艺术家: Charles Henri Joseph Cordier
日期: 1861
术: 雕塑
科迪耶的雕塑将人种学现实主义与古典理想主义相结合,来推动法国殖民扩张和伪科学种族分类. 他在巴黎1861年沙龙上展示的半尺寸的铜和大理石断裂,这是科尔迪耶国家赞助的通过各种人类种族来描绘普遍、以欧洲为中心的美标准的项目的一个例子。 现在被认为是过时的"la capresse",这是艺术家选择的头衔,也是他一生中使用的几个头衔之一,指的是一位以非洲和一些欧洲血统为主的来自法属加勒比殖民地的妇女. 保姆的身份不详,但科迪埃可能在巴黎见过她. 科迪埃的雕塑与他时代的法国人种摄影一样,推动了支持殖民政策的种族主义意识形态.
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