日期: 1920
尺寸: 59 x 38 cm
博物馆: Museu do Oriente (Lisbon, Portugal)
术: 油画布上的油
Trindade和这个旁遮普混血儿的相遇可能发生在孟买繁忙的集市上, 和许多其他巡回音乐家一样,他从家乡以南走来朗诵并表演旁遮普苏菲诗作以作为生计. Trindade的小说家向观众问好, 由右手取出取出取出取出取出取出取出收割作物的花斧相接而来,左手取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取出取取出取出取出取 他的红色和绿色的头巾和克德达尔,即披肩,而白色的外衣是旁遮普邦的传统. 年轻人赤脚走来走去, 使他不太幸运和流动。 与许多特林达德常见的民间画像一样,艺术家利用了强烈的色彩对比和表现的刷子活泼活泼. 尽管如此,下层的服装和坐椅的脚部都是粗略而未解决的,可能是因为艺术家没有完成他的工作. 参考文献:Shihandi,Marcella等,António Xavier Trindade:葡萄牙果阿的印度画家(出品目录),乔治亚大学乔治亚艺术博物馆,1996年.
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