艺术家: Ambrosius The Elder Bosschaert
日期: 1618
尺寸: 39 x 55 cm
博物馆: National Gallery of Denmark (Copenhagen, Denmark)
术: 铜上油
几乎能接取花花花花花香并感受露花对面的新鲜. 花花边的"影子"案在花瓶所处地处的石特立地的曲线上形成了出不规则的轮廓. 立面提供的建筑框架遵循了绘画本身的维度,如果不是因为重装的立面,人们可能会一一看就把它误认为是真正的立面. 这种光学幻觉或摇晃效应被花瓶旁边的一朵黄玫瑰所突出,并延伸到了石缝边缘之外。 由于一些因素——例如加尔文主义者拒绝教堂装饰,中产阶级更加富有——17世纪早期荷兰艺术市场引入了多起新的主题和课题. Ambrosius Bosschaerts是最早在静生流派中以自己的权利使花成为"花"的画家之一. 在17世纪期间,流派与一套道德底线有关. 例如,郁金香灯泡是昂贵的投资对象,因此多彩郁金香被经常用作纪念 -- -- 提醒人们生命短促。
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