日期: 1927
尺寸: 79 x 67 cm
博物馆: Museu do Oriente (Lisbon, Portugal)
术: 油画布上的油
一张画作被带入画布,以记录印度次大陆的种族多样性,并带有对地位和个性微妙的评论. 保姆的属性在各类流浪者中是常见的. 他的右肩上被捆住的袋子和用于施舍的贮器几乎看不到。 他抓住了螺旋海贝,只有上部可见. 这位老人的特征是一位基督教奇才的外壳,玫瑰花和短而粗糙的发型. 沉闷而西切的灰色衬衫强化了这个人的阴沉面部表情. 悲哀的双眼反映了艰难的生活,虽然他看起来并不可怜,也不贪婪. Trindade的乞丐像许多朴素的民俗画像一样, 让人联想到一个生活在主流社会之外、正直和自敬的朴素人。 参考资料:Shihandi,Marcella等,António Xavier Trindade:葡萄牙果阿的印度画家(展览目录),格鲁吉亚大学美术馆,1996年;Tavares,Cristina Azevedo等,António Xavier Trindade:Um Pintor de Goa(展览目录),里斯本,Oriente基金,2005年;Gracias,Fátima,殖民印度的面孔:Goan艺术家António Xavier Trindade的工作(1870-1935年),Panjim,Goa,Fundação Oriente,2014年。
艺术家 |
|
|---|---|
下載 |
|
權限 |
免費的非商業用途。 見下文。 |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
