艺术家: Anthony Van Dyck
日期: 1617
尺寸: 66 x 51 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 木头
在安特卫普,他的年轻同僚雅各布·若尔达斯和安东尼·范戴克密切关注了鲁本斯将真人作为他宗教和神话场景中人物的典范的做法. 这幅画曾被归于鲁本斯,但其相对柔软的形式和纹理外表是年轻的范·戴克的典型,并和鲁本斯的突出的造型和敏锐的作风形成对比.
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