日期: 1912
尺寸: 91 x 71 cm
博物馆: Museu do Oriente (Lisbon, Portugal)
术: 油画布上的油
作为20世纪早期印度的主要肖像画家之一,特林达德对他的保姆的情感特征和熟练程度对身体相貌和构成有很强的理解. 因此,艺术家的自画像真实地反映了他的态度和性格并不是巧合. Trindade的描写在风格上肯定是西方的. 用他精心定制的外衣,站起领子,丝绸领带和多层衬衫,背心和夹克来描绘出欧洲礼仪的一幅肖像,被金表链和项链所传递出一丝优雅. 他的牵引发和管子给正式的构成增加了自然的,更放松的外观. 归根结底,特林达德在这幅肖像中,宣称自己是一位与他年龄和处境相适应并取得成功的人. 参考文献:Shihandi,Marcella等 António Xavier Trindade:来自葡萄牙果阿的印度画家(外出目录),乔治亚大学美术馆,1996;Gracias, Fátima, Faces of Colonial India: Goan艺术家António Xavier Trindade (1870-1935), Panjim, Goa, Fundação Oriente, 2014.
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