Reference list · Mannerist
El Greco (1541–1614) is the most famous Mannerist painter in this list; notable works include The Burial of the Count of Orgaz and View of Toledo. Ranks 2 to 5: Jacopo Tintoretto, Giuseppe Arcimboldo, Bronzino and Sofonisba Anguissola. The list records 71 painters born between 1475 (Amico Aspertini) and 1577 (Cristofano Allori) in 9 countries.
Method. Scope: artists whose works the encyclopedia records under Mannerist. Ranking: the encyclopedia's fame ranking of artists. Artists born after 1955 without a Wikidata identifier are excluded pending verification. Wikipedia: number of the encyclopedia's 32 languages with an article on the artist.
Summary
Entries
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Born: Heraklion Wikipedia: 31/32 languages
While he achieved success and received significant commissions from churches and monasteries in Toledo, his influence was not immediately felt by the broader art world after his death in 1614.
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Italian Born: Venice Mannerist, Venetian school Wikipedia: 31/32 languages
The Origin of the Milky Way (Scuola Grande di San Rocco, Venice). His approach to composition and psychological intensity left a mark on several major figures of later movements, including El Greco, Caravaggio, Rembrandt, and Delacroix.
Collections The Scuola Grande di San Rocco remains the most concentrated repository of his output, housing over sixty canvases that transform the building's halls into a cinematic experience of biblical narratives.
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Born: Milan Wikipedia: 30/32 languages
Arcimboldo’s most distinctive contribution to the visual language of the sixteenth century was the development of "composite heads." This method moved beyond the traditional boundaries of portraiture by constructing human likenesses from a meticulous assemblage of disparate objects. Painters such as Salvador Dalí and Pablo Picasso found a kindred spirit in his ability to manipulate perception, drawing from his habit of assembling disparate objects into a singular, recognizable identity.
Collections The physical remnants of Arcimboldo’s imagination are scattered across Europe, preserved within the halls of institutions that once served the very courts he once entertained.
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Italian Born: Florence Mannerism Wikipedia: 29/32 languages
Notable Works: Venus, Cupid, Folly and Time, Portraits of Cosimo I de’ Medici and Eleonora di Toledo.
Student of Pontormo #6 · Teacher of Alessandro Allori #20
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Italian Born: Cremona Renaissance, Mannerism Wikipedia: 29/32 languages
“ Self-Portrait at the Easel ” (1556) is particularly iconic, presenting Sofonisba confidently engaged in her craft, challenging viewers to acknowledge her artistic authority. Key influences on Anguissola included the Lombard school of painting, particularly the work of Bernardino Campi and Bernardino Gatti, but she ultimately forged her own unique style characterized by realism, intimacy, and psychological insight.
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Italian Born: Parma Mannerism Wikipedia: 28/32 languages
This act secured commissions in Rome, but the city’s artistic landscape was soon disrupted by the tumultuous Sack of 1527. Tragically, Parmigianino's promising career was cut short by his untimely death in Casalmaggiore in 1540 at the age of thirty-seven.
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Italian Born: Arezzo Mannerism Wikipedia: 31/32 languages
His monumental work, Lives of the Most Excellent Painters, Sculptors, and Architects, published in 1550 (with a revised edition in 1568), revolutionized the way art was understood and appreciated.
Teacher of Jacopo Zucchi #54, Federico Zuccari #41
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Italian Born: Rome Mannerism Wikipedia: 28/32 languages
In 1524, Giulio accepted the invitation of Federico Gonzaga, Duke of Mantua, to become court painter and architect. His drawings were highly prized by collectors, and engravings based on his work – particularly those by Marcantonio Raimondi – played a crucial role in disseminating Italian artistic styles throughout Europe.
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Italian Born: Florence Mannerism Wikipedia: 27/32 languages
The Gallery of Francis I at Fontainebleau stands as a testament to his skill, showcasing allegorical scenes filled with elongated figures, vibrant colors, and complex symbolism.
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Italian Born: Venice High Renaissance, Mannerism Wikipedia: 23/32 languages
The year 1511 marked a pivotal moment in Sebastiano’s career as he journeyed to Rome, a city then pulsating with artistic energy under the patronage of Popes Julius II and Leo X. The latter part of Sebastiano's life took an unexpected turn in 1531 when he was appointed piombatore, Keeper of the Seals for the Papacy.
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Dutch Born: Bracht Northern Mannerism & Baroque engraving Wikipedia: 19/32 languages
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Italian Born: Castelnuovo Berardenga Mannerism, Renaissance Wikipedia: 21/32 languages
His origins were humble: the son of a peasant, Giacomo di Pace, his talent was recognized by Lorenzo Beccafumi, who adopted him and provided for his initial artistic training with Mechero, a local Sienese artist. Sienese Tradition with Mannerist Influences: He skillfully blended the decorative elements and emotional intensity of the Sienese school with the emerging stylistic features of Mannerism.
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Dutch Born: Amsterdam Northern Mannerism Wikipedia: 28/32 languages
His innovative approach to genre painting paved the way for the rise of Dutch still life as a distinct artistic genre, influencing figures like Jan Sanders van Hemessen and, crucially, his son, Pieter Pietersz the Elder.
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Flemish Born: Antwerp Northern Mannerism Wikipedia: 18/32 languages
He skillfully blended Netherlandish realism with Italian mannerist influences, particularly the Roman tradition of depicting classical mythology. It was here that he encountered Karel van Mander, whose Schilder-boeck would later provide a detailed account of Spranger’s life and work – a testament to the artist's significance within the artistic community.
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Italian Born: Bologna Mannerism, Baroque Wikipedia: 26/32 languages
Other significant pieces include “ Venus and Cupid ” (1592), a Baroque portrait brimming with symbolic beauty, and “ Newborn Baby in a Crib ” (1583), a poignant depiction of maternal tenderness and domestic life. Lavinia Fontana’s impact extends beyond her paintings; she remains an icon of female empowerment in the art world.
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Italian Born: Urbino Renaissance, Baroque Wikipedia: 24/32 languages
He was invited by Pope Pius IV to assist in the decoration of the Vatican Belvedere Palace at Rome, where he painted the Virgin Mary and infant, with several saints and a ceiling in fresco, representing the Annunciation. Barocci's work was highly esteemed and influential, foreshadowing the Baroque style of Peter Paul Rubens.
Notable works · 100 notable works
The nativity
Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)
Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)18of 71
German Born: Cologne Mannerist Painting Wikipedia: 26/32 languages
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Italian Born: Florence Mannerism Wikipedia: 23/32 languages
In the twilight of the Renaissance, as the balanced harmonies of the previous century gave way to the restless energy of Mannerism, Cristofano Allori emerged as a vital voice in the Florentine school. Born in 1577 into a city steeped in artistic prestige, Allori was destined for the brush.
Student of Alessandro Allori #20
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Italian Born: Florence Mannerism Wikipedia: 24/32 languages
Critics often noted his tendency to draw heavily from pre-existing art, refining and reinterpreting the works of masters like Michelangelo and Raphael through the lens of Bronzino’s aesthetic. Alessandro Allori, born in Florence on May 31st, 1535, stands as a compelling figure within the late Mannerist school.
Student of Bronzino #4 · Teacher of Cristofano Allori #19
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Italian Born: Modena Mannerism Wikipedia: 25/32 languages
The “ Rape of Proserpine ” exemplifies this style perfectly, showcasing his mastery of composition, color, and narrative detail. His innovative use of landscape as a compositional element paved the way for Claude Lorrain and Nicolas Poussin, who both drew inspiration from his ability to integrate natural settings into mythological narratives.
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Born: Albino Wikipedia: 16/32 languages
A pivotal moment occurred during his stay in Trento where he encountered Titian and the Count-Bishop Cristoforo Madruzzo.
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Italian Born: Florence Mannerism
His early years were not without incident; at sixteen, he became embroiled in an affray with companions, leading to banishment from Florence and a period working in Siena under goldsmith Fracastoro. Benvenuto Cellini died in Florence in 1571, leaving behind a legacy as one of the most important artists of Mannerism.
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Italian Born: Florence Mannerism” Wikipedia: 17/32 languages
Portraiture: While primarily known for his frescoes and decorative works, Salviati also excelled as a portrait painter. His influence can be seen in the work of subsequent generations of artists, including Giulio Romano and Pontormo.
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Flemish Born: Douai Mannerist Sculpture
Dynamic Composition & Anatomical Precision: Unlike the idealized forms of Michelangelo, Giambologna's figures possessed an unsettling realism —a deliberate distortion of anatomical proportions designed to heighten expressive tension and convey psychological depth. Giambologna’s influence extended far beyond his lifetime, shaping the artistic sensibilities of subsequent generations and establishing him as a pivotal figure in the transition from Renaissance to Baroque art.
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Flemish Born: Meulebeke Northern Mannerism Wikipedia: 20/32 languages
Rome (1574-1577): Van Mander spent three years in Rome, where he encountered classical art and developed his artistic style. Northern Mannerism Pioneer: Karel van Mander is considered a key figure in the development of Northern Mannerism.
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Italian Born: Volterra Mannerism Wikipedia: 17/32 languages
Sybil (c. 1540–1545); Hermitage Museum, Saint petersburgdescent from the cross (c. 1545), before its 2004 restoration; trinità dei monti, romedescent from the cross (detail, before restoration)descent from the cross (detail, after restoration) Despite the controversies that surrounded him, Daniele’s work continues to fascinate and provoke debate, offering a unique window into the artistic and religious landscape of 16th-century Italy.
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French Born: Normandy Mannerism
His work on the Façade of the Cour Carrée (wing Lescot) remains an iconic achievement, showcasing classical elegance through intricate carvings that reflect French artistic brilliance. Goujon's legacy is defined by an unparalleled ability to harmonize the tension of Mannerism with the serenity of Classicism.
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Italian Born: Bologna Late Renaissance & Mannerism Wikipedia: 18/32 languages
His work also includes significant contributions to the decoration of the Santa Maria del Baraccano church in Bologna, including a captivating “Disputa di Santa Caterina.” His daughter, Lavinia Fontana, who herself became a successful painter, undoubtedly benefited from her father’s tutelage and artistic guidance. He bridged the gap between the classical ideals of the High Renaissance and the expressive distortions of Mannerism, creating a style that was both visually arresting and psychologically complex.
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Dutch Born: Utrecht Mannerism Wikipedia: 14/32 languages
These sojourns were crucial, exposing him to the rich artistic currents of the Second School of Fontainebleau. A pivotal period arrived when he embarked on travels through Italy and France starting in 1586.
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Italian Born: Bologna Mannerism Wikipedia: 22/32 languages
Whether through the delicate line work of a chalk drawing like Ceres or the monumental scale of fresco fragments such as Ulysses Winning the Archery Contest in the Presence of Penelope, Primaticcio’s oeuvre remains a testament to an artist who could navigate the complexities of myth, majesty, and the human psyche with unparalleled grace.
Student of Giulio Romano #9
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Flemish Born: Leiden Mannerism Wikipedia: 15/32 languages
A significant undertaking during this period was a series of twelve paintings depicting battles between Romans and Batavians, commissioned by the Dutch States General based on earlier engravings he had produced.
Student of Federico Zuccari #41
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Italian Born: Moneglia Genoese School, Mannerism Wikipedia: 15/32 languages
Cambiaso’s style is often described as Mannerist, yet it transcends simple categorization. His journey to Spain in 1583, invited by Philip II to complete frescoes at the Escorial, highlights both his international recognition and his personal ambitions.
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Italian Born: Arpino Mannerist Wikipedia: 14/32 languages
His compositions are typically balanced and symmetrical, reflecting the influence of artists like Giulio Romano and Pontormo. His association with Carlo Maderno, a leading architect of the period, further broadened his artistic horizons, exposing him to innovative architectural concepts and design principles.
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Italian Born: Bassano del Grappa Venetian Renaissance Wikipedia: 12/32 languages
Conversely, in more mythologically charged pieces like ' The Forge of Vulcan ', he demonstrated a masterful command over light and shadow, using the glow of the forge to create a dramatic, theatrical atmosphere that captivated viewers. This collaborative environment, guided by the meticulous instruction of his father, Jacopo Bassano, allowed him to absorb the nuances of Venetian Mannerism and the burgeoning influences of the Baroque style.
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Flemish Late Mannerism
Early Life & Training: De Clerck’s formative years are shrouded in obscurity, though evidence suggests he received training under Jan Brueghel the Elder, a titan of Flemish landscape painting and a pivotal influence on de Clerck's artistic approach. Among De Clerck’s most celebrated achievements is “The Deposition,” commissioned for St.
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Italian Born: Bassano del Grappa Mannerism Wikipedia: 13/32 languages
The unfinished frescoes he undertook for San Lorenzo in Florence offer a poignant glimpse into the final stages of his artistic development.
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Italian Born: Florence Mannerist Painting Wikipedia: 15/32 languages
Whether depicting the celestial grace of a Madonna with Child or the dramatic tension found in works like The Fall of the Giants, Perino possessed a unique talent for blending the monumental with the delicate.
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Flemish Born: Bruges Renaissance, 16th Century Painting Wikipedia: 15/32 languages
His arrival coincided with a period of immense artistic patronage and experimentation within the court, orchestrated by Grand Duke Cosimo I de’ Medici and his advisor, Giorgio Vasari. The Metropolitan Museum of Art’s collection features a significant drawing by Stradanus – “ Allegory of America” – offering valuable insight into his artistic vision and providing a tangible connection to this remarkable Florentine master.
Teacher of Antonio Tempesta #56
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Italian Born: Pordenone Renaissance Painting Wikipedia: 16/32 languages
The years from 1527 until his untimely death in 1539 were spent primarily in Venice, a city teeming with artistic innovation. Around 1516, a pivotal journey to Rome brought him into contact with the High Renaissance masterpieces of Raphael and Michelangelo.
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Italian Born: Sant'Angelo in Vado Mannerism Wikipedia: 18/32 languages
This ambition is perhaps most tangibly felt in Casa Zuccari in Florence, a residence built around 1578. Their collaborative spirit yielded masterpieces such as “The Holy Family ” in Palazzo Vecchio, a work that serves as a testament to their unified artistic language.
Student of Giorgio Vasari #8
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Italian Born: Florence Mannerist Painting
The trajectory of his career shifted dramatically around 1531 when the influential Cardinal Giovanni Salviati summoned him to Rome.
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Dutch Born: Gouda Mannerism Wikipedia: 13/32 languages
Encouragement also came from Dirck Crabeth, a celebrated stained-glass artist and brother to Wouter Crabeth, whose wife may have been related to Ketel – suggesting a network of familial support within the artistic community.
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Flemish Born: Hulst Mannerism, Renaissance Wikipedia: 8/32 languages
The influence of Hieronymus Bosch is also readily apparent in Mostaert’s oeuvre, particularly in compositions derived from tapestries based on Bosch's fantastical creations. He played a crucial role in the development of both genre and landscape art within Antwerp, pushing boundaries and inspiring subsequent generations of artists.
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Italian Born: Florence Florentine Mannerism Wikipedia: 11/32 languages
He frequently incorporated elements from contemporary prints – particularly Venetian scenes – into his paintings, reflecting the artistic exchange that characterized Renaissance Florence. His " Madonna and Child " is held by the Metropolitan Museum of Art in New York, a painting that exemplifies his ability to infuse religious subjects with intense emotion and psychological depth.
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Born: Gaeta Wikipedia: 11/32 languages
He skillfully balanced Renaissance ideals with emerging Baroque sensibilities.
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Italian Born: Florence Proto-Baroque & Counter-Maniera Wikipedia: 14/32 languages
His prolific output, including monumental altarpieces such as The Resurrection for Santa Croce, demonstrated that art could be both profoundly beautiful and deeply communicative.
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Italian Born: Caravaggio Mannerism Wikipedia: 10/32 languages
Polidoro quickly distinguished himself not within the confines of panel painting or fresco but in a remarkably innovative arena: the decoration of Roman palace facades. He stands as a fascinating figure – an artist who bridged the High Renaissance and the emerging stylistic complexities of the 16th century.
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Italian Born: Cremona Flemish Style / Lombard Naturalism Wikipedia: 13/32 languages
This synthesis birthed a new way of seeing in Northern Italy, where the influence of Netherlandish masters—known for their obsessive attention to detail and the tactile quality of objects—began to permeate his canvases. Born around 1536 into a family where the brush was a primary language, Campi was shaped by the rich creative atmosphere of his lineage.
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Italian Born: Zadar Baroque Sculpture; Mannerism Wikipedia: 14/32 languages
His patronage by influential Venetian families, such as the Mocenigo and Grimani, ensured that his influence permeated the very fabric of the city's cultural life.
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Italian Born: Verona Late Renaissance & Mannerism Wikipedia: 11/32 languages
Born in Verona in 1547 to the respected artist Giovanni Ermano Ligozzi, Jacopo was immersed from birth in a world where craftsmanship and visual storytelling were paramount. The historical significance of Jacopo Ligozzi lies in his refusal to see art and science as separate disciplines.
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Italian Born: Bologna Mannerism Wikipedia: 10/32 languages
The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition.
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Italian Born: Vicenza Late Renaissance/Mannerist Wikipedia: 5/32 languages
Through his work, the halls of the palace—including the Sala del Senato and Sala dello Scrutinio—were transformed into theatrical stages where history and myth converged.
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Italian Born: Florence Mannerist Painting Wikipedia: 11/32 languages
His works often serve as windows into the complex allegories of the 16th century: Religious Devotion: In pieces such as Allegory of the Creation, Zucchi captures profound moments of divine connection, utilizing dramatic lighting and celestial figures to evoke a sense of awe and religious fervor.
Student of Giorgio Vasari #8
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Italian Born: Venice Mannerism Wikipedia: 9/32 languages
The historical significance of Domenico Robusti lies in his role as a bridge between the high drama of the late Renaissance and the more refined, poised sensibilities of the following era. In the golden, sun-drenched era of the Venetian Renaissance, names often echoed through the marble halls of history with a thunderous intensity.
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Italian Born: Florence Mannerism Wikipedia: 11/32 languages
One of his most poignant achievements can be seen in the Church of Santo Stefano Rotondo in Rome, where his fresco depicting the martyrdom of Saint Primus utilizes a rich color palette and intense emotionality to capture a scene of profound grief and loss. He remains a testament to the interconnectedness of the European art world during the Renaissance and Baroque periods, serving as a bridge between the classical traditions of Italy and the burgeoning artistic spirit of the North.
Student of Stradanus #39
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Italian Born: Bologna Mannerism Wikipedia: 11/32 languages
Aspertini’s family history was steeped in art; his father, Giovanni Antonio Aspertini, was himself a recognized painter. His work anticipated many of the stylistic innovations that would define Mannerism, paving the way for artists like El Greco.
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German Born: Vienna Northern Mannerism
Wenzel’s artistic education commenced under the tutelage of his father and brother. Born in Vienna, Italy, Wenzel was the son of Hans Jamnitzer the Elder, a goldsmith who established a tradition of excellence that would continue through subsequent generations.
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Italian Born: Vicenza
His monumental two-volume treatise, L'idea dell'architettura universale, published in Venice in 1615, stands as one of the final great works of the Renaissance.
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Italian Born: Melide Late Renaissance
Domenico Fontana, a name often overshadowed by the titans of the High Renaissance, stands as a pivotal figure in 16th-century Italian architecture and engineering. The Fontana dell'Acqua Felice (Fountain of Moses), built for Pope Sixtus V, stands as a prime example.
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Born: Antwerp Antwerp Mannerism Wikipedia: 9/32 languages
Though his name fell into obscurity following the end of the sixteenth century, Jan De Beer’s influence endured through the lasting impact of the Antwerp Mannerist style.
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Italian Born: Mazzo di Valtellina Mannerist Wikipedia: 10/32 languages
His most celebrated achievement remains the scaled oil copy of the Last Judgment, commissioned by Cardinal Alessandro Farnese.
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French Born: Paris Second School Fontainebleau; Mannerism; Italian Art Influence Wikipedia: 8/32 languages
He found endless inspiration in the epic tales of Homer, the poetic explorations of Pierre de Rationale, and the dramatic narratives of Torquato Tasso. Born in Paris around 1561, Dubreuil emerged during a transformative era when the French court sought to mirror the sophisticated aesthetics of the Italian masters.
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Swiss Born: Schaffhausen Mannerism Wikipedia: 7/32 languages
The meticulous realism, the psychological insight, and the sheer technical mastery that characterized Holbein’s work served as a foundational influence on Stimmer’s early development.
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Italian Born: Florence Mannerist Wikipedia: 10/32 languages
The “Virgin and Child with Saint Elizabeth and John the Baptist ” (1535), now housed in the Uffizi Gallery, exemplifies this evolution, showcasing a masterful command of perspective, drapery, and emotional expression. The “Deposition” (1552), painted for the Oratory of San Giovanni Decollato, exemplifies this shift towards a more emotionally charged style.
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Flemish Born: Antwerp Landscape with mythological and allegorical Wikipedia: 8/32 languages
In 1580, Fiammingo was tasked with creating extensive series of paintings to adorn Castle Kirchheim in Württemberg.
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French Born: Bassigny Northern Mannerism Wikipedia: 9/32 languages
Though his life was cut short in 1616, Bellange’s influence endured far beyond the borders of Lorraine.
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Italian Born: Parma Mannerist Painting Wikipedia: 8/32 languages
The significance of Girolamo Mazzola Bedoli extends beyond the individual canvases he left behind.
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Italian Born: Novellara Mannerist Wikipedia: 7/32 languages
Born in the small town of Novellara around 1508 or 1511, Orsi navigated an era defined by shifting theological certainties and the complex intellectual currents of humanism.
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Italian Born: Florence Renaissance and Mannerism Wikipedia: 5/32 languages
He was an artist who did not merely witness the transition from the High Renaissance to Mannerism but actively participated in its shaping. While some historical accounts suggest a familial bond to the great Ridolfo Ghirlandaio, it is more accurately understood that Tosini flourished within the master's studio, absorbing the foundational technical skills and established stylistic principles of the Florentine workshop.
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Spanish Born: Mascaraque Renaissance, Mannerism Wikipedia: 6/32 languages
Correa's early commissions, such as the altarpiece for the monastery of Santa María de Guadalupe in Mascaraque (circa 1532-1534), demonstrate a clear adherence to Raphael’s principles – elegant figures, balanced compositions, and harmonious color palettes.
Notable works
Chronology
Statistics
| Italy | 49 |
|---|---|
| Netherlands | 5 |
| Belgium | 5 |
| France | 4 |
| Germany | 2 |
| Switzerland | 2 |
| Greece | 1 |
| Croatia | 1 |
| 1470s | 2 |
|---|---|
| 1480s | 3 |
| 1490s | 5 |
| 1500s | 11 |
| 1510s | 10 |
| 1520s | 8 |
| 1530s | 7 |
| 1540s | 11 |
| 1550s | 7 |
| 1560s | 4 |
| 1570s | 3 |
| Kunsthistorisches Museum | 17 |
|---|---|
| Hermitage Museum | 8 |
| Galleria degli Uffizi | 7 |
| National Gallery | 7 |
| The Louvre | 7 |
| Bavarian State Painting Collections | 7 |
| Rijksmuseum | 6 |
| Museo del Prado | 6 |
Index
El Greco1541–1614Jacopo TintorettoItalian · 1519–1594Giuseppe Arcimboldo1527–1593BronzinoItalian · 1503–1572Sofonisba AnguissolaItalian · 1532–1625
PontormoItalian · 1494–1556ParmigianinoItalian · 1503–1540Giorgio VasariItalian · 1511–1574Giulio RomanoItalian · 1499–1546Rosso FiorentinoItalian · 1494–1540Sebastiano del PiomboItalian · 1485–1547Hendrik GoltziusDutch · 1558–1617Domenico BeccafumiItalian · 1484–1551Pieter AertsenDutch · 1508–1575Bartholomeus SprangerFlemish · 1546–1611Lavinia FontanaItalian · 1552–1614Federico BarocciItalian · 1535–1612Hans von AachenGerman · 1552–1615Cristofano AlloriItalian · 1577–1621Alessandro AlloriItalian · 1535–1607Niccolò Dell' AbbateItalian · 1512–1571Giovanni Battista Moroni1525–1578Benvenuto CelliniItalian · 1500–1571Francesco SalviatiItalian · 1510–1563GiambolognaFlemish · 1529–1608Karel van Mander the ElderFlemish · 1548–1606Daniele da VolterraItalian · 1509–1566Jean GoujonFrench · 1510–1567Prospero FontanaItalian · 1512–1597Joachim WtewaelDutch · 1566–1638Francesco PrimaticcioItalian · 1504–1570Otto van VeenFlemish · 1556–1629Luca CambiasoItalian · 1527–1585Giuseppe CesariItalian · 1568–1640Francesco Bassano the YoungerItalian · 1549–1592Hendrick De ClerckFlemish · 1570–1630Leandro BassanoItalian · 1557–1622Perino del VagaItalian · 1501–1547StradanusFlemish · 1523–1605Il PordenoneItalian · 1484–1539Federico ZuccariItalian · 1539–1609Cecchino Del SalviatiItalian · 1510–1563Cornelis KetelDutch · 1548–1616Gillis MostaertFlemish · 1528–1598Francesco BacchiaccaItalian · 1494–1557Scipione Pulzone1550–1598Santi di TitoItalian · 1536–1603Polidoro Da CaravaggioItalian · 1499–1543Vincenzo CampiItalian · 1536–1591Andrea SchiavoneItalian · 1522–1563Jacopo LigozziItalian · 1547–1627Bartolomeo PassarottiItalian · 1529–1592Andrea VicentinoItalian · 1542–1617Jacopo ZucchiItalian · 1542–1596Domenico TintorettoItalian · 1560–1635Antonio TempestaItalian · 1555–1630Amico AspertiniItalian · 1475–1552Wenzel JamnitzerGerman · 1507–1585Vincenzo ScamozziItalian · 1548–1616Domenico FontanaItalian · 1543–1607Jan De Beer1475–1528Marcello VenustiItalian · 1510–1579Toussaint DubreuilFrench · 1561–1602Tobias StimmerSwiss · 1539–1584Jacopino del ConteItalian · 1510–1598Paolo FiammingoFlemish · 1540–1596Jacques BellangeFrench · 1575–1616Girolamo Mazzola BedoliItalian · 1500–1569Lelio OrsiItalian · 1508–1587Michele TosiniItalian · 1503–1577Juan Correa De VivarSpanish · 1510–1566FAQ
El Greco (#1) is first in this ranking, followed by Jacopo Tintoretto (#2) and Giuseppe Arcimboldo (#3).
El Greco (#1), Jacopo Tintoretto (#2), Giuseppe Arcimboldo (#3), Bronzino (#4) and Sofonisba Anguissola (#5).
The highest-ranked painters born in Italy are Jacopo Tintoretto (#2), Giuseppe Arcimboldo (#3), Bronzino (#4), Sofonisba Anguissola (#5) and Pontormo (#6).
The earliest-born painter in this list is Amico Aspertini (#57), born in 1475.
Florence: 14 of the painters in this list were born there.
Italy: 49 of the 71 painters in this list were born there, then Netherlands (5) and Belgium (5).
Most painters in this list were born in the 1540s (11 of 71), between 1475 and 1577 overall.
2 women are in this ranking: Sofonisba Anguissola (#5) and Lavinia Fontana (#16).
“He learned to move away from the rigid lines of his youth, embracing a more fluid brushwork and a sense of dynamism.” — from our biography of El Greco (#1).
Giorgio Vasari (#8) taught Jacopo Zucchi (#54) and Federico Zuccari (#41); Bronzino (#4) taught Alessandro Allori (#20); Pontormo (#6) taught Bronzino (#4).
The museums holding the most key works of this list are Kunsthistorisches Museum (17), Hermitage Museum (8) and Galleria degli Uffizi (7).
The encyclopedia records 5,171 works by these painters.
Articles
See also
Famous Baroque artistsNight Watch · Rembrandt
Famous Contemporary Realist artistsThe Gleaners · Jean-François Millet
Famous Impressionist artistsStarry Night (New York, MoMA) · Vincent van Gogh
Famous Romanticist artistsSaturn Devouring His Son · Francisco Goya
Famous Neoclassicist artistsThe Death of Marat · Jacques-Louis David
Famous Realist artistsThe origin of the world · Gustave Courbet
Famous Renaissance artistsMona Lisa (La Gioconda) · Leonardo da Vinci
Famous Dutch Golden Age artistsThe Girl with a Pearl Earring · Johannes Vermeer
Famous Expressionist artistsComposition VII · Wassily Kandinsky
Famous Rococo artistsThe Embarkation for Cythera · Jean-Antoine WatteauSee also
Famous Early Medieval artistsWinter Landscape · Wang Wei
Famous High Medieval artistsMadonna in Maest (Ognissanti Madonna) · Giotto
Famous Late Medieval artistsThe Annunciation and Two Saints · Simone Martini
Famous Renaissance artistsThe Creation of Adam · Michelangelo
Famous Early Modern artistsThe Calling of Saint Matthew · Caravaggio
Famous 19th Century artistsWater Lilies (or Nympheas) · Claude Monet
Famous Modern artistsGuernica · Pablo Picasso
Famous Contemporary artistsWind Sculpture III (one in a series of nine) · Yinka ShonibareFamous paintings
Famous Impressionism paintingsWater Lilies · Claude Monet
Famous Baroque paintingsLas Meninas · Diego Velázquez
Famous Romanticism paintingsLiberty Leading the People · Eugène Delacroix
Famous Realism paintingsNighthawks · Edward HopperFamous Post-Impressionism paintingsStarry Night · Vincent van Gogh
Famous Expressionism paintingsThe Scream · Edvard Munch
Famous Surrealism paintingsThe Persistence of Memory · Salvador Dalí
Famous Neoclassicism paintingsNapoleon at the St. Bernard Pass · Jacques-Louis DavidFamous Renaissance paintingsMona Lisa · Leonardo da Vinci
Famous Symbolism paintingsThe Birth of Venus · William-Adolphe Bouguereau
Famous Rococo paintingsThe Swing · Jean-Honoré Fragonard
Famous Art Nouveau paintingsThe kiss · Gustav KlimtSee also
