艺术家: Bada Shanren
日期: 1698
尺寸: 25 x 34 cm
术: 纸张
巴达·桑伦直到他将近70岁时才很少画出地貌,但正如这张专辑所证明的那样,他在其生命的最后十年里成为了这个流派的伟大大师. 这些差异巨大的组成显示出对负空间的图形功能的特有敏感性。 岩石往往被以平面平面为模型,而相交树木的表达渲染则揭示出艺术家的书法精湛. 巴达对地貌的主要启发是后明大师董克昌(1555年–1636年). 但这张专辑也证明了他对早期大师的深刻理解和大胆地离开了他们. 他不仅总结了自己的艺术遗产, 郭作 [Guo Xi, ca. 1000–ca. 1090] 中标有纹理的岩石被小云所淹没; 老董作 [Dong Yuan,活出930s–60s] 的活出"活出"(hemp-fiber)的"活出"(hemp-fiber)等笔线也常被打成模范树木. 我可以想象他的时相如何解释他的画作: 宜丰 [Huang Gongwang, 1269–1354] 仍在描绘宋帝国的地貌. 猫 第62条
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