日期: 1920
尺寸: 60 x 45 cm
博物馆: Museu do Oriente (Lisbon, Portugal)
术: 油画布上的油
在Trindade的遗产中, 这些肖像画是西方和印度观众中一个非常受欢迎的主题,因为它具有印度的气质,优雅和通俗性,这些肖像画似乎总是称赞了传统乡村生活的美德. 她的和平存在和优雅的姿势符合她时代的女性理想。 半透明而柔软的色彩计划增强了她的美. 她的手臂直接将观众引导到锅上,这是她女性状况的象征,或可能是即将到来的一个活泼. 画家描绘了Nauvari(9码)中大多数印度教女性, 在印度的孔坎海岸,特别是在马哈拉施特拉和果阿,渔民或务农者中,这种拉风很常见。 在这张特别的肖像中,她身穿有相配的Choli和无首饰的浅粉色莎丽花,印度教已婚妇女罕见,除非她是寡妇. 参考:Gracias, Fátima, Faces of Colonial India: Goan艺术家安东尼奥·克萨维尔·特林达德(1870-1935),Panjim, Goa, Fundação Oriente, 2014.
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