艺术家: Antonio Badile Iii
日期: 1552
博物馆: Castelvecchio Museum (Verona, Italy)
术: 机上石油
聚普提克被放入了圣彼得罗·因卡纳里奥的维罗内塞教堂,被放在了与切割石块艺术有关的祭坛上,其中四位被冠冕的圣人都是赞助人. 圣人有被冠冕的人物,有5名潘诺尼亚雕塑家和4名罗马军官,尽管两个团体相隔了两年被殉道而统一了原始的"通经". 响应在圣像中更坚持古来源的要求——典型的反变相——圣人第一次在此被代表,这是现代,在中世纪被石器切割者的邪教导致四个罗马圣人被排斥之后. 在小组中,烈士们的人物在不同姿势中被俘获并相对轻松地居住在自己的空间;这些人物所投下的阴影和阿普塞腔有助于确定总体空间效应,而丢失的相框也理应对此作出贡献。
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