艺术家: Antonio Badile Iii
日期: 1400
尺寸: 190 x 59 cm
博物馆: Castelvecchio Museum (Verona, Italy)
术: 温和
婚后胸口以有鸽尾相接技法的活活活活木所建,装饰有珍贵的被凹陷相框并装饰有丰富的被镀金的平板装饰,将中央面板用吉乌斯提家族的手臂从两个被漆成的侧面面板上分出. 四对叶子结起于角上,使前额上的三个被隔离的田地具有几乎圆形的外形,我们在两侧也发现了. 立德和手柄仍然特别有原创性,就像内部一样,只是被厚厚的加固所改变. 所画的隔间在维吉尔,弗吉尼亚和克罗迪奥·阿皮奥的故事中描绘出两个瞬间,由利维奥(III,44-58),迪奥多罗·西库洛(XII,24,2),哈利卡纳苏斯的狄奥尼修斯(XI,28,2 ff.),西塞罗所讲述. (德·菲尼布斯·克洛迪乌和马洛鲁姆)和瓦列里奥·马西莫(VI, I, 2):维吉尼亚在阿皮奥·克洛迪乌和弗吉尼亚被她的父亲维吉尼奥在论坛上所杀之前领跑. 这第二集以极其现实和字面化的方式展现了维吉尼奥 挥舞着从屠夫身上偷来的刀
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