我在巴黎的录音室 – (Armando Pereira De Basto) 上一页 下一页


艺术家:

日期: 1913

博物馆: National Museum of Contemporary Art - Museu do Chiado (Lisboa, Portugal)

术: 油画布上的油

这幅画作于阿曼多·德·巴斯托开始油画的同年. 巴黎艺术场景的陈词滥调,如出自"出道"(divan),"吉他"(吉他)或"女孩的现代和优雅类型"等,有助于创造出这幅画所接受的现代. 这种关注的特点是,在一系列干绿地和地壳内,对由颜色所创造的空间进行总体规划,这些空间与竖起的衬垫具有连续性并被挂毯所补充的地盘的装饰性齿轮有关. 这种motifs的连续性几乎以同值填充了屏幕的表面,降低了字段的深度. 这幅画的模特是艺术家伊冯娜的情人,他一直和伊冯娜一起生活到离开巴黎. 被放在斜面上,因此被颜色的本质所包围,被吉他倾角所抵消. 下方挂毯的圆形动静 遇见了女孩

This artwork is in the public domain.

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Public domain

This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.