艺术家: Carlo Ridolfi
博物馆: Staats- und Universitatsbibliothek (Gottingen, Germany)
术: 雕刻
"By 1630 , 普桑正朝着不屈不挠的关于人类道德状况的陈述前进，这是他的作品的特征 . 那年他画了《阿什杜德瘟疫》 ( 卢浮宫 , 巴黎 ) , 决定了他未来五年的工作风格和心情 . 这些数字相互交织在一起，构成极其复杂，看上去有些杂乱无章 ; 描绘旧约主题 , 观众免于恐惧 , 普桑试图提高准确性 . 次年他画了《植物帝国》 ( 德累斯顿 , Gemäldegalerie ) , 一个比较开朗的主题，但人物的连环相似 . 这两个图片都是圆的 , 通过文档可访问 , 剩下的 Poussin's 据称画在周围的图片 1630 必须分组 . "
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Carlo Ridolfi – 最多人看的作品
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