艺术家: Domenico Ghirlandaio
尺寸: 285 x 150 cm
博物馆: The Metropolitan Museum of Art (New York, United States Of America)
术: 壁画
这幅被强制,保存完好的壁画是Ghirlandaio的早期作品,是15世纪后期佛罗伦萨最受欢迎的画家之一并是壁画技术大师. 其出处不详,在佛罗伦萨圣米尼亚托弗拉·勒托里教堂装饰了一座小教堂的传统很可能是错误的:早期的作家将那幅壁画描述为大约两倍大小并被归于波莱乌奥洛兄弟. 在真正的壁画技术中,与水相混合的颜料被直接应用到新鲜(或壁画)的石膏壁上. 随着石膏的形成,发生化学反应,使颜料颗粒被锁入壁中,使工作具有了极大的耐久性. 十五世纪时,壁画的设计常被用红色的颜料来进行,取名"辛诺皮亚"(sinopia),在粗麻石膏("arriccio")的筹备层上. 上面铺放的只是一天内能被涂上 细地的石膏 ("Intonaco") 我们的壁画包括7个这样的部分,或者"Giornate",这些部分紧跟数字和道具的轮廓. 画的状态特别好 石膏干燥后添加了许多细节,特别是在地貌上. 这种"一秒"的细节通常已经消失.
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