Naive Art

Ameri-can (Irja Bodén)

Ameri-can is an artwork by Irja Bodén. It belongs to the Naive Art movement. It is kept at ArtsWestchester in White Plains, United States of America.

Ameri-can by Irja Bodén, ArtsWestchester
Ameri-can by Irja Bodén, ArtsWestchester.

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Ameri-can: catalogue record

Title
Ameri-can
Artist born in
Kiruna, Sweden
Where to see it
ArtsWestchester, White Plains, United States of America
Movement
Naive Art
Subject
ceramic sculpture, marine life art, whimsical scene, ice cream cone, childhood dreams, american folklore

Where is Ameri-can kept?

ArtsWestchester

White Plains, United States of America

ArtsWestchester: A Cultural Beacon in White Plains ArtsWestchester stands as a testament to the enduring power of artistic expression and community engagement, nestled in the heart of downtown White Plains, New York. Founded in 1965, this pioneering arts council has blossomed into Westchester County’s foremost champion for creativity—a vibrant multi-arts center and gallery dedicated to fostering local talent and enriching the cultural landscape. Contemporary & Modern Art: ArtsWestchester distinguishes itself through its unwavering focus on showcasing cutting-edge artistic endeavors.

Ameri-can: image files and credit line

Ameri-can by Irja Bodén, ArtsWestchester
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Irja Bodén, Ameri-can, ArtsWestchester.

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Frequently asked questions: Ameri-can

Where is "Ameri-can" by Irja Bodén on display today?

The original "Ameri-can" by Irja Bodén is held at the ArtsWestchester, White Plains, United States of America. A reproduction allows the work to be displayed at home.

What does "Ameri-can" by Irja Bodén depict?

The subjects of "Ameri-can" are ceramic sculpture, marine life art, whimsical scene, ice cream cone, childhood dreams, american folklore, naive art style, scandinavian design.

Can the image of "Ameri-can" by Irja Bodén be freely reproduced?

"Ameri-can" by Irja Bodén is still protected by copyright. This status governs how the image of the work may be reproduced.

Which artist is "Ameri-can" attributed to?

The artist behind "Ameri-can" is Irja Bodén. The work is catalogued under Irja Bodén's name.

Which artistic current is "Ameri-can" by Irja Bodén part of?

"Ameri-can" by Irja Bodén belongs to the Naive Art movement. This movement provides the stylistic context of the work.

Where does "Ameri-can" fall in Irja Bodén's career?

"Ameri-can" belongs to the Contemporary of Irja Bodén's career. This classification relates the work to the artist's development.

Is "Ameri-can" by Irja Bodén kept in the artist's home country?

No - the artwork is kept abroad. "Ameri-can" is held in United States of America, while Irja Bodén was born in Sweden.

Where does "Ameri-can" sit within Irja Bodén's body of work?

"Ameri-can" belongs to Irja Bodén's Naive Art work, whose recorded themes include nordic folklore & whimsy, childhood innocence explored, american nostalgia subtly, sustainable art practices, playful, dreamlike imagery, exploring regional identity, part of a ceramic series.

How does the subject of "Ameri-can" relate to Irja Bodén's usual themes?

"Ameri-can" depicts ceramic sculpture, marine life art, whimsical scene, ice cream cone, childhood dreams, american folklore, naive art style, scandinavian design, while Irja Bodén's recorded themes are nordic folklore & whimsy, childhood innocence explored, american nostalgia subtly, sustainable art practices, playful, dreamlike imagery, exploring regional identity, part of a ceramic series. Comparing the two shows how the work relates to the artist's usual subjects.

Irja Bodén: biography

Sweden

Irja Bodén

The Sculpted Echoes of Kiruna Irja Bodén’s artistic consciousness is deeply rooted in the stark, evocative landscapes of Kiruna, Sweden. Growing up within the profound influence of the Arctic Circle, she was nurtured by a world defined by dramatic textures and rhythmic seasonal shifts. This northern heritage serves as more than just a biographical detail; it is the very marrow of her creative practice. The rugged beauty of Scandinavia, characterized by its immense geological presence and the biting clarity of its light, instilled in her an enduring fascination with materiality and the narrative potential of form.

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