艺术家: Charles Filiger
尺寸: 36 x 36 cm
博物馆: Musée de Pont-Aven (Pont-Aven, France)
术: 水相颜色
1888年,菲利格搬到了庞特-阿文(Pont-Aven),在那里他结识了高更和在"养老金"Gloanec的朋友. 他放弃了一种自然主义风格来体现合成主义的原则,并像一个受欢迎图像的插画家一样,开始在"出自他所称之为"小发光"的"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自"出自" 他们代表了他三分之一的作品,并描绘了在勒波尔杜所设置的地貌或宗教场景. Japonism的影响在这种布雷顿地貌中明显可见,特别是在斜树上.
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