日期: 1636
博物馆: Toledo Museum of Art (Toledo, United States)
术: 油画布上的油
据"创世记"记载:虔诚的鲁特和他的信徒们,曾被天神们劝告在真主毁灭索多姆城之前,先逃出它的罪恶. 洛特的妻子出名地违抗了上帝的命令,不要回想被焚毁的城市,被改造成一幅"盐柱"(在这幅画中寻找她). 洛特的女儿们相信他们的家庭是地球上最后的人,他们密谋让父亲喝醉并引诱他继续人类。 该主题通常构成一系列"圣经"中诱饵形象的一部分,其基本主题为"女性能将男性引向歧途". 然而,阿特米西亚·让蒂莱斯奇(Artemisia Gentileschi)却淡化了故事中公开的性倾向,使她的形象更受尊崇并更深入地进行心理互动. 虽然在罗马、佛罗伦萨和威尼斯工作过,但当她给洛特和他的女儿们画画时,阿特米西亚·让蒂莱斯奇领导了自己在那不勒斯成功的工作坊。 她被包括贝尔纳多·卡瓦利诺在内的多位画家所钦佩并模仿,这幅画曾经被归功于她. 她的强势人物,丰富的色彩,戏剧性的构成,赢得了她在整个欧洲的名声和佣金.
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