golden Age.

Collections In Madrid, Spain, the Prado Museum houses a version of his Agnus Dei, a work that captures the stark, heavy presence of the lamb.

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Bartolomé Esteban Murillo

Spanish Born: Seville Spanish Baroque Wikipedia: 32/32 languages

Bartolomé Esteban Murillo

In his youth, his work carried the weight and gravity of the Baroque tradition, but he eventually found a way to soften those edges. Murillo’s reach stretched far beyond the streets of Seville, leaving a mark on the artistic landscape of Europe.

Collections In Spain, the Museo del Prado in Madrid holds several of his paintings, offering a direct connection to the spirit of the Golden Age.

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Canaletto

Italian Born: Venice Vedute, topographical style Wikipedia: 30/32 languages

Canaletto

In 1725, he painted The Stonemason's Yard, a work that shows his early skill in capturing architectural detail. In London, his hand is visible in the National Gallery and within the Royal Collection.

Collections His presence remains felt in the collections of major institutions across Europe and beyond.

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Guido Reni

Italian Born: Bologna Baroque, Bolognese school, Classicism Wikipedia: 29/32 languages

Guido Reni

In 1601, he moved to Rome, a city that would command his attention for fifteen years. The influence of Guido Reni spread far beyond the walls of his own studio, reaching into the very fabric of the High Baroque style in Italy.

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Annibale Carracci

Italian Born: Bologna Baroque Wikipedia: 28/32 languages

Annibale Carracci

This eclectic blend became the hallmark of the Bolognese School, a significant branch of Baroque art that emphasized both classical ideals and naturalistic observation. He admired the clarity of line and compositional balance found in the works of Raphael and Andrea del Sarto, seeking to emulate their grace and harmony.

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Jan Brueghel the Elder

Flemish Born: Brussels Flemish Baroque Wikipedia: 26/32 languages

Jan Brueghel the Elder

The Garden of Eden with the Fall of Man. His professional standing was such that he was trusted to act as an executor of the last will of Peter Paul Rubens, alongside Hendrick van Balen the Elder, Cornelis Schut, and Paulus van Halmaele.

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Charles Le Brun

French Born: Paris Baroque Wikipedia: 30/32 languages

Charles Le Brun

His early style reflected the influence of Vouet and Poussin, but he gradually developed a more personal approach. His decorative schemes at Versailles set a standard for royal palaces throughout Europe.

Student of Simon Vouet #27, Nicolas Poussin #6

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Jan Steen

Dutch Born: Leiden Baroque, Genre painting Wikipedia: 27/32 languages

Jan Steen

His early compositions from the 1640s leaned into the grotesque, utilizing exaggerated and distorted figures to drive his narratives.

Student of Adriaen van Ostade #97

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Jacob Jordaens

Flemish Born: Antwerp Baroque Wikipedia: 27/32 languages

Jacob Jordaens

He worked with a loose and expressive brushwork, a method that allowed him to capture the immediate movement of a scene. While his contemporaries often looked toward the courtly elegance of Italy, Jordaens found his strength in the soil of Flanders.

Collections In Paris, the Louvre preserves his hand, while the Museo del Prado in Madrid offers a glimpse into his ability to render the human form with such substantial presence.

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Pieter de Hooch

Dutch Born: Rotterdam Delft School, Dutch Golden Age Wikipedia: 26/32 languages

Pieter de Hooch

He was the eldest of five children born to Hendrick Hendricksz de Hooch, a master bricklayer, and Annetge Pieters, a midwife. His compositions often shared thematic ground and structural similarities with the works of Emanuel de Witte, particularly in their approach to interior spaces.

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Gian Lorenzo Bernini

Italian Born: Naples Baroque Wikipedia: 32/32 languages

Gian Lorenzo Bernini

The monumental Baldacchino above the high altar of St. Born in Naples in 1598, Gian Lorenzo Bernini arrived into a world poised on the cusp of dramatic artistic change.

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Jusepe de Ribera

Spanish Born: Xàtiva Baroque Wikipedia: 30/32 languages

Jusepe de Ribera

He synthesized this technique with elements gleaned from other masters like Guido Reni, incorporating a classical sensibility into his compositions while retaining the visceral impact of Caravaggio's realism. He became a pivotal figure in Spanish Baroque painting, alongside masters like Velázquez, Zurbarán, and Murillo.

Teacher of Luca Giordano #26

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Gerard van Honthorst

Dutch Born: Utrecht Baroque, Caravaggism Wikipedia: 23/32 languages

Gerard van Honthorst

Alongside artists like Hendrick ter Brugghen and Dirck van Baburen, he helped to establish a distinctly Dutch interpretation of Italian Baroque style.

Student of Abraham Bloemaert #88

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Hyacinthe Rigaud

Born: Perpignan Wikipedia: 26/32 languages

Hyacinthe Rigaud

Arriving in Paris in 1681, he won the prestigious prix de Rome scholarship in 1682 but chose not to travel to Italy, opting instead to further develop his skills within France. Hyacinthe Rigaud (1659-1743) was a prominent French Baroque painter of Catalan origin, celebrated for his masterful portraits that captured the essence of 18th-century French nobility and fashion.

Student of Charles Le Brun #18

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Luca Giordano

Italian Born: Naples Late Baroque Wikipedia: 23/32 languages

Luca Giordano

He moves away from the somber, tenebrist manner of his early training toward a light, airy, and delicately colored style. He acted as a bridge between the heavy, dramatic High Baroque and the lighter, more playful Rococo period.

Collections The physical presence of Giordano’s output remains scattered across the major repositories of Europe.

Student of Jusepe de Ribera #23

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Simon Vouet

French Born: Paris Baroque painting Wikipedia: 25/32 languages

Simon Vouet

Simon Vouet was a pivotal figure in the transition of French painting from Mannerism to the Baroque style. Rome (1614-1627): His time in Rome proved transformative.

Teacher of Charles Le Brun #18, Pierre Mignard I #58

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Carel Fabritius

Dutch Born: Middenbeemster Baroque art Wikipedia: 23/32 languages

Carel Fabritius

Following his time with Rembrandt, Fabritius settled in Delft, becoming a member of the local painters’ guild in 1652. Beyond The Goldfinch, Fabritius’s oeuvre includes other compelling works that showcase his distinctive vision.

Student of Rembrandt #1

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Andrea Pozzo

Italian Born: Trento Baroque Wikipedia: 24/32 languages

Andrea Pozzo

Andrea Pozzo, born Andreas Puteus in Trento, Italy, in 1642, emerged into a world poised between the waning Renaissance and the burgeoning Baroque. In 1693, and again in 1700, he published Perspectiva Pictorum et Architectorum (Perspective for Painters and Architects), a treatise that meticulously detailed his techniques and became an essential resource for artists throughout Europe.

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David Teniers the Younger

Born: Antwerp Wikipedia: 18/32 languages

David Teniers the Younger

The early years of Teniers's career show a painter finding his footing through the shadows of others. As the leading genre painter of his era, he moved the focus of Northern European painting away from grand mythological narratives and toward the immediate realities of the common people.

Collections The legacy of Teniers is anchored in the major collections of Europe, where his depictions of everyday life remain accessible to those tracing the history of Flemish Baroque painting.

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Orazio Gentileschi

Italian Born: Pisa Baroque, Caravaggism Wikipedia: 22/32 languages

Orazio Gentileschi

The revolutionary naturalism of Caravaggio burst onto the Roman art scene, challenging established conventions with its dramatic use of light and shadow – tenebrism – and unflinching realism. While retaining the dramatic intensity, Gentileschi softened the harshness of Caravaggio’s tenebrism, introducing a lighter palette and a more refined approach to detail.

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Frans Snyders

Flemish Born: Antwerp Baroque Wikipedia: 20/32 languages

Frans Snyders

The Torre de la Parada hunting pavilion in Spain stands as a testament to their combined genius—Snyders executing over sixty animal paintings based on designs by Rubens. Snyders’ influence can also be seen in the Dutch Golden Age still life tradition, where artists like Willem Claeszoon Heda and Pieter Claesz embraced a similar focus on texture, light, and composition.

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Adriaen Brouwer

Flemish Born: Oudenaarde Baroque, Genre painting Wikipedia: 21/32 languages

Adriaen Brouwer

He deeply admired the meticulous realism of the Flemish Primitives – artists like Jan van Eyck and Robert Campin – evident in his attention to detail and precise rendering of textures. Brouwer embraced the dramatic lighting and emotional intensity characteristic of Baroque art, injecting a dynamic energy into his compositions.

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Gabriel Metsu

Dutch Born: Leiden Eclectic; genre, portrait, still life Wikipedia: 23/32 languages

Gabriel Metsu

His focus shifted as he moved toward Amsterdam around 1655. Metsu’s presence in the Dutch Golden Age left a mark on the way painters approached the quiet corners of a room.

Collections Tracing the presence of his paintings requires traveling through several major collections.

Student of Gerrit Dou #56

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Agostino Carracci

Italian Born: Bologna Baroque, Naturalism Wikipedia: 25/32 languages

Agostino Carracci

He was not merely a craftsman but a visionary pedagogue, shaping the future generation of artists through the Accademia degli Incamminati, alongside Annibale and Ludovico Carracci.

Teacher of Giovanni Lanfranco #40

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Pierre Puget

French Born: Marseille Baroque Wikipedia: 22/32 languages

Pierre Puget

Versailles Commissions: Colbert brought Puget back to France, leading to commissions for Versailles, including the celebrated groups of “ Milo of Croton ” and “ Perseus and Andromeda.” These works are characterized by their dramatic intensity and expressive realism. Journey to Italy (1640): Seeking opportunities, he traveled to Italy, initially to Livorno and then Florence.

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Alonso Cano

Spanish Born: Granada Baroque Wikipedia: 21/32 languages

Alonso Cano

This proximity to power allowed him to leave an indelible mark on the architectural landscape of Spain; notably, he served as the chief architect of the Granada Cathedral, designing its magnificent façade which was eventually erected following his passing.

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Giovanni Lanfranco

Italian Born: Parma Baroque painting Wikipedia: 20/32 languages

Giovanni Lanfranco

His influence can be seen in later works by Francesco Solimena and other Italian artists.

Student of Agostino Carracci #37

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Meindert Hobbema

Dutch Born: Amsterdam Golden Age Dutch Landscape Art Wikipedia: 23/32 languages

Meindert Hobbema

The partnership with Ruysdael was far more than a mere educational period; it fostered an intellectual and stylistic exchange that propelled Hobbema’s artistic evolution. His paintings do not merely document the topography of 17th-century Holland; they evoke a sense of stillness and permanence.

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Giovanni Domenico Tiepolo

Italian Born: Venice Rococo Wikipedia: 18/32 languages

Giovanni Domenico Tiepolo

As the son of the legendary Giovanni Battista Tiepolo, Giandomenico did not merely inherit a name; he inherited a visual language of light, movement, and theatricality.

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Nicolaes Maes

Dutch Born: Dordrecht Baroque, Dutch Golden Age Wikipedia: 20/32 languages

Nicolaes Maes

The subsequent decade witnessed a shift towards smaller-scale domestic genre scenes, yet retaining the vibrant colorism he had absorbed during his time with Rembrandt. His paintings offer invaluable insights into the social customs, domestic interiors, and psychological complexities of the Dutch Golden Age.

Student of Rembrandt #1

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Giovanni Battista Gaulli

Italian Born: Genoa High Baroque Wikipedia: 16/32 languages

Giovanni Battista Gaulli

The career of Baciccio represents the pinnacle of the High Baroque era, acting as a bridge between the heavy, muscular drama of the mid-17th century and the lighter, more decorative flourishes of the early Rococo. In the grand, theatrical theater of the Roman Baroque, few names command as much awe as Giovanni Battista Gaulli.

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Francesco Albani

Italian Born: Bologna Baroque and Classical Wikipedia: 21/32 languages

Francesco Albani

His influence stretched far beyond the borders of Italy, as his refined approach to composition and color became a standard for subsequent generations of European painters.

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Emanuel de Witte

Dutch Born: Alkmaar Baroque art Wikipedia: 17/32 languages

Emanuel de Witte

Emanuel de Witte stands as an important figure in the last phase of architectural painting in the Netherlands, bridging the gap between meticulous documentation and atmospheric interpretation.

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Pietro da Cortona

Italian Born: Cortona Baroque Wikipedia: 27/32 languages

Pietro da Cortona

Roman Baroque Masters: His arrival in Rome exposed him to the revolutionary work of artists such as Annibale Carracci, Caravaggio, and later, Bernini and Borromini. He continued to receive prestigious commissions throughout his career, including work at the churches of Santa Maria in Vallicella and San Nicola da Tolentino in Rome.

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Giovanni Battista Piazzetta

Italian Born: Venice Rococo Wikipedia: 16/32 languages

Giovanni Battista Piazzetta

However, his path soon diverged towards painting, beginning studies with Antonio Molinari in 1697. While acknowledging the luminosity and brilliance of artists like Tiepolo – a dominant figure in Venetian art during this period – Piazzetta charted his own course, exploring darker, more introspective themes that Tiepolo largely avoided.

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Francesco Solimena

Italian Born: Serino Baroque Wikipedia: 16/32 languages

Francesco Solimena

Solimena’s artistic voice is immediately recognizable through its warm, brownish shadowing and dramatic use of light – qualities deeply indebted to the Roman Baroque masters Luca Giordano and Giovanni Lanfranco. He stands as one of the most important figures in Neapolitan Baroque painting, successfully synthesizing Roman influences with local traditions to create a distinctive style that defined artistic production in Naples for generations.

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Peter Lely

Dutch, British Born: Soest Baroque, Dutch influence Wikipedia: 18/32 languages

Peter Lely

While initially influenced by Van Dyck's refined manner, Lely developed a more robust and expressive style, imbuing his subjects with personality and character. Initially, he produced mythological and religious scenes, often set within idyllic pastoral landscapes – a style reminiscent of Anthony van Dyck, who had become immensely popular with the English court before his untimely death in 1641.

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Judith Leyster

Dutch Born: Haarlem Dutch Golden Age Wikipedia: 24/32 languages

Judith Leyster

leyster's first known signed works, serenade and jolly topper, date back to 1629 when she was just twenty years old. by 1633, she became a member of the haarlem guild of st. luke, making her one of the first female artists to be part of this prestigious organization.

Student of Frans Hals #8

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Giovanni Paolo Panini

Italian Born: Piacenza Baroque, Vedutismo Wikipedia: 26/32 languages

Giovanni Paolo Panini

Born in Piacenza in 1691, his artistic journey began under the tutelage of Giuseppe Natali and Andrea Galluzzi, but it was his exposure to the theatrical designs of Francesco Galli-Bibiena that truly ignited his imagination. He was a respected teacher at both the Accademia di San Luca and the Académie de France in Rome, shaping the artistic sensibilities of a generation of artists.

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Salvator Rosa

Italian Born: Naples Baroque Wikipedia: 24/32 languages

Salvator Rosa

By 1648, the artist is forced to flee Naples entirely after becoming involved in a failed uprising against the Spanish rulers. The impact of Salvator Rosa ripples through the evolution of Baroque art.

Collections The physical remnants of Rosa’s restless career are scattered across the major art capitals of Europe and the Americas.

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Gerrit Dou

Dutch Born: Leiden Dutch Golden Age, Leiden fijnschilders Wikipedia: 22/32 languages

Gerrit Dou

He was a leading figure of the Leiden fijnschilders, a group that prioritized a refined and meticulous technique. His influence flowed directly into the work of his pupils, most notably Frans van Mieris the Elder and Gabriël Metsu.

Collections Finding the traces of Gerrit Dou's hand requires a trip through some of Europe's most significant halls.

Student of Rembrandt #1 · Teacher of Gabriel Metsu #36

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Rachel Ruysch

Dutch Born: The Hague Still life, Floral painting Wikipedia: 23/32 languages

Rachel Ruysch

While many still life painters of the era favored symmetrical arrangements, Ruysch embraced a more naturalistic approach, depicting flowers with drooping petals and wild stems that conveyed a sense of movement and vitality. Rachel Ruysch’s contribution to Dutch Golden Age art extends far beyond her technical brilliance and artistic innovation.

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Pierre Mignard I

French Born: Troyes Baroque Wikipedia: 24/32 languages

Pierre Mignard I

He quickly gained patronage from influential figures, including King Louis XIV himself, yet his ascent coincided with the dominance of Charles Le Brun, who held the prestigious title of peintre du roi. His religious works, particularly those depicting the Madonna and Child created during his Roman period, also hold a significant place in art history.

Student of Simon Vouet #27

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Guercino

Italian Born: Cento Baroque Wikipedia: 25/32 languages

Guercino

Though his reputation waned somewhat in the 18th and 19th centuries, a renewed appreciation for his work emerged in the 20th century, largely thanks to the tireless efforts of art historian Sir Denis Mahon.

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Jan van Huysum

Dutch Born: Amsterdam Dutch Golden Age, Still life Wikipedia: 18/32 languages

Jan van Huysum

Van Huysum’s compositions are characterized by a refined elegance and balance. Jan van Huysum, a name synonymous with the exquisite flower paintings of the Dutch Golden Age, was born in Amsterdam on April 15, 1682.

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Gerard ter Borch

Dutch Born: Zwolle Dutch Golden Age Wikipedia: 21/32 languages

Gerard ter Borch

December 1617 marks the beginning of Gerard ter Borch in Zwolle, within the province of Overijssel in the Dutch Republic. By 1632, Gerard ter Borch is in Amsterdam. He likely studies under Willem Cornelisz Duyster or Pieter Codde, absorbing the technical foundations required for a professional career.

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Mattia Preti

Italian Born: Taverna Baroque Wikipedia: 20/32 languages

Mattia Preti

His time in Naples further refined this evolution, exposing him to the vibrant work of Luca Giordano. His contributions are preserved in museums such as the Capodimonte Museum in Naples, and through reproductions made available by platforms like AllPaintingsStore.com, ensuring that his art continues to reach new generations.

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Jan Davidsz De Heem

Dutch, Flemish Born: Utrecht Dutch Golden Age, Baroque Wikipedia: 18/32 languages

Jan Davidsz De Heem

De Heem’s style evolved over time, reflecting both his technical skill and his growing artistic vision. “ Garland of Fruit and Flowers ” (1637) exemplifies his mastery of color and composition, while “ Still Life with Books and a Violin ” (c. 1642) showcases his ability to integrate literary and musical references into his paintings.

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Elisabetta Sirani

Italian Born: Bologna Baroque painting Wikipedia: 23/32 languages

Elisabetta Sirani

Her father, Giovanni Andrea Sirani, was himself a respected painter and art merchant, deeply connected to the Bolognese school—a tradition profoundly influenced by the legacy of Guido Reni. She was often hailed as the “diva” of Bolognese painting—the female reincarnation of Guido Reni himself.

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Ferdinand Bol

Dutch Born: Dordrecht Baroque painting Wikipedia: 23/32 languages

Ferdinand Bol

Notably, he received orders for chimney pieces for the new Amsterdam Town Hall, designed by Jacob van Campen, a testament to his growing reputation and artistic standing. Despite his success during his lifetime, Ferdinand Bol’s reputation waned considerably after his death in 1680.

Student of Rembrandt #1, Abraham Bloemaert #88 · Teacher of Godfrey Kneller #77

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Domenichino

Italian Born: Bologna Baroque Wikipedia: 25/32 languages

Domenichino

Domenichino, born Domenico Zampieri in Bologna around 1581, stands as a cornerstone of Bolognese Baroque art – a movement characterized by dramatic contrasts of light and shadow, opulent ornamentation, and an idealized depiction of human emotion. Domenichino's influence extended far beyond his immediate contemporaries, shaping the artistic sensibilities of subsequent generations.

Student of Ludovico Carracci #30

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Cristofano Allori

Italian Born: Florence Mannerism Wikipedia: 23/32 languages

Cristofano Allori

In the twilight of the Renaissance, as the balanced harmonies of the previous century gave way to the restless energy of Mannerism, Cristofano Allori emerged as a vital voice in the Florentine school. Born in 1577 into a city steeped in artistic prestige, Allori was destined for the brush.

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Nicolas de Largillière

French Born: Paris Baroque, Rococo Wikipedia: 18/32 languages

Nicolas de Largillière

His compositions were often carefully structured, reflecting a Renaissance sensibility while incorporating the dynamism of the Baroque period. Nicolas de Largillière left behind a substantial body of work that offers invaluable insights into 18th-century French society.

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Clara Peeters

Flemish Born: Antwerp Dutch Golden Age Wikipedia: 18/32 languages

Clara Peeters

The precise circumstances surrounding Peeters’s artistic education remain shrouded in mystery, largely due to the limitations imposed upon women during this period. She represents a crucial milestone in recognizing women's artistic capabilities during the Dutch Golden Age —the earliest significant female painter of this era.

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Sebastiano Ricci

Italian Born: Belluno Late Baroque school of Venice Wikipedia: 15/32 languages

Sebastiano Ricci

In 1692, he was tasked with a significant undertaking for the French crown: copying Raphael's Coronation of Charlemagne in Vatican City for Louis XIV. In Florence, his approach to fresco painting left a mark on the work of Giovanni Domenico Ferretti, a painter of the Rococo style.

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Bartholomeus van der Helst

Dutch Born: Haarlem Dutch Golden Age, Baroque Wikipedia: 18/32 languages

Bartholomeus van der Helst

This monumental work, brimming with meticulously rendered figures, isn't simply a record of an event; it’s a vibrant tableau that encapsulates the spirit of celebration and civic pride following the end of the Eighty Years’ War. By the mid-1640s, Van der Helst had surpassed even Rembrandt in popularity among Amsterdam's wealthy patrons—a testament to his ability to deliver portraits that resonated with their tastes and aspirations.

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Abraham van Beijeren

Dutch Born: The Hague Still Life Wikipedia: 18/32 languages

Abraham van Beijeren

His works continue to reside in some of the world's most prestigious institutions, including the Mauritshuis in The Hague, the Louvre in Paris, and the Metropolitan Museum of Art in New York.

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Valentin de Boulogne

French Born: Coulommiers Tenebrism Wikipedia: 16/32 languages

Valentin de Boulogne

When he arrived in Rome around 1620, he did not merely observe the existing art scene; he immersed himself in it, joining the Bentvueghels, a boisterous and often unruly collective of expatriate artists.

Student of Simon Vouet #27

Notable works · 100 notable works

75of 100

Willem Claesz Heda

Dutch Born: Haarlem Golden Age painting Wikipedia: 20/32 languages

Willem Claesz Heda

Throughout his career, Heda remained largely devoted to still life painting, refining his technique and exploring variations on the breakfast piece theme.

Notable works · 100 notable works

77of 100

Godfrey Kneller

Italian Born: Lübeck Baroque Wikipedia: 18/32 languages

Godfrey Kneller

Kneller’s artistic vision was profoundly shaped by the traditions of Flemish and Italian Baroque painting —particularly Rembrandt van Rijn and Caravaggio—whose dramatic use of light and shadow established a precedent for portraying emotion and psychological complexity. He embraced the Grand Manner style, characterized by monumental scale, idealized figures, and carefully orchestrated compositions designed to convey dignity and authority.

Student of Rembrandt #1, Ferdinand Bol #65

Notable works · 100 notable works

78of 100

Juan Carreño de Miranda

Spanish Born: Avilés Spanish Baroque Wikipedia: 16/32 languages

Juan Carreño de Miranda

Carreño de Miranda’s style is deeply rooted in the Spanish Baroque tradition, yet it possesses a unique character all its own. Initial commissions, such as those adorning the cloister of Doña María de Aragón and the Iglesia de la Virgen del Rosario in Marlofa (La Joyosa), showcased a burgeoning talent and hinted at the mastery to come.

Notable works · 100 notable works

79of 100

Jan Asselijn

Dutch Born: Dieppe Italianate landscape Wikipedia: 16/32 languages

Jan Asselijn

He also served as a mentor to Frederik de Moucheron, another prominent Dutch landscape painter who further popularized the Italianate style.

Notable works · 100 notable works

80of 100

Jan Brueghel the Younger

Flemish Born: Antwerp Flemish Baroque Wikipedia: 23/32 languages

Jan Brueghel the Younger

The significance of Jan The Younger Brueghel lies in his role as a custodian of Flemish excellence. As the son of Jan Brueghel the Elder and the grandson of the legendary Pieter Bruegel the Elder, his very existence was intertwined with the evolution of Renaissance and Baroque painting.

Notable works · 100 notable works

81of 100

Carlo Maratta

Italian Born: Camerano Baroque classicism Wikipedia: 17/32 languages

Carlo Maratta

Born on May 15, 1625, in Camerano, within the Papal States—now part of Italy—his artistic journey began with an early move to Rome at the age of eleven. His contemporary, Giovanni Bellori, recognized this synthesis, documenting Maratta's artistic approach in an early biography.

Notable works · 100 notable works

84of 100

Jean-Baptiste Oudry

Born: Paris Wikipedia: 17/32 languages

Jean-Baptiste Oudry

Initially focused on portraiture, Oudry gradually expanded his repertoire to include still lifes, particularly of fruits and animals, as well as religious subjects. He contributed significantly to the decorative arts of the French court, creating luxurious tapestries that adorned royal residences.

Student of Nicolas de Largillière #69

Notable works · 100 notable works

85of 100

Philips Wouwerman

Dutch Born: Haarlem Dutch Golden Age Wikipedia: 21/32 languages

Philips Wouwerman

Early Influences: Initially emulating bamboccianti painters, Wouwerman’s early works featured depictions of daily life. Influence on Later Artists: Wouwerman’s style influenced numerous artists, including Jan van Huchtenburgh (1647–1733), the brothers Jan Frans and Joseph van Bredael (1688–1739), and Carel van Falens (1683–1733).

Student of Frans Hals #8

Notable works · 100 notable works

86of 100

Carlo Dolci

Italian Born: Florence Baroque Wikipedia: 18/32 languages

Carlo Dolci

While other artists sought the bustling artistic scene of Rome, Dolci remained in Florence, deeply connected to its traditions and patrons. His paintings continue to grace prestigious institutions such as the Uffizi Gallery in Florence, where the Contini Bonacossi Collection offers a particularly rich representation of his oeuvre.

Notable works · 100 notable works

87of 100

Mary Beale

British Born: Barrow Baroque Wikipedia: 20/32 languages

Mary Beale

Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. She received praise from prominent artists like Sir Peter Lely and recognition in contemporary writings about British art, solidifying her position within the artistic community.

Notable works · 100 notable works

88of 100

Abraham Bloemaert

Dutch Born: Gorinchem Baroque, Mannerism Wikipedia: 20/32 languages

Abraham Bloemaert

Notable works such as “The Expulsion of Hagar and Ishmael,” “ Venus and Adonis ”, and "Warrior & Young Standard-Bearer" exemplify this range, showcasing his ability to handle complex compositions and convey nuanced emotions with equal skill. Remarkably, his four sons – Hendrick, Frederick, Cornelis, and Adriaan – all followed in his footsteps, achieving considerable success as painters and engravers.

Teacher of Gerard van Honthorst #24

Notable works · 100 notable works

89of 100

Abraham Brueghel

Flemish Born: Antwerp Baroque Wikipedia: 19/32 languages

Abraham Brueghel

From an early age, Abraham demonstrated considerable promise, nurtured by his father, Jan Brueghel the Younger, a skilled painter himself and frequent collaborator with Peter Paul Rubens. He didn’t merely replicate existing styles; he forged a unique aesthetic that combined the decorative abundance favored by his predecessors with the dramatic movement and theatricality characteristic of his Italian contemporaries, such as Michele Pace del Campidoglio and Michelangelo Cerquozzi.

Notable works · 100 notable works

90of 100

Adam Elsheimer

German Born: Frankfurt Baroque painting Wikipedia: 20/32 languages

Adam Elsheimer

He cultivated important friendships with Giovanni Faber, a papal doctor and botanist connected to the Accademia dei Lincei – a scientific society dedicated to observation and experimentation – and Paul Bril, a Flemish landscape painter. His work was highly regarded by contemporaries, including Peter Paul Rubens, who deeply lamented his early death and praised his exceptional talent.

Notable works · 100 notable works

91of 100

Roelant Savery

Flemish Born: Kortrijk Dutch Golden Age Painting Wikipedia: 19/32 languages

Roelant Savery

Around 1604, he traveled to Prague, where he entered the orbit of the Holy Roman Emperors Rudolf II and Matthias. Upon returning to Amsterdam in 1616, Savery established himself as a prominent figure in the Dutch art scene.

Notable works · 100 notable works

92of 100

Palma il Giovane

Italian Born: Venice Venetian School Wikipedia: 18/32 languages

Palma il Giovane

Jacopo Palma il Giovane, born Iacopo Negretti around 1548, was not merely a successor to the great masters but a vital link in the continuity of the Venetian School.

Notable works · 100 notable works

93of 100

Samuel van Hoogstraten

Dutch Born: Dordrecht Dutch Golden Age, Baroque Wikipedia: 18/32 languages

Samuel van Hoogstraten

A portrait from 1645, now residing in the Liechtenstein collection in Vienna, serves as a clear testament to this apprenticeship. He was a dedicated art theorist who sought to codify the principles of painting in his magnum opus, Inleyding tot de hooge schoole der schilderkonst: anders de zichtbaere werelt (Introduction to the Academy of Painting, or The Visible World), published in 1678.

Student of Rembrandt #1

Notable works · 100 notable works

94of 100

Balthasar van der Ast

Dutch Born: Middelburg Golden Age Painting Wikipedia: 18/32 languages

Balthasar van der Ast

The influence of Balthasar van der Ast extended far beyond his own studio in Utrecht. His ability to infuse inanimate objects with a sense of life—a quality seen in his depictions of lizards and insects crawling amidst fruit—set a new standard for the Dutch Golden Age.

Notable works · 100 notable works

95of 100

Martin van Meytens

Swedish Born: Stockholm Baroque portraiture Wikipedia: 14/32 languages

Martin van Meytens

The brilliance of Meytens’ work lies in his ability to balance the rigid requirements of courtly propaganda with a deeply humanistic touch. His rise was so complete that he eventually served as the Director of the Viennese Academy of Fine Arts, a testament to his influence and authority within the artistic community.

Notable works · 100 notable works

96of 100

François de Troy

French Born: Toulouse Rococo, Baroque Wikipedia: 12/32 languages

François de Troy

While adept at traditional portraiture, Jean-François de Troy is perhaps best remembered for his innovative tableaux de mode – “pictures of fashion.” These weren't simply portraits; they were vibrant snapshots of contemporary life, capturing the leisure activities, social customs, and opulent surroundings of the French upper class. As Director of the French Academy in Rome from 1738, he played a role in shaping the next generation of artists, though his tenure was marked by some controversy due to his personal indulgences.

Notable works · 100 notable works

97of 100

Adriaen van Ostade

Born: Haarlem Wikipedia: 20/32 languages

Adriaen van Ostade

Frans Hals’s Influence: His initial training under Frans Hals provided a foundation in Dutch painting techniques and genre subject matter.

Student of Frans Hals #8 · Teacher of Jan Steen #19

Notable works · 100 notable works

98of 100

Adam Frans van der Meulen

Flemish Born: Brussels Baroque Wikipedia: 15/32 languages

Adam Frans van der Meulen

Adam Frans van der Meulen died in Paris in 1690, leaving behind a legacy not just as a skilled artist but as an instrumental figure in shaping the visual narrative of one of Europe’s most powerful monarchs. Recognized for his contributions, Van der Meulen received numerous honors – a royal privilege allowing engravings of his works, appointment as “Ordinary Painter to the King” in 1673, and admission to the prestigious Royal Academy of Painting and Sculpture without having to submit a traditional reception piece—a testament to his established reputation.

Notable works · 100 notable works

99of 100

Pieter Lastman

Dutch Born: Amsterdam Dutch Golden Age painting Wikipedia: 21/32 languages

Pieter Lastman

Pieter Pietersz Lastman, born in Amsterdam in 1583, occupies a fascinating and pivotal position within the history of Dutch Golden Age painting.

Teacher of Rembrandt #1

Notable works · 100 notable works

100of 100

Frans van Mieris the Elder

Dutch Born: Leiden Fijnschilder, Genre painting Wikipedia: 15/32 languages

Frans van Mieris the Elder

Doctor's Visit (1657), considered one of his earliest dated and most important pieces, showcases his emerging independence from Dou’s influence.

Notable works · 100 notable works

Notable works

Notable Baroque works

  1. The return of the prodigal son by Rembrandt

    The return of the prodigal son

    Rembrandt

    1662 · Hermitage Museum, Saint Petersburg

  2. Sick Bacchus by Caravaggio

    Sick Bacchus

    Caravaggio

    1593 · Galleria Borghese, Rome

  3. Las Meninas (The Maids of Honor) or the Royal Family by Diego Velázquez

    Las Meninas (The Maids of Honor) or the Royal Family

    Diego Velázquez

    1656 · Museo del Prado, Madrid

  4. The Descent from the Cross by Peter Paul Rubens

    The Descent from the Cross

    Peter Paul Rubens

    1612 · Courtauld Gallery, London

  5. The Girl with a Pearl Earring by Johannes Vermeer

    The Girl with a Pearl Earring

    Johannes Vermeer

    1665 · Mauritshuis, The Hague

  6. The Death of Germanicus, Minneapolis Institute by Nicolas Poussin

    The Death of Germanicus, Minneapolis Institute

    Nicolas Poussin

    1627

  7. Susanna and the Elders by Artemisia Gentileschi

    Susanna and the Elders

    Artemisia Gentileschi

    1610 · Schloss Weissenstein, Poppenhausen

Chronology

Chronology of notable works

  1. 1585
  2. 1597
  3. 1612
  4. 1624
  5. 1627
  6. 1635
  7. 1638
  8. 1642
  9. 1646
  10. 1652
  11. 1655
  12. 1658
  13. 1661
  14. 1665

Statistics

Statistics

Index

List of 100 Baroque painters

  1. 1RembrandtRembrandtDutch · 1606–1669
  2. 2CaravaggioCaravaggio1571–1610
  3. 3Diego VelázquezDiego VelázquezSpanish · 1599–1660
  4. 4Peter Paul RubensPeter Paul RubensFlemish · 1577–1640
  5. 5Johannes VermeerJohannes VermeerDutch · 1632–1675
  6. 6Nicolas PoussinNicolas PoussinFrench · 1594–1665
  7. 7Artemisia GentileschiArtemisia GentileschiItalian · 1593–1653
  8. 8Frans HalsFrans Hals1580–1666
  9. 9Claude LorrainClaude Lorrain1600–1682
  10. 10Georges de la TourGeorges de la TourFrench · 1593–1652
  11. 11Anthony van DyckAnthony van DyckFlemish · 1599–1641
  12. 12Francisco de ZurbaránFrancisco de ZurbaránSpanish · 1598–1664
  13. 13Bartolomé Esteban MurilloBartolomé Esteban MurilloSpanish · 1617–1682
  14. 14CanalettoCanalettoItalian · 1697–1768
  15. 15Guido ReniGuido ReniItalian · 1575–1642
  16. 16Annibale CarracciAnnibale CarracciItalian · 1560–1609
  17. 17Jan Brueghel the ElderJan Brueghel the ElderFlemish · 1568–1625
  18. 18Charles Le BrunCharles Le BrunFrench · 1619–1690
  19. 19Jan SteenJan SteenDutch · 1626–1679
  20. 20Jacob JordaensJacob JordaensFlemish · 1593–1678
  21. 21Pieter de HoochPieter de HoochDutch · 1629–1684
  22. 22Gian Lorenzo BerniniGian Lorenzo BerniniItalian · 1598–1680
  23. 23Jusepe de RiberaJusepe de RiberaSpanish · 1591–1652
  24. 24Gerard van HonthorstGerard van HonthorstDutch · 1592–1656
  25. 25Hyacinthe RigaudHyacinthe Rigaud1659–1743
  26. 26Luca GiordanoLuca GiordanoItalian · 1634–1705
  27. 27Simon VouetSimon VouetFrench · 1590–1649
  28. 28Philippe de ChampaignePhilippe de ChampaigneFrench · 1602–1674
  29. 29Carel FabritiusCarel FabritiusDutch · 1622–1654
  30. 30Ludovico CarracciLudovico CarracciItalian · 1555–1619
  31. 31Andrea PozzoAndrea PozzoItalian · 1642–1709
  32. 32David Teniers the YoungerDavid Teniers the Younger1610–1690
  33. 33Orazio GentileschiOrazio GentileschiItalian · 1563–1639
  34. 34Frans SnydersFrans SnydersFlemish · 1579–1657
  35. 35Adriaen BrouwerAdriaen BrouwerFlemish · 1605–1638
  36. 36Gabriel MetsuGabriel MetsuDutch · 1629–1667
  37. 37Agostino CarracciAgostino CarracciItalian · 1557–1602
  38. 38Pierre PugetPierre PugetFrench · 1620–1694
  39. 39Alonso CanoAlonso CanoSpanish · 1601–1667
  40. 40Giovanni LanfrancoGiovanni LanfrancoItalian · 1582–1647
  41. 41Willem KalfWillem KalfDutch · 1619–1693
  42. 42Meindert HobbemaMeindert HobbemaDutch · 1638–1709
  43. 43Giovanni Domenico TiepoloGiovanni Domenico TiepoloItalian · 1727–1804
  44. 44Nicolaes MaesNicolaes MaesDutch · 1634–1693
  45. 45Giovanni Battista GaulliGiovanni Battista GaulliItalian · 1639–1709
  46. 46Francesco AlbaniFrancesco AlbaniItalian · 1578–1660
  47. 47Emanuel de WitteEmanuel de WitteDutch · 1617–1692
  48. 48Pietro da CortonaPietro da CortonaItalian · 1596–1669
  49. 49Giovanni Battista PiazzettaGiovanni Battista PiazzettaItalian · 1683–1754
  50. 50Francesco SolimenaFrancesco SolimenaItalian · 1657–1747
  51. 51Peter LelyPeter LelyDutch, British · 1618–1680
  52. 52Juan de Valdés LealJuan de Valdés LealSpanish · 1622–1690
  53. 53Judith LeysterJudith LeysterDutch · 1609–1660
  54. 54Giovanni Paolo PaniniGiovanni Paolo PaniniItalian · 1691–1765
  55. 55Salvator RosaSalvator RosaItalian · 1615–1673
  56. 56Gerrit DouGerrit DouDutch · 1613–1675
  57. 57Rachel RuyschRachel RuyschDutch · 1664–1750
  58. 58Pierre Mignard IPierre Mignard IFrench · 1612–1695
  59. 59GuercinoGuercinoItalian · 1591–1666
  60. 60Jan van HuysumJan van HuysumDutch · 1682–1749
  61. 61Gerard ter BorchGerard ter BorchDutch · 1617–1681
  62. 62Mattia PretiMattia PretiItalian · 1613–1699
  63. 63Jan Davidsz De HeemJan Davidsz De HeemDutch, Flemish · 1606–1684
  64. 64Elisabetta SiraniElisabetta SiraniItalian · 1638–1665
  65. 65Ferdinand BolFerdinand BolDutch · 1616–1680
  66. 66Ludolf BakhuizenLudolf BakhuizenDutch · 1630–1708
  67. 67DomenichinoDomenichinoItalian · 1581–1641
  68. 68Cristofano AlloriCristofano AlloriItalian · 1577–1621
  69. 69Nicolas de LargillièreNicolas de LargillièreFrench · 1656–1746
  70. 70Clara PeetersClara PeetersFlemish · 1587–1657
  71. 71Sebastiano RicciSebastiano RicciItalian · 1659–1734
  72. 72Bartholomeus van der HelstBartholomeus van der HelstDutch · 1613–1670
  73. 73Abraham van BeijerenAbraham van BeijerenDutch · 1620–1690
  74. 74Valentin de BoulogneValentin de BoulogneFrench · 1591–1632
  75. 75Willem Claesz HedaWillem Claesz HedaDutch · 1594–1680
  76. 76Adriaen van der WerffAdriaen van der WerffDutch · 1659–1722
  77. 77Godfrey KnellerGodfrey KnellerItalian · 1646–1723
  78. 78Juan Carreño de MirandaJuan Carreño de MirandaSpanish · 1614–1685
  79. 79Jan AsselijnJan AsselijnDutch · 1610–1652
  80. 80Jan Brueghel the YoungerJan Brueghel the YoungerFlemish · 1601–1678
  81. 81Carlo MarattaCarlo MarattaItalian · 1625–1713
  82. 82Bernardo StrozziBernardo StrozziItalian · 1581–1644
  83. 83Barbieri Gian Francesco (Guercino Il)Barbieri Gian Francesco (Guercino Il)Italian · 1591–1666
  84. 84Jean-Baptiste OudryJean-Baptiste Oudry1686–1755
  85. 85Philips WouwermanPhilips WouwermanDutch · 1619–1668
  86. 86Carlo DolciCarlo DolciItalian · 1616–1686
  87. 87Mary BealeMary BealeBritish · 1633–1699
  88. 88Abraham BloemaertAbraham BloemaertDutch · 1564–1651
  89. 89Abraham BrueghelAbraham BrueghelFlemish · 1631–1690
  90. 90Adam ElsheimerAdam ElsheimerGerman · 1578–1610
  91. 91Roelant SaveryRoelant SaveryFlemish · 1576–1639
  92. 92Palma il GiovanePalma il GiovaneItalian · 1550–1628
  93. 93Samuel van HoogstratenSamuel van HoogstratenDutch · 1627–1678
  94. 94Balthasar van der AstBalthasar van der AstDutch · 1593–1657
  95. 95Martin van MeytensMartin van MeytensSwedish · 1695–1770
  96. 96François de TroyFrançois de TroyFrench · 1645–1730
  97. 97Adriaen van OstadeAdriaen van Ostade1610–1685
  98. 98Adam Frans van der MeulenAdam Frans van der MeulenFlemish · 1632–1690
  99. 99Pieter LastmanPieter LastmanDutch · 1583–1633
  100. 100Frans van Mieris the ElderFrans van Mieris the ElderDutch · 1635–1681

FAQ

Frequently asked questions

Articles

Encyclopedia articles

See also

Artists of other movements

See also

Artists of other periods

Famous paintings

Lists of famous paintings by movement

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