艺术家: Antonio Di Jacopo D'antonio Benci
尺寸: 59 x 40 cm
博物馆: Kupferstichkabinett (Berlin, Germany)
术: 打印
Pollaiuolo首次尝试了Zig-zag孵化。 这一技术与用笔作画相似,使艺术家能够塑造身体的内在形态,同时使光和荫的剧情更加生动和自由,比使用 " 精细的曼纳 " 的极其微妙和短短的断线特征更为可能。 与壁画一样,两行平行的数字在背景中与植被屏幕相对照。 这一背景的安排和线条与数字及其武器的对称性相呼应。 尽管所有元素都通过作品的各种重叠形式相互交织,但整体动态冻结为停滞状态,这符合以平分战斗动机的描绘为前提的方法。 这反过来又使得艺术家能够完全专注于以理想化的姿势和躯干描绘出个体的身体. 人类的受体和解剖细节借鉴了装饰出古代石棺的解脱图象、明亮手稿所描绘的主题以及艺术家自己对裸体的研究。
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