日期: 1525
尺寸: 62 x 90 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 木头
科内利斯是16世纪早期荷兰城市莱顿的主要画家. 他的作坊中这种惊人地对称的十字架结合了虔诚和戏剧性的能量,将情感效应推向了极端. 基督的形象被隔绝地与被黑暗所笼罩的天空相望;被他所折磨而无生的身体被被被钉死在十字架上的盗贼从两侧侧相接而来,而盗贼的形式被痛苦地扭曲. 虽然哀悼的圣母与她儿子的姿势相呼应,表明她同情地遭受了痛苦,圣约翰却在悲痛中凝视着基督. 两名身份不明的捐献者,可能是夫妻,在身体上接近现场,但心理上与现场脱节.
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