艺术家: Abraham De Vries
日期: 1600
博物馆: Kunstpalast (Düsseldorf, Germany)
术: 铜
看来这个数字原来是放在被鞭打的哨所前面的. 后面的几个小洞以及该数字的立场都表明了这一点,然而,在没有员额的情况下,这更像是向前迈出了一步。 同样,右前臂也背着这个人物,因为双手是捆绑的。 " Christ at the Colle " 的数字的对应模型不仅可以在雕塑中找到,而且在印刷品中也能找到。 与吉安博洛尼亚及其继任者安东尼奥·苏西尼(Antonio Susini)或亚得里亚安·德·弗里斯(Adriaen de Vries)的作品在风格上有相似之处,后者后来再次在阿尔卑斯山北部地区工作. 当数字被安装在基座上时,尚不能肯定,而基座大约是同时被安装的。 无论如何,今天的焦点更多的是基督的被长而被美化的躯体,而不是从"激情"起的上名场景. (阿恩·利奥波德)
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