日期: 1600
尺寸: 41 x 52 cm
博物馆: The Frick Collection (New York, United States)
术: 油画布上的油
基督将贸易商和货币兑换者从圣殿驱出的主题在"反改革"期间具有了特殊的意义,作为象征意义地提到了教会从异端的净化. El Greco在圣殿墙上的堡垒救济中引入了"将亚当和夏娃从天堂驱逐"和"以撒牺牲"这两个主题,这两个主题都是"古老的约法"预想了圣殿的净化. 画中的数字分为两组. 在左侧,在驱逐救济之下,是恐惧的罪人。 在右边,信徒们悄悄地从祭祀以撒的地下观察现场,这是十字架的前作. "纯洁"的主题吸收了埃尔·格雷克在整个职业生涯中,这从他店铺发行的许多版本的这种成分就证明了这一点. 虽然El Greco作品的编年史远未明确,但Frick画布似乎是后来的例子之一. 相较于其他类似版本,这幅画的体型更小,但通过爆炸动作和冷却而辉煌的色彩来产生出显著的戏剧强度. 资料来源: "花花相公集"中的艺术:绘画,雕塑,装饰艺术,纽约:Harry N. Abrams, 1996.
艺术家 |
|
|---|---|
下載 |
|
權限 |
免費的非商業用途。 見下文。 |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the watermark. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
|
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may
not be in the public domain in these countries, which moreover do not implement the
